Balancing the expected and the surprising in geometric patterns

Computers and Graphics (Pergamon)

Volumn 33, Issue 4, 2009, Pages 475-483

  Dodgson, N A ^a  

^a UNIVERSITY OF CAMBRIDGE   (United Kingdom)

Author keywords

Design; Op art; Pattern; sthetics

Indexed keywords

COMPUTER GRAPHICS; DESIGN; HUMAN COMPUTER INTERACTION;

GEOMETRIC PATTERNS; OP ART; PATTERN; PERCEPTUAL EFFECTS; REGULAR PATTERNS; TRADE OFF;

ECONOMIC AND SOCIAL EFFECTS;

EID: 69449091980     PISSN: 00978493     EISSN: None     Source Type: Journal    
DOI: 10.1016/j.cag.2009.04.001     Document Type: Article

References (39)

1. Dodgson NA. Regularity and randomness in Bridget Riley's early Op art, in: Proceedings of eurographics workshop on computational aesthetics in graphics, visualization, and imaging, Eurographics, 2008. p. 107-14. ISSN 1816-0859, 〈www.cl.cam.ac.uk/users/nad10/pubs/cae08.pdf〉.
2. Livingstone M. Pluralism since 1960. In: Britt D. (Ed). Modern art (1999), Thames & Hudson 359-405 [chapter 8]
3. Moorhouse P. A dialogue with sensation: the art of Bridget Riley. In: Moorhouse P. (Ed). Bridget Riley (2003), Tate Publishing 11-27
4. Hoffman DD, Visual intelligence: how we create what we see, W.W. Norton & Company, 1998. ISBN 0-393-04669-9.
5. Goguen J.A. What is art? editorial introduction. Journal of Consciousness Studies 7 8-9 (2000) 7-15
6. Ramachandran V.S., and Hirstein W. The science of art: a neurological theory of aesthetic experience. Journal of Consciousness Studies 6 6-7 (1999) 15-51
7. Zeki S. Art and the brain, Dædalus. Journal of the American Academy of Arts and Sciences 127 2 (1998) 71-103
8. Mondrian P. Toward the true vision of reality. In: Holtzmann H., and James M.S. (Eds). The new art-the new life: the collected writings of Piet Mondrian (1987), Thames & Hudson 338-341 [Article written 1941]
9. Chilvers I. A dictionary of twentieth-century art (1998), Oxford University Press, Oxford
10. Kudielka R. Building sensations: the early work of Bridget Riley. In: Bridget Riley: paintings from the 1960s and 70s, Serpentine Gallery, London, 1999. p. 23-33. ISBN 1-870815-17-7.
11. Searle A. Do not adjust your eyes, The Guardian, 24 June 2003, 〈 www.guardian.co.uk/culture/2003/jun/24/artsfeatures.tatebritain〉.
12. Moorhouse P. The ultimate secret of things: perception and sensation in Bridget Riley's art. In: Bridget Riley: paintings and drawings 1961-2004, Ridinghouse, 2004. p. 15-23. ISBN 0-9541710-6-3.
13. Riley B. Dialogues on art, Zwemmer, London, 1995. ISBN 0-302-00667-2.
14. Gombrich E. The story of art. 16th ed. Phaidon Press; 1995. ISBN 0-7148-3247-0.
15. Arnheim R. Art and visual perception: the new version. Berkeley, CA: University of California Press; 1974. ISBN 0-520-02327-7.
16. Martindale C., Gregory R.L., Mangan B., Baars B.J., Kindy J., Mitter P., Lanier J., Wallen R., and Ramachandran V.S. Commentary on Ramachandran and Hirstein. Journal of Consciousness Studies 6 6-7 (1999) 52-75
17. Gombrich E.H., Ramachandran V.S., Ione A., McMahon J.A., and Wheelwell D. Commentaries on the paper 'The science of art' by V.S. Ramachandran and William Hirstein. Journal of Consciousness Studies 7 8-9 (2000) 17-42
18. Birkhoff G.D. Aesthetic measure (1933), Harvard University Press, Cambridge, MA
19. Goguen J.A. Art and the brain: editorial introduction. Journal of Consciousness Studies 6 6-7 (1999) 5-14
20. Köhler W. Gestalt psychology (1930), G. Bell, London
21. Gordon I.E. Theories of visual perception (1997), Wiley, New York [ISBN 0-471-96933-8]
22. King D., and Wertheimer M. Max Wertheimer & gestalt theory (2004), Transaction Publishers [ISBN 0-7658-0258-9]
23. Bruce V, Green P, Georgeson M. Visual perception: physiology, psychology, and ecology. 3rd ed. Psychology Press; 1996. ISBN 0-86377-450-4.
24. Marr D. Vision: a computational investigation into the human representation and processing of visual information, Freeman, 1982. ISBN 0-7167-1284-9.
25. Hochberg J. The psychophysics of pictorial perception. Audio-Visual Communication Review 10 (1962) 22-54 [Reprinted in Hochberg J, Peterson, M, Gillam B, Sedgwick H. In the mind's eye: Julian Hochberg on the perception of pictures, films, and the world. USA: Oxford University Press; 2007. ISBN 0-19-517691-X, p. 30-59]
26. MOMA, Online catalogue, 〈www.moma.org/collection/〉, accessed 27 Feb 2009.
27. Hochberg J., and McAlister E. A quantitative approach to figural "goodness". Journal of Experimental Psychology 46 5 (1953) 361-364 [Reprinted in Hochberg J, Peterson, M, Gillam B, Sedgwick H. In the mind's eye: Julian Hochberg on the perception of pictures, films, and the world. USA: Oxford University Press; 2007 ISBN 0-19-517691-X, p. 11-16]
28. Tate Britain, Bridget Riley exhibition, Original sketches on display, June-September 2003.
29. Wallraven C, Cunningham DW, Fleming R. Perceptual and computational categories in art. In: Proceedings of Eurographics workshop on computational aesthetics in graphics, visualization, and imaging, Eurographics, 2008. p. 131-138. ISSN 1816-0859.
30. Mitchell A. Trees of Britain and Northern Europe. Harper Collins, 1974. ISBN 0-00-212035-6.
31. Alberti LB. De re aedificatoria, Florence, 1485 [in Latin], available online at: 〈gallica.bnf.fr/ark:/12148/bpt6k58667v〉, a more legible 1512 edition at: 〈gallica.bnf.fr/ark:/12148/bpt6k52977j〉.
32. Alberti L.B. On painting (Della pittura) (1967), Yale University Press, New Haven, CT [Translated with introduction and notes by John R. Spencer, ISBN 0-300-00001-4]
33. Kemp M. Seen | Unseen. Oxford: Oxford University Press; 2006. ISBN 978-19-929572-2.
34. Metz K.E. Emergent understanding and attribution of randomness: comparative analysis of the reasoning of primary grade children and undergraduates. Cognition and Instruction 16 3 (1998) 285-365
35. MOMA, Color chart, 〈www.moma.org/exhibitions/2008/colorchart/〉, accessed 26 Feb 2009 (2 Mar-12 May, 2008).
36. Coxeter H.S.M. The role of intermediate convergents in Tait's explanation for phyllotaxis. Journal of Algebra 20 (1972) 167-175
37. Vogel H. A better way to construct the sunflower head. Mathematical Biosciences 44 (1979) 179-189
38. Houston J. Optic nerve: perceptual art of the 1960s. Merrell Publishers; 2007. ISBN 1-8589-4389-2.
39. Hochberg J, Peterson M, Gillam B, Sedgwick H. In the mind's eye: Julian Hochberg on the perception of pictures, films, and the world. USA: Oxford University Press; 2007. ISBN 0-19-517691-X.