Music and consciousness

Leonardo

Volumn 41, Issue 4, 2008, Pages 420-421

  Perlovsky, Leonid ^a  

^a HARVARD UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 69649107731     PISSN: 0024094X     EISSN: None     Source Type: Journal    
DOI: 10.1162/leon.2008.41.4.420     Document Type: Article

References (10)

1. Shakespeare, Much Ado about Nothing, Act II Scene HI, see in Complete Works of William Shakespeare (Los Angeles, CA; Gramercy, 1990)
2. David Huron. Ernest Bloch Lectures, University of California, Berkeley, Department of Music, 1999
3. Aristotle, Topics, IV BCE, in The complete works, The revised Oxford translation, ed. J. Barnes (Princeton, NJ; Princeton Univ. Press, 1995)
4. Pinker, How the Mind Works, (New York, NY; Norton, 1997)
5. Hermann Helmholtz, 1863, see in On the Sensations of Tone (Boston MA; Dover Publications, 1954)
6. L.I. Perlovsky, "Toward Physics of the Mind: Concepts, Emotions, Consciousness, and Symbols," Physics of Life Reviews 3 No. 1, (Jan. 2006) pp. 23-55
7. C.G. Jung, Psychological Types. In the Collected Works, v.6, Bollingen Series XX, (Princeton, NJ Princeton University Press, 1971)
8. L.I. Perlovsky, Music - The First Principles, 2006,
9. P.Weiss & R. Taruskin, Music in the Western World (New York, NY; Schirmer, Macmillan, 1984, p. 19)
10. P.Weiss & R. Taruskin [11] p. 546