Archive or memory? The detritus of live performance

New Theatre Quarterly

Volumn 19, Issue 1, 2003, Pages 82-89

  Reason, Matthew ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 63849343700     PISSN: 0266464X     EISSN: None     Source Type: Journal    
DOI: 10.1017/S0266464X02000076     Document Type: Article

References (31)

1. Eugenio Barba, 'Efermaele: "That Which Will Be Said Afterwards"', The Drama Review, XXXVI, No. 2 (1992), p. 77-80 (p. 77).
2. Barbara Horgan, cited in Bonnie Brooks, Use It or Lose It: Artists Keep Dance Alive, National Initiative to Preserve American Dance, www.danceusa.org/NIPAD/nextsteps1.htm1 (September 2001).
3. Bonnie Brooks, Use It or Lose It: Artists Keep Dance Alive, National Initiative to Preserve American Dance, www.danceusa.org/NIPAD/nextsteps1.html (September 2001).
4. Wesley Monroe Shrum, Fringe and Fortune: the Role of Critics in High and Popular Culture (Princeton, NJ: Princeton University Press, 1996), p. 11.
5. Gay McAuley, 'The Video Documentation of Theatrical Performance', New Theatre Quarterly, X, No. 38 (1994), p. 183-94 (p. l84).
6. Rodrigues Villeneuve, 'Photography of Theatre Images Always Fail', Canadian Theatre Review, No. 64 (1990), p. 32-7.
7. Arts Archive, Arts Documentation Unit, www.arts-archives.org (September 2001).
8. Live Art Archive, Nottingham Trent University, http://art.ntu.ac.uk/ liveart/newnext.htm (September 2001).
9. Jerome Robbins Dance Division, New York Public Library, www.nypl.org/research/lpa/dan/danabout.html (September 2001).
10. Michelle Potter, Dancing on the Web, National Library of Australia News, www.nla.gov.au/pub/nla news/apro1/dance.html (April 2001).
11. Preserve, Inc., Assuring Dance a Life Beyond Performance, www.preserve-inc.org (September 2001).
12. Catherine Johnson and Allegra Fuller Synder, Securing Our Dance Heritage: Issues in the Documentation and Preservation of Dance (Washington DC: Council on Library and Information Resources, 1999), p. 43.
13. National Initiative to Preserve America's Dance, http://www.danceusa.org/ NIPAD/nipad.html (September 2001).
14. Irving Velody, 'The Archive and the Human Sciences: Notes Towards a Theory of the Archive', History of the Human Sciences, XI, No. 4 (1998), p. 1-16 (p. 1).
15. Harriet Bradley, 'The Seductions of the Archive: Voices Lost and Found', History of the Human Sciences, XII, No. 2 (1999), p. 107-22.
16. Helen Freshwater, 'The Allure of the Archive', Poetics Today, forthcoming (2003).
17. Carolyn Steedman, 'The Space of Memory', History of the Human Sciences, XI, No. 4 (1998), p. 65-83 (p. 67).
18. Richard Harvey Brown and Beth Davis-Brown, 'The Makings of Memory: the Politics of Archive, Libraries, and Museums in the Construction of National Consciousness', History of the Human Sciences, XI, No. 4 (1998), p. 17-32.
19. Annabelle Melzer, '"Best Betrayal": the Documentation of Performance on Film and Video, Part 1', New Theatre Quarterly, XI, No. 42 (1995), p. 147-57 (P. 148).
20. Patrice Pavis, Theatre at the Crossroads of Culture (London: Routledge, 1992), p. 67.
21. Mindy Aloff, It's Not Ephemera After All, National Initiative to Preserve America's Dance, www.danceusa.org/NIPAD/nextsteps7.html (September 2001).
22. Denise Varney and Rachel Fensham, 'More-and-Less-Than: Liveness, Video Recording, and the Future of Performance', New Theatre Quarterly, XVI, No. 1 (2000), p. 88-96 (p. 91).
23. Eugenio Barba, 'Four Spectators', The Drama Review, XXXIV, No. 1 (1990), p. 96-100 (p. 97).
24. Eugenio Barba, 'Efermaele: "That Which Will Be Said Afterwards",' The Drama Review, XXXVI, No. 2 (1992), p. 77-80 (p. 78).
25. Denise Varney and Rachel Fensham, 'More-and-Less-Than: Liveness, Video Recording, and the Future of Performance', New Theatre Quarterly, XVI, No. 1 (2000), p. 88-96 (p. 92).
26. Tim Etchells and Richard Lowdon, 'Emanuelle Enchanted (or a Description of This World as If It Were a Beautiful Place): Notes and Documents', Contemporary Theatre Review, II, No. 2 (1994), p. 9-24.
27. Nick Kaye, 'Live Art: Definition and Documentation', Contemporary Theatre Review, II, No. 2 (1994), p. 1-7 (P. 6).
28. Michael Kirby, ed., The New Theatre: Performance Documentation (New York: New York University Press, 1974).
29. Ricardo i Elena, Companyia Carles Santos, directed and written by Carles Santos, Edinburgh International Festival, King's Theatre, Edinburgh, 21-22 August 2001.
30. appetite, Damaged Goods, directed by Meg Stuart and Ann Hamilton, Edinburgh International Festival, Festival Theatre, Edinburgh, 21-22 August 1999.
31. Scratching the Inner Fields, Ultima Vez, choreographed by Wim Vandekeybus, New Territories, Tramway, Glasgow, 16-17 February 2002.