On the socialization of evolutionary art

Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics)

Volumn 5484 LNCS, Issue , 2009, Pages 557-566

  Romero, Juan ^a   Machado, Penousal ^b   Santos, Antonino ^a  

^a UNIVERSITY OF A CORUÑA   (Spain)

^b UNIVERSITY OF COIMBRA   (Portugal)

Author keywords

[No Author keywords available]

Indexed keywords

APPLICATION AREA; INTERACTIVE APPROACH; INTERACTIVE EVOLUTIONARY COMPUTATION; MULTI-USER; MULTIPLE USER; SOCIAL CONTEXT; SOCIETY MODELS; VISUAL ARTS;

COMPUTER SCIENCE;

EID: 67650685264     PISSN: 03029743     EISSN: 16113349     Source Type: Book Series    
DOI: 10.1007/978-3-642-01129-0_62     Document Type: Conference Paper

References (11)

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3. Todd,P.M.,Werner,G.M.: Frankensteinian methods for evolutionary music composition. In:Musical networks, pp. 313-339. MIT Press, Cambridge (1999)
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6. Romero,J.: Metodología Evolutiva para la Construcción de Modelos Cognitivos Complejos. Exploracíon de la Creatividad Artificial en Composicíon Musical. PhD thesis, University of Corunha, Corunha, Spain (2002) (in Spanish)
7. Biles,J.: GenJam Populi: Training an IGA via audience-mediated performance. In: Proceedings of International Computer Music Conference, pp. 347-348. International Computer Music Association (1996)
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9. Romero,J.,Machado,P.,Santos,A.,Cardoso,A.: On the development of critics in evolutionary computation artists. In: Raidl, G.R., et al. (eds.) EvoIASP 2003, EvoWorkshops 2003, EvoSTIM 2003, EvoROB/EvoRobot 2003, EvoCOP 2003, EvoBIO 2003, and EvoMUSART 2003. LNCS, vol.2611, pp. 559-569. Springer, Heidelberg (2003)
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11. Manaris,B.,Romero,J.,Machado,P.,Krehbiel,D.,Hirzel,T.,Pharr,W.,Davis,R.: Zipf's law,music classification and aesthetics. Computer Music Journal 29(1), 55-69 (2005)