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Journal of Music Theory
Volumn 52, Issue 2, 2008, Pages 251-272
Set-class similarity, voice leading, and the Fourier transform
Author keywords

[No Author keywords available]
Indexed keywords

EID: 67649932745     PISSN: 00222909     EISSN: None     Source Type: Journal    
DOI: 10.1215/00222909-2009-017     Document Type: Review
Times cited : (26)
References (18)
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  • 3
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    • Generalized Voice-Leading Spaces
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  • 4
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    • Cohn, Richard. 1991. "Properties and Generability of Transpositionally Invariant Sets." Journal of Music Theory 35: 1-32
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  • 5
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    • ed. Reza Sarhanghi and Javier Barallo, Winfield, KS: Southwestern College
    • Hall, Rachel and Tymoczko, Dmitri. 2007. "Poverty and Polyphony: A Connection between Music and Economics." In Bridges Donostia: Mathematical Connections in Art, Music, and Science, ed. Reza Sarhanghi and Javier Barallo, 259-268 Winfield, KS: Southwestern College
    • (2007) Bridges Donostia: Mathematical Connections in Art, Music, and Science , pp. 259-268
    • Hall, R.1    Tymoczko, D.2
  • 6
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    • On Pitch-Class Set Cartography: Relations between Voice-Leading Spaces and Fourier Spaces
    • Hoffman, Justin. 2008. "On Pitch-Class Set Cartography: Relations between Voice-Leading Spaces and Fourier Spaces." Journal of Music Theory 52:219-249
    • (2008) Journal of Music Theory , vol.52 , pp. 219-249
    • Hoffman, J.1
  • 7
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    • Re: Intervallic Relations between Two Collections of Notes
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    • Lewin, D.1
  • 8
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    • -. 2001. "Special Cases of the Interval Function between Pitch-Class Sets X and Y." Journal of Music Theory 45: 1-29
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    • Lewin, D.1
  • 9
    • 42349088871 scopus 로고    scopus 로고
    • Listening to Similarity Relations
    • Quinn, Ian. 2001. "Listening to Similarity Relations." Perspectives of New Music 39/2: 108-158
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    • Quinn, I.1
  • 10
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    • General Equal-Tempered Harmony (Introduction and Part I)
    • -. 2006. "General Equal-Tempered Harmony (Introduction and Part I)." Perspectives of New Music 44/2: 114-158
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    • Quinn, I.1
  • 11
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    • General Equal-Tempered Harmony (Parts II and III)
    • -. 2007. "General Equal-Tempered Harmony (Parts II and III)." Perspectives of New Music 45/1: 4-63
    • (2007) Perspectives of New Music , vol.45 , Issue.1 , pp. 4-63
    • Quinn, I.1
  • 14
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    • A Geometric Representation of Pitch-Class Series
    • -. 1987. "A Geometric Representation of Pitch-Class Series." Perspectives of New Music 25/1-2: 362-409
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    • Roeder, J.1
  • 15
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    • Voice Leading in Set-Class Space
    • Straus, Joseph. 2007. "Voice Leading in Set-Class Space." Journal of Music Theory 49: 45-108
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  • 16
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    • The Geometry of Musical Chords
    • Tymoczko, Dmitri. 2006. "The Geometry of Musical Chords." Science 313: 72-74
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  • 17
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    • Scale Theory, Serial Theory, and Voice Leading
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  • 18
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    • Supplementary Sets and Regular Complementary Unending Canons (Part Four)
    • Vuza, Dan Tudor. 1993. "Supplementary Sets and Regular Complementary Unending Canons (Part Four)." Perspectives of New Music 31/1: 270-305
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    • Vuza, D.T.1

* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.