"Heaviness" in the perception of heavy metal guitar timbres: The match of perceptual and acoustic features over time

Wired for Sound: Engineering and Technologies in Sonic Cultures

Volumn , Issue , 2005, Pages 181-197

  Berber, Harris M ^a   Fales, Cornelia ^b  

^a TEXAS A AND M UNIVERSITY   (United States)

^b UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 67650768142     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (12)

1. American National Standards Institute (ANSI). 1973. Psychoacoustical Terminology. S3.20. New York: American National Standards Institute.
2. Berger, Harris M. 1999. Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience. Hanover, N. H.: Wesleyan University Press/University Press of New England.
3. Fales, Cornelia, and Stephen McAdams. 1994. "Fusion and Layering of Noise and Tone: Implications for Timbre in African Instruments." Leonardo Music Journal, vol. 4:69-77.
4. Hicks, Michael. 1999. Sixties Rock: Garage, Psychedelic, and Other Satisfactions. Urbana: University of Illinois Press.
5. Walser, Robert. 1991. "The Body in the Music: Epistemology and Musical Semiotics." College Music Symposium 31:117-124.
6. -. 1993. Running with the Devil: Power, Gender and Madness in Heavy Metal Music. Hanover, N. H.: Wesleyan University Press/University Press of New England.
7. Weinstein, Deena. 2000. Heavy Metal: A Cultural Sociology. Rev. ed. New York: Da Capo Press.
8. Black Sabbath. 1971. "Paranoid." Paranoid. Warner Brothers 3104-2.
9. Grave. 1991. "In Love." Into the Grave. Century Media CM 7721-4.
10. Judas Priest. 1976. "Tyrant." Sad Wings of Destiny. RCA AYK 1-4747.
11. Judas Priest. 1976. "Victim of Changes." Sad Wings of Destiny. RCA AYK 1-4747.
12. Winters Bane. 1993. "Wages of Sin. " Heart of a Killer. Massacre Records MASS CD 013.