-
1
-
-
3042621317
-
Living in the past?: Value discourses in progressive rock fanzines
-
Atton, C. 2001. 'Living in the past?: value discourses in progressive rock fanzines', Popular Music, 20, pp. 29-46
-
(2001)
Popular Music
, vol.20
, pp. 29-46
-
-
Atton, C.1
-
2
-
-
0041311475
-
-
London, Sage
-
2002. Alternative Media (London, Sage)
-
(2002)
Alternative Media
-
-
-
6
-
-
0002200108
-
-
Paris, Liber-Raisons d'Agir
-
1997. Sur la Television (Paris, Liber-Raisons d'Agir)
-
(1997)
Sur la Television
-
-
-
8
-
-
34347289765
-
"some guy designed this room I'm standing in": Marking gender in press coverage of Ani DiFranco
-
Feigenbaum, A. 2005. '"Some guy designed this room I'm standing in": marking gender in press coverage of Ani DiFranco', Popular Music, 24, pp. 37-56
-
(2005)
Popular Music
, vol.24
, pp. 37-56
-
-
Feigenbaum, A.1
-
9
-
-
61049358118
-
From polyglottism to branding: On the decline of personality journalism in the British music press
-
Forde, E. 2001. 'From polyglottism to branding: on the decline of personality journalism in the British music press', Journalism: Theory, Practice, Criticism, 2, pp. 23-43
-
(2001)
Journalism: Theory, Practice, Criticism
, vol.2
, pp. 23-43
-
-
Forde, E.1
-
12
-
-
61949220063
-
Fragments of a sociology of rock criticism
-
Philadelphia, Temple University Press
-
2002. 'Fragments of a sociology of rock criticism', in Pop Music and the Press, ed. S. Jones (Philadelphia, Temple University Press), pp. 235-246
-
(2002)
Pop Music and the Press
, pp. 235-246
-
-
Jones, S.1
-
13
-
-
68549090560
-
Brit crit: Turning points in British rock criticism, 1960-1990
-
ed. S. Jones Philadelphia, Temple University Press
-
Gudmundsson, G., Lindberg, U., Michelsen, M., and Weisethaunet, H. 2002. 'Brit crit: turning points in British rock criticism, 1960-1990', in Pop Music and the Press, ed. S. Jones (Philadelphia, Temple University Press), pp. 41-64
-
(2002)
Pop Music and the Press
, pp. 41-64
-
-
Gudmundsson, G.1
Lindberg, U.2
Michelsen, M.3
Weisethaunet, H.4
-
14
-
-
61949125532
-
Abandoning the absolute: Transcendence and gender in popular music discourse
-
ed. S. Jones Philadelphia, Temple University Press
-
Kruse, H. 2002. 'Abandoning the absolute: transcendence and gender in popular music discourse', in Pop Music and the Press, ed. S. Jones (Philadelphia, Temple University Press), pp. 134-155
-
(2002)
Pop Music and the Press
, pp. 134-155
-
-
Kruse, H.1
-
15
-
-
68549136493
-
Anglo-American music journalism: Texts and contexts
-
ed. A. Bennett, B. Shank and J. Toynbee London, Routledge
-
Laing, D. 2006. 'Anglo-American music journalism: texts and contexts', in The Popular Music Studies Reader, ed. A. Bennett, B. Shank and J. Toynbee (London, Routledge), pp. 333-339
-
(2006)
The Popular Music Studies Reader
, pp. 333-339
-
-
Laing, D.1
-
16
-
-
61949290619
-
1/2: A critique of rock criticism in North America
-
McLeod, K. 2001. '1/2: a critique of rock criticism in North America', Popular Music, 20, pp. 47-60
-
(2001)
Popular Music
, vol.20
, pp. 47-60
-
-
McLeod, K.1
-
18
-
-
68549115165
-
Critical senility vs. overcomprehension: Rock criticism and the lesson of the avant-garde
-
ed. S. Jones Philadelphia, Temple University Press
-
Ray, R.B. 2002. 'Critical senility vs. overcomprehension: rock criticism and the lesson of the avant-garde', in Pop Music and the Press, ed. S. Jones (Philadelphia, Temple University Press), pp. 72-78
-
(2002)
Pop Music and the Press
, pp. 72-78
-
-
Ray, R.B.1
-
19
-
-
84971162043
-
Policing Bohemia, pinning up grunge: The music press and generic change in British pop and rock
-
Toynbee, J. 1993. 'Policing Bohemia, pinning up grunge: the music press and generic change in British pop and rock', Popular Music, 12, pp. 289-300
-
(1993)
Popular Music
, vol.12
, pp. 289-300
-
-
Toynbee, J.1
|