Alchemies of thought in Godard's cinema: Deleuze and Merleau-Ponty

Sub-Stance

Volumn 34, Issue 3, 2005, Pages 62-78

  Del Rio, Elena ^a  

^a UNIVERSITY OF ALBERTA   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 67650091133     PISSN: 00492426     EISSN: None     Source Type: Journal    
DOI: 10.1353/sub.2005.0047     Document Type: Article

References (19)

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2. Carrier, Ronald M. "The Ontological Significance of Deleuze and Guattari's Concept of the Body without Organs. " Journal of the British Society for Phenomenology vol. 29, no. 2 (May 1998): 189-206.
3. Deleuze, Gilles. Cinema 1: The Movement-Image. Trans. Hugh Tomlinson and Barbara Habberjam. Minneapolis: UMP, 1986.
4. -. Cinema 2: The Time-Image. Trans. Hugh Tomlinson and Barbara Habberjam. Minneapolis: UMP, 1989.
5. -. "The Brain Is the Screen: An Interview with Gilles Deleuze" (with Pascal Bonitzer, Jean Narboni et al. ). The Brain Is the Screen: Deleuze and the Philosophy of Cinema. Gregory Flaxman ed. Minneapolis: UMP, 2000.
6. -. Trancis Bacon: The Logic of Sensation. Trans. Daniel W. Smith. Minneapolis: UMP, 2003.
7. Deleuze, Gilles and Félix Guattari. A Thousand Plateaus. Trans. Brian Massumi. Minneapolis: UMP, 1987.
8. Douain, Jean-Luc. Godard par Jean-Luc. Paris: Rivages, 1989.
9. Flaxman Gregory. "Cinema Year Zero. " The Brain Is the Screen: Deleuze and the Philosophy of Cinema. Gregory Flaxman ed. Minneapolis: UMP, 2000.
10. Godard, Jean-Luc. "Propos Rompus. " Cahiers du Cinéma no. 316 (October 1980), reprinted in Godard sur Godard, pp. 461-2.
11. Lawlor, Leonard. "The End of Phenomenology: Expressionism in Deleuze and Merleau-Ponty. " Continental Philosophy Review vol. 31 (1998): 15-34.
12. Massumi, Brian. A User's Guide to "Capitalism and Schizophrenia": Deviations from Deleuze and Guattari. Cambridge: MIT Press, 1992.
13. Merleau-Ponty, Maurice. The Phenomenology of Perception. Trans. Colin Smith. London: Routledge and Kegan Paul, 1962.
14. -. The Primacy of Perception. Trans. Carleton Dallery, ed. James M. Edie. Evanston: Northwestern UP, 1964.
15. -. Signs. Trans. Richard C. McCleary. Evanston: Northwestern UP, 1964.
16. -. The Visible and the Invisible. Trans. Alphonso Lingis, ed. Claude Lefort. Evanston: Northwestern UP, 1968
17. -. "The Film and the New Psychology. " Sense and Non-Sense. Trans. Hubert Dreyfus and Patricia Allen Dreyfus. Evanston: Northwestern UP, 1964, pp. 48-59.
18. Olkowski, Dorothea. "Merleau-Ponty and Bergson: The Character of the Phenomenal Field. " Merleau-Ponty: Difference, Materiality, Painting. Véronique Fóti ed. Atlantic Highlands, NJ: Humanities Press, 1996, 27-36.
19. Sobchack, Vivian. The Address of the Eye: A Phenomenology of Film Experience. Princeton UP, 1992.