Compact generation: VCD markets in Asia

Historical Journal of Film, Radio and Television

Volumn 23, Issue 2, 2003, Pages 165-176

  Davis, Darrell William ^a  

^a UNIVERSITY OF NEW SOUTH WALES   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 67650624454     PISSN: 01439685     EISSN: None     Source Type: Journal    
DOI: 10.1080/0143968032000091095     Document Type: Review

References (21)

1. and Jacques Lacan, Agency of the letter in the unconscious, or reason since Freud, in Ecrits, trans. by A. Sheridan (New York, 1977), pp. 146-159. Holbein's painting 'The Ambassadors' is the key example here, though everyday uses of anamorphosis include painted signs skewed to accommodate the angle and road speed of drivers
2. Garry Maddox, Scene stealers, Sydney Morning Herald, 17-18 August 2002, p. 35
3. Jane M. Gaines, Contested Cultures: The Image, the Voice and the Law (London, 1991), pp. 50, 254
4. See Annette Hamilton, Video Crackdown, or The Sacrificial Pirate: Censorship and Cultural Consequences in Thailand, Public Culture, 5 (1993), pp. 515-531
5. See Toby Miller, Nitin Govil, John McMurria and Richard Maxwell, Global Hollywood (London, 2001), ch. 4
6. See also Gaines, op. cit., pp. 233-234
7. Darrell Davis and Yeh Yueh-yu, VCD as programmatic technology: Japanese drama in Hong Kong, in Koichi Iwabuchi (ed.), Feeling 'Asian' Modernities: transnational consumption of Japanese TV drama (Hong Kong, forthcoming)
8. Darrell Davis and Yeh Yueh-yu, Warning! Category III: the other Hong Kong cinema, Film Quarterly 54, 4 (Summer 2001), pp. 12-26
9. Brian Winston, Media, Technology and Society: a history, from the telegraph to the internet (London, 1998), pp. 126-127
10. Penetration of VCRs has already been overtaken by the DVD 'revolution', as journalists like to say. Sarah Bryden-Brown, DVDs stage a home invasion, 'Media', The Australian, 12-18, September 2002, p. 12
11. Winston, Media Technology and Society, p. 127
12. Citing Braudel's The Structures of Everyday Life, Vol 1 (New York, 1981), p. 430
13. Gaines, Coutested Cultures, p. 232
14. Anticipatory cultures means that 'Hollywood strategically espouses a freedom of dissemination which recognizes that piracy plays an enormous role in creating audiences and demand for media products.' Gaines, Global Hollywood, p. 116
15. Peter Loehr, The Post Magazine. South China Morning Post, 13 January, 2002
16. Joseph Kahn, What's yours is mine, New York Times, 2 November, 2002
17. SCMP, 26 January, 2002
18. Liz Shackleton, HK looking down the barrel of a gun, Screen International 1 November 2002, p. 17
19. Peter Hessler, Straight to Video, The New Yorker, 15 October 2001, pp. 83-87
20. See also his book, River Town: Two Years on the Yangtze (Harper Perennial, 2001)
21. Hessler, Straight to Video, pp. 83-87