Studying something you are part of : The view from the bandstand

Ethnologie Francaise

Volumn 38, Issue 1, 2008, Pages 15-21

  Faulkner, Robert R ^a   Becker, Howard S ^b  

^a UNIVERSITY OF MASSACHUSETTS   (United States)

^b NONE

Author keywords

Fieldwork; Jazz; Music; Participant observation; Repertoire

Indexed keywords

EID: 67650706278     PISSN: 00462616     EISSN: None     Source Type: Journal    
DOI: 10.3917/ethn.081.0015     Document Type: Article

References (12)

1. BECKER Howard S., 1973, Outsiders : Studies in the Sociology of Deviance, New York, Free Press.
2. - 2006b, "'Do You Know . . . ?' The Jazz Repertoire : An Overview",Sociologie de l'art.
3. BECKER Howard S. and Robert R. Faulkner, 2006a, « Le répertoire de jazz », in Énonciation artistique et Socialité, edited by Jean-Philippe Uzel, Paris, L'Harmattan : 243-248
4. BUSCATTO, Marie, 2007, Femmes du jazz. Musicalités, féminités, marginalisations, Paris, CNRS Éditions.
5. DUNEIER Mitchell, 2000 Sidewalk, New York, Farrar, Straus and Giroux.
6. FAULKNER Robert R., 1985 (1971), Hollywood Studio Musicians : Their Work and Careers in the Recording Industry, Lanham, MD, University Press of America Inc.
7. - 1983, Music on Demand : Composers and Careers in the Hollywood Film Industry, New Brunswick, NJ, Transaction, Inc.
8. HYMAN Dick, 1982a, "150 Standard Tunes Everyone Ought To Know", Keyboard, 8.
9. - 1982b, "150 More Tunes Everyone Ought To Know", Keyboard, 8 : 57.
10. LYON Eleanor, 1974, "Work and Play : Resource Constraints in a Small Theater", Urban Life, 3 : 71-97.
11. PERRENOUD Marc, 2007, Les musicos : enquête sur des musiciens ordinaires, Paris, La Découverte.
12. ROY Donald, 2006, Un sociologue à l'usine : Textes essentiels pour la sociologie du travail, Paris, La Découverte.