On the sources of aesthetic scepticism

Philosophical Forum

Volumn 27, Issue 2, 1996, Pages 89-126

  Haskins, Casey ^a  

^a STATE UNIVERSITY OF NEW YORK   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 67650802529     PISSN: 0031806X     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Article

References (69)

1. Pierre Bourdieu, The Field of Cultural Production (Columbia University Press, 1993)
2. Barbara Herrnstein Smith, Contingencies of Value: Alternative Perspectives in Critical Theory (Harvard University Press, 1988)
3. Donald Preziosi, Rethinking Art History: Meditations on a Coy Science (Yale University Press, 1989)
4. Arthur C. Danto, "Art and Artifact in Africa," in Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective (New York; Farrar, Straus & Grioux, 1992), p. 94
5. Julius M. Moravscik, "Art and its Diachronic Dimensions," The Monist 71:2 (April 1988), p. 159
6. Immanuel Kant. The Critique of Judgment, section 60
7. James Chandler, Arnold I. Davidson, and Harry Harootunian, eds., Questions of Evidence: Proof, Practice, and Persuasion Across the Disciplines (Chicago, 1994)
8. Alasdair MacIntyre's After Virtue
9. Charles Taylor's Sources of the Self: The Making of the Modern Identity
10. John McDowell. Mind and World (Harvard University Press, 1994
11. Michael Podro, The Manifold in Perception (Oxford University Press, 1972)
12. The Critical Historians of Art (Yale University Press, 1982)
13. W. J. T. Mitchell, Picture Theory (University of Chicago Press, 1994), chapter two
14. Alexander Baumgarten, Philosophical Reflections on Poetry, par. 68
15. M. H. Abrams, Doing Things With Texts: Essays in Criticism and Critical Theory (W. W. Norton, 1989), p. 177
16. System of Transcendental Idealism, part VI section 2
17. Eduard Hanslick, On the Beautiful in Music (MacMillan Publishing Company, 1957)
18. Wilhelm Worringer, Abstraction and Empathy
19. Charles Harrison and Paul Wood, Art in Theory: 1900-1990, Blackwell, 1992, p. 68
20. Roger Fry, "An Essay in Aesthetics." Reprinted in Vision and Design (Chatto and Windus, 1920)
21. Clement Greenberg, "Modernist Painting," Art and Literature no. 4, spring 1965
22. T. J. Clark, "In Defense of Abstract Expressionism," October 69, Summer 1994, p. 48
23. Roger Scruton, The Aesthetic Understanding, p. 168
24. John Dewey, Art as Experience (G. P. Putnam's Sons, 1934), ch. 1
25. Michel Foucault Live (Interviews 1966-84), ed. Sylvere Lotringer (New York 1989)
26. Norman Bryson, Michael Ann Holly, and Keith Moxey, editors' introduction to Visual Culture: Images and Interpretations (Wesleyan University Press, 1994)
27. Pierre Bourdieu, "The Historical Genesis of a Pure Aesthetic," The Journal of Aesthetics and Art Criticism 46 (1987)
28. Linda Nochlin, "Why are there no great women artists?" in Vivian Gornick and Barbara Moran, eds., Women in Sexist Society (New York, 1971)
29. T. J. Diffey, "Aesthetic Instrumentalism," British Journal of Aesthetics, Fall 1982
30. Ludwig Wittgenstein, On Certainty, section 105
31. Norman Malcolm, "The Groundlessness of Belief," in Stuart Brown, ed., Reason and Religion (Cornell University Press, 1979)
32. George Dickie's version of the Institutional Theory, in Painting as an Art (Princeton University Press, 1988), chapter one
33. Ethics and the Limits of Philosophy (Harvard University Press, 1985; p. 170)
34. Rudolph Carnap, Meaning and Necessity: A Study in Semantics and Modal Logic (University of Chicago Press, 1967)
35. David Summers notes in The Judgment of Sense: Renaissance Naturalism and the Rise of Aesthetics (Cambridge University Press, 1987)
36. Charles Taylor notes in Souces of the Self: The Making of the Modern Identity (Harvard University Press, 1989)
37. Isaiah Berlin, "The Divorce Between the Sciences and the Humanities," in Against the Current: Essays in the History of Ideas (Viking Press, 1980)
38. Immanuel Kant, Preface to the 1790 edition of the Critique of Judgment, Ak. 170
39. Wilhelm Dilthey, "Construction of the World in the Human Studies," in H. P. Rickman, ed., Wilhelm Dilthey, Selected Writings (Cambridge University Press, 1976)
40. Marx's Grundrisse, tr. David McLellan (London, 1971), p. 45
41. Hans Robert Jauss, "The Idealist Embarrassment: Observations on Marxist Aesthetics" New Literary History VII.I (Autumn 1975)
42. Critique of Pure Reason A471/B499
43. John Dewey, Experience and Nature (Open Court, 1925)
44. John McDowell, "Aesthetic Value, Objectivity, and the Fabric of the World" in Eva Schaper, ed., Pleasure, Preference and Value (Oxford University Press, 1983)
45. Thomas Nagel, The View from Nowhere (Oxford University Press, 1986)
46. M. H. Abrams, "Kant and the Theology of Art." Notre Dame English Journal 13 (1981)
47. Stephen Toulmin, Cosmopolis: The Hidden Agenda of Modernity (University of Chicago Press, 1990)
48. Clifford Geertz, "Art as a Cultural System," in Local Knowledge: Further Essays in Interpretive Anthropology (Basic Books, 1983), p. 98
49. "Deja vu all over again: How Danto's aesthetics recapitulates the philosophy of mind", in Mark Rollins, ed., Danto and His Critics (Blackwell, 1993)
50. G. L. Hagberg, Art as Language: Wittgenstein, Meaning, and Aesthetic Theory (Cornell University Press, 1995)
51. Frank B. Farrell, Subjectivity, Realism and Postmodernism: The Recovery of the World in Recent Philosophy (Cambridge University Press, 1994)
52. Michael Podro, The Critical Historians of Art (Yale University Press, 1982)
53. Martha Woodmansee, "The Interests in Disinterestedness: Karl Philipp Moritz and the Emergence of the Theory of Aesthetic Autonomy in Eighteenth Century Germany." Modern Language Quarterly 45:1 (March 1984)
54. Kant "Kant and the Autonomy of Art," The Journal of Aesthetics and Art Criticism 47:1 (Winter 1989)
55. Göran Hermerén, "The Autonomy of Art", in John Fisher, ed., Essays in Aesthetics: Perspectives on the Work of Monroe C. Beardsley
56. Art and Philosophy (Atlantic Highlands Press, 1981)
57. Gilbert Harman, "Is there a single true morality?," in Michael Krausz, ed., Relativism: Interpretation and Confrontation (Notre Dame University Press, 1988)
58. "Theology and Falsification: A Dialogue" in Antony Flew and Alasdair MacIntyre, eds., New Essays in Philosophical Theology (Macmillan, 1955)
59. Philosophy and Psycho-Analysis (Blackwell, 1953) entitled "Gods."
60. Terry Godlove, Jr., Religion, Interpretation, and Diversity of Belief: The Framework Model from Kant to Davidson (Cambridge University Press, 1989)
61. Alasdair MacIntyre, "Is Understanding Religion Compatible with Believing?,"
62. Bryan R. Wilson, ed., Rationality (Basil Blackwell, 1970)
63. Arthur C. Danto, "The Artworld," The Journal of Philosophy 61 (1964)
64. The Transfiguration of The Commonplace (Harvard University Press, 1981)
65. Karl Löwith, Meaning in History: The Theological Implications of the Philosophy of History (Chicago, 1949)
66. Donald Davidson, "On the Very Idea of a Conceptual Scheme" in Inquiries Into Truth and Interpretation (Oxford University Press, 1984)
67. Richard J. Bernstein, Beyond Objectivism and Relativism (University of Pennsylvania Press, (1983)
68. Stanley Cavell's The Claims of Reason: Wittgenstein, Scepticism, Morality, and Tragedy (Oxford University Press, 1979)
69. G. W. F. Hegel, The Phenomenology of Mind, trans, J. B. Baillie (New York; Harper & Row, 1807/1961), p. 247