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Volumn 15, Issue 4, 2008, Pages 449-470

‘A novel, spicy delicacy’: Tamales, advertising, and late 19th-century imaginative geographies of Mexico

Author keywords

advertising; food; imaginative geography; imperialism; Spanish American War

Indexed keywords


EID: 69849117605     PISSN: 14744740     EISSN: None     Source Type: Journal    
DOI: 10.1177/1474474008094316     Document Type: Article
Times cited : (8)

References (54)
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    • In a survey of all advertising from the Ladies’ home journal for volume 16 (about 2500 ads), the Armour Chicken Tamale ads were the only advertising images that showed non-white women involved in food production and the only product that clearly billed itself as a foreign or ethnic food. Because the Armour tamale ads appear to represent important in Ladies’ home journal in terms of depicting the first images of not only Mexicans and mestizos but also ethnic food, I decided to perform close readings of the tamale ads and relate the images to larger discourses of race and imperialism at the close of the 19th century. ‘Extract of Beef ‘ ad, Ladies’ home journal, November 1898, p. 48. ‘Vigoral Concentrated Beef ‘ ad, Ladies’ home journal, January 1899, p. 32. ‘Pork and Beans’ ad, Ladies’ home journal, April 1899, p. 37. ‘Pork and Beans’ ad, Ladies’ home journal, May 1899, p. 34. ‘Pork and Beans’ ad, Ladies’ home journal, June 1899, p. 44. ‘Pork and Beans’ ad, Ladies’ home journal, July 1899, p. 41. ‘Star Brand Mince Meat’ ad, Ladies’ home journal, October
    • The Armour Chicken Tamale ads first came to my attention as part of a larger project analyzing how early advertising images represented women and food. In a survey of all advertising from the Ladies’ home journal for volume 16 (about 2500 ads), the Armour Chicken Tamale ads were the only advertising images that showed non-white women involved in food production and the only product that clearly billed itself as a foreign or ethnic food. Because the Armour tamale ads appear to represent important ‘firsts’ in Ladies’ home journal in terms of depicting the first images of not only Mexicans and mestizos but also ethnic food, I decided to perform close readings of the tamale ads and relate the images to larger discourses of race and imperialism at the close of the 19th century. ‘Extract of Beef ‘ ad, Ladies’ home journal, November 1898, p. 48. ‘Vigoral Concentrated Beef ‘ ad, Ladies’ home journal, January 1899, p. 32. ‘Pork and Beans’ ad, Ladies’ home journal, April 1899, p. 37. ‘Pork and Beans’ ad, Ladies’ home journal, May 1899, p. 34. ‘Pork and Beans’ ad, Ladies’ home journal, June 1899, p. 44. ‘Pork and Beans’ ad, Ladies’ home journal, July 1899, p. 41. ‘Star Brand Mince Meat’ ad, Ladies’ home journal, October 1899, p. 46.
    • (1899) The Armour Chicken Tamale ads first came to my attention as part of a larger project analyzing how early advertising images represented women and food. , pp. 46
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    • G. Atherton, The Californians (Ridgewood, NJ, Gregg Press, 1968 [1898]), p. 334; L. Harby, ‘Texan types and contrasts’, Harper's, July 1890, pp. 229-46; R. Hartt, ‘The Montanians’, The Atlantic monthly, June 1898, pp. 737-48.
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    • The poverty of the pair was unmistakable. A straw sombrero, cotton shirt, trousers, and sandals completed his outfit, a chemise, blue skirt, scarlet sash, and rebozo twisted about her throat her own. This humble raiment was clean and fresh, and the red rose tucked coquettishly among the braids of her purple-black hair was just what was wanted to make it picturesque
    • (New York, Houghton, Mifflin and Co., ), Smith describes a mestizo couple
    • F. Smith, A white umbrella in Mexico (New York, Houghton, Mifflin and Co., 1889), p. 40. Smith describes a mestizo couple: ‘The poverty of the pair was unmistakable. A straw sombrero, cotton shirt, trousers, and sandals completed his outfit, a chemise, blue skirt, scarlet sash, and rebozo twisted about her throat her own. This humble raiment was clean and fresh, and the red rose tucked coquettishly among the braids of her purple-black hair was just what was wanted to make it picturesque’.
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    • The most noticeable of all the crowd was a handsome looking young Mexican, in a riding suit, presenting an appearance elegant enough to make our greatest ‘swells
    • See American beauty (Chicago, University of Chicago Press, ), A description of male dress from the Mexican upper classes is seen in H. Sanborn, A winter in Central America and Mexico, p. 241. She writes: ‘The most noticeable of all the crowd was a handsome looking young Mexican, in a riding suit, presenting an appearance elegant enough to make our greatest green with envy. With a rich dark complexion, a fine form, and manly bearing, his natural beauty was further enhanced by his dress, which was most elegant and showy, and consisted of a sombrero of drab felt, with an enormously wide brim and a rich trimming with of silver; a jacket and vest of spotless white, elaborately embroidered; and trousers of fine black cloth, with rows of silver buttons on the seam from top to bottom. An enormous pistol, and a display of jewelry, completed his elegant toilet, and enhanced the fine appearance of which he was fully conscious, as well as of the admiration which he excited’.
    • The woman is wearing a corset and shirt-waist typical of American fashions of the late 19th century. See L. Banner, American beauty (Chicago, University of Chicago Press, 1983), pp. 148-50. A description of male dress from the Mexican upper classes is seen in H. Sanborn, A winter in Central America and Mexico, p. 241. She writes: ‘The most noticeable of all the crowd was a handsome looking young Mexican, in a riding suit, presenting an appearance elegant enough to make our greatest ‘swells’ green with envy. With a rich dark complexion, a fine form, and manly bearing, his natural beauty was further enhanced by his dress, which was most elegant and showy, and consisted of a sombrero of drab felt, with an enormously wide brim and a rich trimming with of silver; a jacket and vest of spotless white, elaborately embroidered; and trousers of fine black cloth, with rows of silver buttons on the seam from top to bottom. An enormous pistol, and a display of jewelry, completed his elegant toilet, and enhanced the fine appearance of which he was fully conscious, as well as of the admiration which he excited’.
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    • And that it is custom makes it law: class conflict and gender ideology in the public sphere, Mexico City, 1880-1910
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