-
3
-
-
0346407020
-
Une révolution conservatrice dans l'édition
-
Bourdieu, Pierre. 1999. Une révolution conservatrice dans l'édition. Actes de la recherche en sciencessociales 126-127: 3-28.
-
(1999)
Actes De La Recherche En Sciences
-
-
Bourdieu, P.1
-
4
-
-
85023842480
-
Pop art-from ugly duckling to swan
-
Vera Zolberg and Joni M. Cherbo. Cambridge: Cambridge University Press
-
Cherbo. Joni M. 1997. Pop art-From ugly duckling to swan. In Outsider art: Contested boundaries in contemporary culture, ed. Vera Zolberg and Joni M. Cherbo. Cambridge: Cambridge University Press.
-
(1997)
Outsider Art: Contested Boundaries in Contemporary Culture
-
-
Joni, C.1
-
5
-
-
85023884853
-
-
Paris: Métailié
-
Chiapello. Eve. 1998. Artistes versus managers. Le management culturel faceà la critique Artistique. Paris: Métailié.
-
(1998)
Artistes versus Managers.
-
-
Eve, C.1
-
6
-
-
0007320372
-
Social structure, institutions, and cultural goods: The case of the united states
-
Pierre Bourdieu and James Coleman. Boulder: Westview Press
-
DiMaggio, Paul. 1991. Social structure, institutions, and cultural goods: The case of the United States, in Social theory for a changing society, ed. Pierre Bourdieu and James Coleman. Boulder: Westview Press. 133-166.
-
(1991)
Social Theory for a Changing Society
, pp. 133-166
-
-
DiMaggio, P.1
-
9
-
-
85023883921
-
-
Paris: Flammarion
-
Menger, Pierre-Michel. 1983. Le paradoxe du musicien. Le compositeur, le mélomane et l'état dans la société contemporaine, Paris: Flammarion.
-
(1983)
Le
-
-
Menger, P.-M.1
-
10
-
-
84928444125
-
L'oreille spéculative: Creation et consommation musicales
-
Menger, Pierre-Michel. 1986. L'oreille spéculative: Creation et consommation musicales. Revue française desociologie 27 (3): 445-479.
-
(1986)
Revue française De
, vol.27
, Issue.3
, pp. 445-479
-
-
Menger, P.-M.1
-
11
-
-
85023816337
-
Les paradigmes de la sociologie de l’art
-
Inaki Dominguez and Arturo Rodriguez Moratô. Bilbao: AESCA
-
Menger, Pierre-Michel. 1992. Les paradigmes de la sociologie de l’art. In Arte. Cultura y Sociedad, ed. Inaki Dominguez and Arturo Rodriguez Moratô. Bilbao: AESCA.
-
(1992)
Arte.
-
-
Menger, P.-M.1
-
12
-
-
0033417970
-
Artistic labor markets and careers
-
Menger, Pierre-Michel. 1999. Artistic labor markets and careers. Annual Review of Sociology 25: 541-574.
-
(1999)
Annual Review of Sociology
, vol.25
, pp. 541-574
-
-
Menger, P.-M.1
-
13
-
-
85023851264
-
-
Paper presented at The Culture Society, Conference, Barcelona
-
Menger, Pierre-Michel. 2000. Art as work: a labor market perspective. Paper presented at The Culture Society Conference, Barcelona.
-
(2000)
Art as Work: A Labor Market Perspective
-
-
Menger, P.-M.1
-
14
-
-
0002825063
-
La as a product: How design works in a regional economy
-
Allen Scott and SojaEdward. Berkeley: University of California Press
-
Molotch, Harvey. 1996. LA as a product: How design works in a regional economy. In The city: Los Angeles and urban theory at the end of the twentieth century, ed. Allen Scott and Soja Edward. Berkeley: University of California Press. 225-275.
-
(1996)
The City: Los Angeles and Urban Theory at the End of the Twentieth Century
, pp. 225-275
-
-
Molotch, H.1
-
16
-
-
0011630492
-
Entrepreneurship in organizations: Evidence from popular music industry
-
Peterson, Richard, and David Berger. 1971. Entrepreneurship in organizations: Evidence from popular music industry. Administrative Science Quarterly 16: 97-106.
-
(1971)
Administrative Science Quarterly
, vol.16
, pp. 97-106
-
-
Peterson, R.1
Berger, D.2
-
17
-
-
0000404907
-
Cycles in symbol production: The case of popular music
-
Peterson, Richard, and David Berger. 1975. Cycles in symbol production: The case of popular music. American SociologicalReview 40 (2): 158-173.
-
(1975)
American Sociological
, vol.40
, Issue.2
, pp. 158-173
-
-
Peterson, R.1
Berger, D.2
-
18
-
-
0001455882
-
Changing highbrow taste: From snob to omnivore
-
Peterson, Richard, and Roger Kern. 1996. Changing highbrow taste: From snob to omnivore. American Sociological Review 61: 900-907.
-
(1996)
American Sociological Review
, vol.61
, pp. 900-907
-
-
Peterson, R.1
Kern, R.2
-
22
-
-
0024782570
-
The transition to flexible specialisation in the u.S. Film industry: External economies, the division of labour, and the crossing of industrial divides
-
Storper, Michael. 1989. The transition to flexible specialisation in the U.S. film industry: External economies, the division of labour, and the crossing of industrial divides. Cambridge Journal of Economics 13: 273-305.
-
(1989)
Cambridge Journal of Economics
, vol.13
, pp. 273-305
-
-
Storper, M.1
-
24
-
-
0004086702
-
-
Buckingham: Open University Press
-
Willis, Paul. 1990. Common culture. Buckingham: Open University Press.
-
(1990)
Common Culture
-
-
Willis, P.1
|