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1
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79958655234
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Paris
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Yves Cazaux, Henri IV: Les horizons du règne (Paris, 1986), 100-111 does focus briefly on opposition to Henry's relationship to Gabrielle d'Estrées with reference to negative polemics and imagery
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(1986)
Henri IV: Les horizons du règne
, pp. 100-111
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Cazaux, Y.1
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2
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61249512064
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Richard Brilliant, Portraiture (Cambridge, 1991), 7-8, 40-43 notes that historians tend to restrict themselves to matters of identifying the material object of the portrait. He argues instead for the relationship between the portrait and the sitter in terms of expressions of identity while admitting that the viewer is often looking at how the sitter chose to stage his identity
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(1991)
Portraiture
, vol.7
, pp. 40-43
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Brilliant, R.1
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3
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79958525297
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The Powers and Limits of Representation
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trans. Lydia G. Cochrane Baltimore
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Roger Chartier, "The Powers and Limits of Representation," in On the Edge of the Cliff: History, Language, and Practices, trans. Lydia G. Cochrane (Baltimore, 1997), 90-103
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(1997)
On the Edge of the Cliff: History, Language, and Practices
, pp. 90-103
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Chartier, R.1
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5
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67649615248
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Homosociality and Erotics in Italian Renaissance Portraiture
-
ed. Joanna Woodall Manchester
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For intertextual analysis of portrait imagery, see especially Patricia Simons, "Homosociality and Erotics in Italian Renaissance Portraiture," in Portraiture: Facing the Subject, ed. Joanna Woodall (Manchester, 1997), 29-51
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(1997)
Portraiture: Facing the Subject
, pp. 29-51
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Simons, P.1
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6
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79958568608
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On Some Essays of Virgil
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trans. Donald M. Frame Stanford, Calif
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See for example Michel de Montaigne, "On Some Essays of Virgil," in The Complete Essays of Montaigne, trans. Donald M. Frame (Stanford, Calif., 1948), 654
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(1948)
The Complete Essays of Montaigne
, pp. 654
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De Montaigne, M.1
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9
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2642586535
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See also the analysis of images of François I in R. J. Knecht, Renaissance Warrior and Patron: The Reign of Francis I (Cambridge, 1994), 105-9. Knecht emphasizes the conjunctions between art and politics as expressed by images of the king as physically imposing
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(1994)
Renaissance Warrior and Patron: The Reign of Francis I
, pp. 105-109
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Knecht, R.J.1
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11
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33645527945
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Cambridge
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On the military problems, see James B. Wood, The King's Army: Warfare, Soldiers, and Society during the Wars of Religion in France, 1562-1576 (Cambridge, 1996)
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(1996)
The King's Army: Warfare, Soldiers, and Society during the Wars of Religion in France, 1562-1576
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Wood, J.B.1
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12
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2642557201
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The King Who Would Be a Man: Henry III, Gender Identity and the Murders at Blois, 1588
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Anita M. Walker and Edmund H. Dickerman, "The King Who Would Be a Man: Henry III, Gender Identity and the Murders at Blois, 1588," Historical Reflexions/Réflections historiques 24 (1998): 252-81
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(1998)
Historical Reflexions/Réflections historiques
, vol.24
, pp. 252-281
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Walker, A.M.1
Dickerman, E.H.2
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13
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85038786764
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Thomas, Henri IV, 65, 107-10, contends that Henry IV was the first French king to utilize engraved images as propaganda. Most images emphasized his sympathetic demeanor (although the verse captions Thomas cites rely heavily on military imagery) and played down the prominence of the nose. The combination of words and images was designed to minimize doubt and establish the veracity of the scene
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Henri IV
, vol.65
, pp. 107-110
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Thomas1
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14
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85022629507
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See Buisseret, Henry IV, 28-43 for this period of pacification
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Henry IV
, pp. 28-43
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Buisseret1
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15
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26144462245
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Paris, 1576, fols. 30v, 34v
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See for instance Clement Marchant, Remonstrance aux francoys, sur les vices qui de ce temps regnent en tous estats avec le remede à iceux (Paris, 1576), fols. 30v, 34v
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Remonstrance aux francoys, sur les vices qui de ce temps regnent en tous estats avec le remede à iceux
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Marchant, C.1
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17
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0004064260
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Sodomy could mean masturbation, sexual behavior between two men, between a person and an animal, or between a man and a woman in such a way that conception was impossible. On early modern "deviant" sexual practices generally, see Michael Rocke, Forbidden Friendships: Homosexuality and Male Culture in Renaissance Florence (Oxford, 1996)
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(1996)
Forbidden Friendships: Homosexuality and Male Culture in Renaissance Florence
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Rocke, M.1
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19
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2642569363
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Unmasking a King: The Political Uses of Popular Literature under the French Catholic League, 1588-89
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David A. Bell, "Unmasking a King: The Political Uses of Popular Literature under the French Catholic League, 1588-89," Sixteenth Century Journal 20 (1989): 371-86
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(1989)
Sixteenth Century Journal
, vol.20
, pp. 371-386
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Bell, D.A.1
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20
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85046725513
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Women in Frames: The Gaze, the Eye, the Profile in Renaissance Portraiture
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See especially Patricia Simons, "Women in Frames: The Gaze, the Eye, the Profile in Renaissance Portraiture," in The Expanding Discourse: Feminism and Art History, ed. Naomi Broude and Mary D. Garrad (New York, 1992), 39-57, for gender conventions of the female gaze. In France, royal portrait style had adopted an averted gaze pose for queens and women of high rank
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(1992)
The Expanding Discourse: Feminism and Art History
, pp. 39-57
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Simons, P.1
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21
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85038694525
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Rouen, Musée des Beaux-Arts
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See for instance François Clouet, Diana Bathing (c. 1550-60, Rouen, Musée des Beaux-Arts)
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Diana Bathing
, vol.100
, pp. 1550-1560
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Clouet, F.1
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23
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33644678410
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Paris
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On Charles IX, see Michel Simonin, Charles IX (Paris, 1995), 388-89
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(1995)
Charles IX
, pp. 388-389
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Simonin, M.1
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26
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85038680705
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Thomas de Leu et les portraits gravés d'Henri IV
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Jean Adhémar, "Thomas de Leu et les portraits gravés d'Henri IV," Maso Finiguerra 2 (1937): 219-26, noted the emphasis on the succession question in the court portraits around 1598
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(1937)
Maso Finiguerra
, vol.2
, pp. 219-226
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Adhémar, J.1
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27
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67649630703
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Portrait of a Lady 1430-1520
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ed. David Alan Brown Princeton, N.J, esp. 82-83
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Joanna Woods-Marsden, "Portrait of a Lady, 1430-1520," in Virtue and Beauty: Leonardo's Ginevra de' Benci and Renaissance Portraits of Women, ed. David Alan Brown (Princeton, N.J., 2001), 62-87, esp. 82-83
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(2001)
Virtue and Beauty: Leonardo's Ginevra de' Benci and Renaissance Portraits of Women
, pp. 62-87
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Woods-Marsden, J.1
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28
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85038707352
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Mémoires-Journaux
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89:, On Sardanapalus
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L'Estoile, Mémoires-Journaux, 7:89: "Ha! vous parlez de vostre Roy! / - Non fais, je vous jure ma foy! / Par Dieu! j'ai l'âme trop réale: / Je parle de Sardanapale. / Non sempre sta in bordello: / Hercule! non se fare immortello Au roiaume de Conardize, / Où pour Madame la Marquize, / Les Grands Mons sont mis à Monceaux, / Et toute la France en morceaux, / Pour assouvir son putanisme." On Sardanapalus
-
Ha! vous parlez de vostre Roy! / - Non fais, je vous jure ma foy! / Par Dieu! j'ai l'âme trop réale: / Je parle de Sardanapale. / Non sempre sta in bordello: / Hercule! non se fare immortello Au roiaume de Conardize, / Où pour Madame la Marquize, / Les Grands Mons sont mis à Monceaux, / Et toute la France en morceaux, /Pour assouvir son putanisme
, vol.7
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L'Estoile1
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29
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0011553985
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Sometimes a Scepter Is only a Scepter: Pornography and Politics in Restoration England
-
ed. Lynn Hunt New York
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see Rachel Weil, "Sometimes a Scepter Is Only a Scepter: Pornography and Politics in Restoration England," in The Invention of Pornography: Obscenity and the Origins of Modernity, 1500-1800, ed. Lynn Hunt (New York, 1993), 124-53. The figure was also used frequently against Henry III and seems to have been well known
-
(1993)
The Invention of Pornography: Obscenity and the Origins of Modernity, 1500-1800
, pp. 124-153
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Weil, R.1
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30
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85038707352
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Mémoires-Journaux
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L'Estoile, Mémoires-Journaux, 7:178-79: "Mariez-vous, de par Dieu, Sire! / Vostre lignage est bien certain: / Car un peu de plomb et de cire / Légitime un fils de putain / Putain dont les soeurs sont putantes, / Comme fut la mère jadis, / Et les cousines et les tantes, / Horsmis Madame de Sourdis! / Il vaudroit mieux que la Lorraine / Vostre Roiaume eust envahi, / Qu'un fils bastard de La Varaine / Ou fils bastard de Stavahi."
-
, vol.7
, pp. 178-179
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L'Estoile1
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31
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85038707352
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Mémoires-Journaux
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96
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L'Estoile, Mémoires-Journaux, 7:96. "Sa Majesté, de veiller et donner ordre à ce qui estoit nécessaire au siège d'Amiens pour le mois suivant; lequel estant venu, il donna congé au jeu et à l'amour, et y marcha en personne, faisant office de roi, de captaine et de soldat tout ensemble."
-
Sa Majesté, de veiller et donner ordre à ce qui estoit nécessaire au siège d'Amiens pour le mois suivant; lequel estant venu, il donna congé au jeu et à l'amour, et y marcha en personne, faisant office de roi, de captaine et de soldat tout ensemble
, vol.7
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L'Estoile1
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32
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61449086933
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Michel Grandjean and Bernard Roussel, eds, Geneva
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For the context, see especially Michel Grandjean and Bernard Roussel, eds., Coexister dans l'intolérance: L'édit de Nantes (1598) (Geneva, 1998)
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(1998)
Coexister dans l'intolérance: L'édit de Nantes (1598)
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33
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14644387400
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New Haven, Conn
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On the significance of human control in royal equestrian portraiture in the seventeenth century, see Paul Kléber Monod, The Power of Kings: Monarchy and Religion in Europe, 1589-1715 (New Haven, Conn., 1999), 317-23
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(1999)
The Power of Kings: Monarchy and Religion in Europe, 1589-1715
, pp. 317-323
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Kléber Monod, P.1
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34
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85038746638
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Mémoires-Journaux
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L'Estoile, Mémoires-Journaux, 1:172: "Passer outre Venus, perdre ce qu'on labeure, / Doubler Ganimedès, renverser la nature, / Aux pauvres affligés faire tousjours le sourd." On the cultural significance of Ganymede
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Passer outre Venus, perdre ce qu'on labeure, / Doubler Ganimedès, renverser la nature, / Aux pauvres affligés faire tousjours le sourd
, vol.1
, pp. 172
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L'Estoile1
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38
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85038707352
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Mémoires-Journaux
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122
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L'Estoile, Mémoires-Journaux, 7:122. "La collation y fust faire magnifique, où Madame de Guise servist la duchesse de Beaufort, qui estoit assise dans une chaise: à laquelle Madame de Guise, avec de grandes révérences, présentoit les plats."
-
La collation y fust faire magnifique, où Madame de Guise servist la duchesse de Beaufort, qui estoit assise dans une chaise: À laquelle Madame de Guise, avec de grandes révérences, présentoit les plats
, vol.7
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L'Estoile1
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39
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85038691966
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Sully, Oeconomies royales, 2:295-98. Sully disliked Gabrielle, not least because of the potential problems she might cause Henry
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Oeconomies royales
, vol.2
, pp. 295-298
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Sully1
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44
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85038770059
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The festivities continued from Friday until Monday. See L'Estoile, Mémoires-Journaux, 7:239-41
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Mémoires-Journaux
, vol.7
, pp. 239-241
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L'Estoile1
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45
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79958614267
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See also Hercules marrying Hebe in Jean Passerat, In nuptias Henrici III Gallicae Navarraeque regis et Mariae Medicieae (1600), 2-3. The references were not new in French ceremonial practices. Complex programs were deployed in a variety of ceremonial contexts by François I and Henry II, including city entrées. This indicates that the city elites at least expected the images to be intelligible to the king's subjects
-
(1600)
In nuptias Henrici III Gallicae Navarraeque regis et Mariae Medicieae
, pp. 2-3
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Passerat, J.1
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47
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85038750360
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For a brief comment on this image, see Jacobson, The French Renaissance in Prints, 429. Gaultier was another of Henri IV's favorite engravers
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The French Renaissance in Prints
, pp. 429
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Jacobson1
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48
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85038728280
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Antoine le Clerc, Stations faictes pour l'entrée de lu Royne, à Paris, après son Coronement (Paris, 1611), fols. 1-2. The description of the first station continues through fol. 4v. B.N. ms. fr 18520, fols. 77-200 includes the original of the program
-
Stations faictes pour l'entrée de lu Royne, à Paris, après son Coronement (Paris, 1611), fols. 1-2. The description of the first station continues through fol. 4v. B.N. ms. fr 18520, fols
, pp. 77-200
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Le Clerc, A.1
|