Isographies and some Klumpenhouwer networks they involve

Music Theory Spectrum

Volumn 24, Issue 2, 2002, Pages 165-195

  Lambert, Philip ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 67651209068     PISSN: 01956167     EISSN: None     Source Type: Journal    
DOI: 10.1525/mts.2002.24.2.165     Document Type: Review

References (18)

1. Lewin 1990. Lewin's other study of K-nets is Lewin 1994
2. Lewin 1987, 196-7
3. Klumpenhouwer 1998, 88-9
4. Klumpenhouwer 1998, 89
5. O'Donnell 1997, 38-9
6. Lewin (1987, 124-33) uses this song to demonstrate his "wedging-to-E" transformation, among other things. Philip Stoecker uses the chords of Example 9 and others to demonstrate his concept of "axial isography" in his article in this issue. See p. 238
7. Klumpenhouwer 1991a
8. Klumpenhouwer 1991b, Chapter 8
9. In Lewin 1990 and 1994
10. Perle 1993, 300
11. Perle 1996. See also "Lecture 5: Composing With Symmetries," in Perle 1990, 123-70
12. Perle 1990, 136-8
13. Perle 1990, 138
14. Perle 1990, 142. The following discussion mostly engages the analysis of the movement in Perle 1990, 142-63. Perle also discusses the movement in Perle 1995 [1992], 241-51, and Perle 1996, 33-44, but makes some quite different observations that will not be considered here. Perle himself describes a portion of the interpretation presented in Perle 1996 as "much less convincing" (Perle 1990, 162)
15. Perle 1990, 145
16. Perle 1990, 162
17. Perle's explanation of the derivation of Example 29(d) appears in Perle 1996, 33-5
18. Perle 1990, 149