The smile of the sign: Semiotics and travel writing in Barthes, Baudrillard, Butor and Lévi-Strauss

Studies in Travel Writing

Volumn 7, Issue 2, 2003, Pages 209-225

  Scott, David ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 67149108739     PISSN: 13645145     EISSN: 17557550     Source Type: Journal    
DOI: 10.1080/13645145.2003.9634942     Document Type: Article

References (11)

1. Michel Leiris, LAfrique fantôme (Paris: Gallimard, 1934)
2. Jack Goody, La Raison graphique. La domestication de la pensée sauvage (Paris: Editions de Minuit, 1979; translation of The Domestication of the Savage Mind, Cambridge University Press, 1977).
3. Jacques Derrida, De lagrammatologie (Paris: Editions de Minuit, 1967), p. 157.
4. Claude Lévi-Strauss, Tristes Tropiques (Paris: Plon, 1955) pp. 352-5
5. Henri Michaux, Par la voie des rythmes (Fontfroide-le-Haut: Fata Morgana, 1974).
6. Victor Segalen, ed. E. Formentelli (Paris: L’Asiathèque, 1979), pp. 133-52.
7. Barthes, Mythologies (Paris: Seuil, 1957), pp. 70-1.
8. ‘Littérature et discontinu’ in Barthes, Essais critiques (Paris: Seuil, 1964), pp. 175-87.
9. Charles Forsdick, Victor Segalen and the Aesthetics of Diversity: Journeys between Cultures (Oxford University Press, 2000)
10. ‘Travelling Concepts: Postcolonial Approaches to Exoticism’, Paragraph, 24, 3 (2001), 12-29
11. Charles Forsdick and Susan Marson, Reading Diversity. Lectures du divers (University of Glasgow French and German Publications, 2000).