Musicology, anthropology, history

The Cultural Study of Music: A Critical Introduction

Volumn , Issue , 2013, Pages 31-44

  Tomlinson, Gary ^a  

^a UNIVERSITY OF PENNSYLVANIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 63849268087     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203821015     Document Type: Chapter

References (9)

1. Burnham, Scott. 1995. Beethoven hero. Princeton, N.J.: Princeton Univ. Press.
2. Chakrabarty, Dipesh. 2000. Provincializing Europe: Postcolonial thought and historical difference. Princeton, N.J.: Princeton Univ. Press.
3. Chua, Daniel K. L. 1999. Absolute music and the construction of meaning. Cambridge, U.K.: Cambridge Univ. Press.
4. Clifford, James. 1983. On ethnographic authority. Representations 2: 118–46.
5. Clifford, James. and George E. Marcus, eds. 1986. Writing culture: The poetics and politics of ethnography. Berkeley: Univ. of California Press.
6. De Certeau, Michel. 1988. The writing of history. Translated by Tom Conley. New York: Columbia Univ. Press.
7. Derrida, Jacques. 1976. Of grammatology. Translated by Gayatri Chakravorty Spivak. Baltimore: Johns Hopkins Univ. Press.
8. Marcus, George E., and Michael M. J. Fisher. 1986. Anthropology as cultural critique: An experimental moment in the human sciences. Chicago: Univ. of Chicago Press.
9. Tomlinson, Gary. 1999. Vico’s songs: Detours at the origins of (ethno)musicology. The Musical Quarterly 83: 344–77.