Isography and structure in the music of boulez

Journal of Mathematics and Music

Volumn 2, Issue 3, 2008, Pages 135-155

  Losada, Catherine ^a  

^a UNIVERSITY OF CINCINNATI   (United States)

Author keywords

Boulez; Complex multiplication; Form; Isography; Multiplication; Structure; Structures II; Transpositional combination; Troisi me Sonate

Indexed keywords

EID: 69849121333     PISSN: 17459737     EISSN: 17459745     Source Type: Journal    
DOI: 10.1080/17459730802518318     Document Type: Article

References (26)

1. Boulez, P., 1991. Relevés d'Apprenti [Stocktakings from an Apprenticeship], Oxford:Clarendon Press. collected and presented by Paule Thévenin, with an introduction by Robert Piencikowski, S. Walsh (Transl.), (original work published by Seuil, Paris, 1966)
2. Decroupet, P., 2006. “ Moments doubles, figurés en prisme ”. In Pierre Boulez:Techniques d’Écriture et Enjeux Esthétiques, Edited by:Decroupet, P., and Leleu, J., 133–157. Geneva:Contrechamps.
3. Decroupet, P., and Leleu, J., 2006. “ ‘Penser sensiblement’ la musique:production et description du matériau harmonique dans le troisième mouvement du Marteau sans Maıˆtre ”. In Pierre Boulez:Techniques d’ Écriture et Enjeux Esthétiques, Edited by:Decroupet, P., and Leleu, J., 177–215. Geneva:Contrechamps.
4. Häusler, J., 1965. Klangfelder und Formflächen:Kompositorische Grundprinzipien im II. Band der Structures von Pierre Boulez, Liner Notes, Wergo 60 011, Baden-Baden
5. Heinemann, S., 1993. Pitch-Class Set Multiplication in Boulez's Le Marteau sans Maıˆtre, University of Washington. D.M.A. diss
6. Heinemann, S., 1998. Pitch-class set multiplication in theory and practice. Music Theory Spectrum, 20:72–96.
7. Holler, Y., 1994. Fortschritt oder Sackgasse, Saarbrücken:Pfau.
8. Koblyakov, L., 1977. ‘P. Boulez’ ‘Le Marteau sans Maıˆtre’:analysis of pitch structure. Z. Musiktheorie, 8.1:24–39.
9. Koblyakov, L., 1981. The world of harmony of Pierre Boulez:analysis of Le Marteau sans Maıˆtre, Hebrew University of Jerusalem. Ph.D. diss
10. Koblyakov, L., 1990. Pierre Boulez:a World of Harmony, New York:Harwood Academic.
11. Losada, C., paper presented at the Annual Meeting of the Society for Music Theory. Simplifying complex multiplication, To be published
12. Mosch, U., 2004. Musikalisches Hören serieller Musik, Saarbrücken:PFAU-Verlag.
13. Scotto, C., Reevaluating complex pitch-class set multiplication and its relationship to transpositional combination in Boulez's Le Marteau sans Maıˆtre. paper presented at the Pierre Boulez Autumn Study Day, Royal Holloway. University of London.
14. Pierre Boulez Collection:Music Manuscripts, Inventories of the Paul Sacher Foundation, Vol. 3, Amadeus, Winterthur, 1988.
15. Boulez, P., 1971. Penser la Musique Aujourd'hui [Boulez on Music Today], Cambridge:Harvard University Press. S. Bradshaw and R.R. Bennett (Transl.) (original work published by Gonthier, Paris, 1963)
16. Decroupet, P., 1995. Renverser la vapeur…:Zu Musikdenken und Kompositionen von Boulez in den fünfziger Jahren. Musik-Konzepte, 89–90:112–131.
17. Piencikowski, R., 1985. “ R. Nature morte avec guitare ”. In Pierre Boulez:Eine Festschrift zum 60. Geburtstag am 26. März 1985, Vienna:Universal Edition.
18. Ligeti, G., 1958. Pierre Boulez:Decision and Automatism in Structure Ia, Die Reihe 4, 36–62. Bryn Maur, PA:Theodore Presser.
19. Deyoung, L., 1978. Pitch order and duration order in Boulez's Structure 1a, Persp. New Mus., 2:27–34.
20. Voigt, S., paper presented at the meeting of the Society for Music Theory. Baltimore. Post-serial organization in late works by Boulez
21. Gottwald, C., 1997. Ammerkungen zur Harmonik von Cummings ist der Dichter. Musiktheorie, 12 (1):53–59.
22. Schatz, I., 1977. Heinrich Strobel ‘Verehrter Meister, lieber Freund…,’, Edited by:Schatz, I., Suttgart:Belser Verlag.
23. Guldbrandsen, E., 1997. “ New light on Pierre Boulez and postwar modernism. On the composition of ‘Improvisation I–III sur Mallarmé′ ”. In In the Plural; Institutions, Pluralism and Critical Self-awareness in Contemporary Music, Edited by:Møller Sørensen, S., Copenhagen:Department of Musicology, University of Copenhagen.
24. Piencikowski, R., 1993. “ ‘Assez lent, suspendu, comme imprévisible’:quelques aperçus sur les travaux d'approche d’éclat ”. In Genesis Vol. 4, 51–68. Originally published in German in F. Meyer (ed.), Quellenstudien II:Zwölf Komponisten des 20. Jahrhunderts, Publications of the Paul Sacher Foundation, Amadeus-Verlag, Winterthur, 1993
25. Wentzel, W., 1991. Dynamic and attack associations in Boulez's Le Marteau sans Maıˆtre. Persp. New Mus., 29.1:142–170.
26. Boulez, P., and Menger, P., 1990. From the Domaine Musical to IRCAM. Persp. New Mus., 28.1:6–19. J. Bernard (Transl.)