Where the giants stand

Journal of Library Administration

Volumn 42, Issue 3-4, 2005, Pages 83-102

  Fyffe, Richard ^a  

^a UNIVERSITY OF KANSAS   (United States)

Author keywords

Commercial vendors; Contracts; Digitization; Licenses; Open access; Public domain

Indexed keywords

EID: 68949103023     PISSN: 01930826     EISSN: 15403564     Source Type: Journal    
DOI: 10.1300/J111v42n03_06     Document Type: Article

References (9)

1. Lisa Browar, Cathy Henderson, and Michael North, “Licensing the Useof Special Collections Materials,”RBM3, no. 2 (Fall 2002), 124-144.
2. Eric Eldred, et al., Petitioners v. John D. Ashcroft, Attorney General, 239-372 (2003), affirmed.
3. Lawrence Lessig, The Future of Ideas: The Fate of the Commons in a Connected World(New York: Vintage Books, 2002), 14.
4. Stevan Harnad, “For Whom the Gate Tolls? How and Why toFree the Refereed Research Literature Online Through Author/Institution Self-Archiving, Now,”http://www.ecs.soton.ac.uk/~harnad/Tp/resolution.htm.
5. Steven Puglia, “Revisiting Costs” in:The Price of Digitization: Cost Models forCultural and Educational Institutions, NINCH Symposium, New York, April 8, 2003, http://www.ninch.org/forum/price.report.html.
6. Steven Puglia, “Revisiting Costs” in:The Price of Digitization: Cost Models forCultural and Educational Institutions.
7. D. Zorich, “Why the Public Domain Is Not Just a Mickey Mouse Issue,” NINCHCopyright Town Meeting, Chicago Historical Society, January 11, 2000, http://a href="http://www.ninch.org/copyright/2000/chicagozorich.html"www.ninch.org/copyright/2000/chicagozorich.html/a.
8. Anne R. Kinney and Oya Y. Rieger, Moving Theory into Practice: Digital Imaging for Libraries and Archives(MountainView, Calif.: Research Libraries Group, 2000).
9. Anne R. Kinney and Oya Y. Rieger, Moving Theory into Practice: Digital Imaging for Libraries and Archives The NINCH Guide to Good Practice in theDigital Representation and Management of Cultural Heritage Materials.