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A. Abbott, Nature (London) 439, 648 (2006). 10.1038/439648a
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Nature (London)
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Abbott, A.1
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5
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edited by J. Casti and A. Karlqvist (Elsevier, Amsterdam
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R. P. Taylor, in Art and Complexity, edited by, J. Casti, and, A. Karlqvist, (Elsevier, Amsterdam, 2003), p. 117.
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Art and Complexity
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Taylor, R.P.1
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R. P. Taylor, R. Guzman, T. P. Martin, G. D. R. Hall, A. P. Micolich, D. Jonas, B. C. Scannell, M. S. Fairbanks, and C. A. Marlow, Pattern Recognit. Lett. 28, 695 (2007). 10.1016/j.patrec.2006.08.012
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Taylor, R.P.1
Guzman, R.2
Martin, T.P.3
Hall, G.D.R.4
Micolich, A.P.5
Jonas, D.6
Scannell, B.C.7
Fairbanks, M.S.8
Marlow, C.A.9
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10
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29844445492
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10.1063/1.2121947
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J. R. Mureika, Chaos 15, 043702 (2005), discusses some of the limitations of various color separation methods. 10.1063/1.2121947
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(2005)
Chaos
, vol.15
, pp. 043702
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Mureika, J.R.1
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11
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66349093567
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Unfortunately Taylor nowhere provided sufficient information about their color separation method to allow us to calibrate our techniques against theirs
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Unfortunately Taylor nowhere provided sufficient information about their color separation method to allow us to calibrate our techniques against theirs.
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12
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66349129023
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It appears on the list of 17 paintings that were the basis of the criteria in a preprint version of Ref. but not in the published version.
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It appears on the list of 17 paintings that were the basis of the criteria in a preprint version of Ref. but not in the published version.
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13
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66349135521
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Guggenheim Museum, New York
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D. Anfam, S. Davidson, and M. Ellis, No Limits, Just Edges: Jackson Pollock Paintings on Paper (Guggenheim Museum, New York, 2005).
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(2005)
No Limits, Just Edges: Jackson Pollock Paintings on Paper
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Anfam, D.1
Davidson, S.2
Ellis, M.3
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14
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66349105516
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Our box counter uses the round-off rule that a pixel occupies a box if more than half the area of the pixel lies inside the box. It places the origin of the grid of boxes at the lower left corner of the canvas; boxes on the top and right edges that lie partly outside the canvas are not counted. We have explored other common variations such as including pixels in a box if they intersect it at all, treating the edge boxes on the same footing as the interior boxes, and offset averaging, where we shift the origin of our box grid and average over different locations. We have verified that all these alternatives lead to essentially the same results.
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Our box counter uses the round-off rule that a pixel occupies a box if more than half the area of the pixel lies inside the box. It places the origin of the grid of boxes at the lower left corner of the canvas; boxes on the top and right edges that lie partly outside the canvas are not counted. We have explored other common variations such as including pixels in a box if they intersect it at all, treating the edge boxes on the same footing as the interior boxes, and offset averaging, where we shift the origin of our box grid and average over different locations. We have verified that all these alternatives lead to essentially the same results.
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19
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0004161838
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2nd ed. (Cambridge University Press, Cambridge, England
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W. H. Press, S. A. Teukolsky, W. T. Vetterling, and B. P. Flannery, Numerical Recipes, 2nd ed. (Cambridge University Press, Cambridge, England, 1992).
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(1992)
Numerical Recipes
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Press, W.H.1
Teukolsky, S.A.2
Vetterling, W.T.3
Flannery, B.P.4
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20
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0003582543
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Cambridge University Press, Cambridge, England
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E. Ott, Chaos in Dynamical Systems (Cambridge University Press, Cambridge, England, 2002).
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(2002)
Chaos in Dynamical Systems
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Ott, E.1
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21
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0001816154
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For an early interpretatin of multifractals as an admixture of fractals, see edited by M. Ghil, R. Benzi, and G. Parisi (North-Holland, Amsterdam
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For an early interpretatin of multifractals as an admixture of fractals, see U. Frisch and G. Parisi, in Turbulence and Predictability in Geophysical Fluid Dynamics and Climate Dynamics, edited by, M. Ghil, R. Benzi, and, G. Parisi, (North-Holland, Amsterdam, 1983), pp. 84-87.
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(1983)
Turbulence and Predictability in Geophysical Fluid Dynamics and Climate Dynamics
, pp. 84-87
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Frisch, U.1
Parisi, G.2
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