Yeats and the postcolonial

The Cambridge Companion to W. B. Yeats

Volumn , Issue , 2006, Pages 206-225

  Howes, Marjorie ^a  

^a BOSTON COLLEGE   (United States)

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[No Author keywords available]

Indexed keywords

EID: 65849351761     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1017/CCOL0521650895.012     Document Type: Chapter

References (19)

1. Conor Cruise O’Brien, “Passion and cunning: an essay on the politics ofW. B. Yeats,” in In Excited Reverie: A Centenary Tribute to W. B. Yeats, 1865–1939, ed. A. Norman Jeffares and K. G.W. Cross (New York: St. Martin’s Press, 1965);
2. Elizabeth Butler Cullingford, W. B. Yeats, Ireland and Fascism (New York and London: New York University Press, 1981);
3. Grattan Freyer, W. B. Yeats and the Anti-Democratic Tradition (Dublin: Gill and Macmillan; Totowa, NJ: Barnes & Noble, 1981);
4. Jonathan Allison, ed., Yeats’s Political Identities: Selected Essays (Ann Arbor: University of Michigan Press, 1996).
5. Seamus Deane, “Yeats and the idea of revolution,” in Celtic Revivals: Essays in Modern Irish Literature 1880–1980 (London and Boston: Faber and Faber, 1985), p. 49.
6. Edward Said, “Yeats and decolonization,” in Nationalism, Colonialism, and Literature, ed. Seamus Deane (Minneapolis: University of Minnesota Press, 1990), p. 81.
7. Declan Kiberd in his Inventing Ireland: The Literature of the Modern Nation (Cambridge, MA: Harvard University Press, 1996), especially pp. 99–165, 286–326, 438–53.
8. Marjorie Howes, Yeats’s Nations: Gender, Class, and Irishness (Cambridge: Cambridge University Press, 1996)
9. David Lloyd, “The poetics of politics: Yeats and the founding of the New State,” in Anomalous States: Irish Writing and the Post-Colonial Moment (Durham, NC: Duke University Press, 1993).
10. Jahan Ramazani, The Hybrid Muse: Postcolonial Poetry in English (Chicago and London: University of Chicago Press, 2001), p. 22.
11. Bill Ashcroft, Gareth Griffiths, and Helen Tiffin’s The Empire Writes Back (London and New York: Routledge, 1989);
12. Frantz Fanon, Black Skin, White Masks (1967 [1952]).
13. Divided Horizons, ed. Iain Chambers and Lidia Curti (London and New York: Routledge, 1996).
14. Lloyd L, “The poetics of politics,” p. 71.
15. Declan Kiberd remarks that the refrain “comes back shamefacedly, as an admittedly rhetorical device to suppress the terrifying interrogation” (Inventing Ireland, p. 216).
16. Homi K. Bhabha’s works are often thought to exemplify this approach. The Location of Culture (London and New York: Routledge, 1994).
17. W. B. Yeats (Stanford: Stanford University Press, 1968), pp. 16–17.
18. Hugh Kenner, A Colder Eye: The Modern Irish Writers (New York: Knopf, 1983), p. 73.
19. R. F. Foster, W. B. Yeats: A Life 11: The Arch-Poet 1915–1939 (Oxford and New York: Oxford University Press, 2003), pp. 303, 362, 418.