Outside Ravel's tomb

Journal of the American Musicological Society

Volumn 52, Issue 3, 1999, Pages 464-530

  Abbate, Carolyn ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 63849131977     PISSN: 00030139     EISSN: None     Source Type: Journal    
DOI: 10.1525/jams.1999.52.3.03a00030     Document Type: Review

References (102)

1. Adorno, Theodor W. "Drehorgel-Stücke." 1934. Reprinted in Gesammelte Schriften, edited by Rolf Tiedemann, 18:37-44. Frankfurt am Main: Suhrkamp Verlag, 1984
2. -. "Zum Problem der Reproduktion: Fragmente." 1925. Reprinted in Gesammelte Schriften, edited by Rolf Tiedemann, 19:440-44. Frankfurt am Main: Suhrkamp Verlag, 1984
3. Baudelaire, Charles. The Philosophy of Toys. Translated by Paul Keegan. London: Syrens, 1994
4. Beaune, Jean-Claude. L'Automate et ses mobiles. Paris: Flammarion, 1980
5. -. "The Classical Age of Automata." In Fragments for a History of the Human Body, edited by Michel Feher, with Ramona Naddaff and Nadia Tazi, 430-80. New York: Urzone; Cambridge: MIT Press, 1989
6. Benjamin, Walter. "A Glimpse into the World of Children's Books." 1926
7. Reprinted in Walter Benjamin: Selected Writings, edited by Marcus Bullock and Michael W. Jennings, translated by Rodney Livingstone, 1:435-43. Cambridge: Harvard University Press, 1996
8. -. "The Work of Art in the Age of Mechanical Reproduction." 1936. Reprinted in Illuminations, by Walter Benjamin, edited by Hannah Arendt and translated by Harry Zohn, 217-51. New York: Schocken Books, 1969
9. e siècle: La Monumentalité à l'épreuve des révolutions idéologiques." In Le Panthéon, symbole des révolutions: De l'église de la nation au temple des grands hommes, 175-233. Montreal and Paris: Picard Éditeur, 1989
10. Bloom, Harold. A Map of Misreading. Oxford: Oxford University Press, 1975
11. Bourdelet, Pierre, and Pierre Bonnet. Histoire de la musique et ses effets. Paris, 1715. Facsimile reprint, Graz: Akademische Druck- und Verlagsanstalt, 1966
12. Bowers, Q. David, ed. The Encyclopedia of Automatic Musical Instruments. Vestal, N.Y.: Vestal Press, 1972
13. Brenet, Michel. "Les 'Tombeaux' en musique." La Revue musicale 3 (1903): 568-75, 631-38
14. Bröcker, Marianne, and Stephanie Schroedter. "Musette." In Die Musik in Geschichte und Gegenwart, edited by Ludwig Finscher, 2d ed., vol. 6, cols. 643-46. New York and Kassel: Bärenreiter; Stuttgart: Metzler, 1994
15. Catalogue of E. Paillard & Cie. St. Croix, Switzerland, 1906
16. Cavell, Stanley. The Claim of Reason: Wittgenstein, Skepticism, Morality, and Tragedy. Oxford: Oxford University Press, 1979
17. Chapuis, Alfred. Histoire de la boîte à musique et de la musique méchanique. With the collaboration of Louis Cottier, Frédy Baud, P. A. Müller, and Edmond Droz. Lausanne: Éditions du journal suisse d'horlogerie et de bijouterie, 1955
18. Translated by Joseph E. Roesch under the title History of the Musical Box and of Mechanical Music (Summit, N.J.: The Music Box Society International, 1980)
19. -. Les Automates dans les oeuvres d'imagination. Neuchâtel: Éditions du Griffon, 1947
20. Chapuis, Alfred, and Edmond Droz. Automata: A Historical and Technological Study. Translated by Alec Reid. Neuchâtel: Éditions du Griffon, 1958
21. -. Le Monde des automates: Étude historique et scientifique. 2 vols. Paris: E. Gélis, 1928. Reprint, Geneva: Slatkine, 1984
22. -. Les Automates: Figures artificielles d'hommes et d'animals. Neuchâtel: Éditions du Griffon, 1949
23. Clayton, Jay. "The Voice in the Machine: Hazlitt, Hardy, James." In Language Machines: Technologies of Literary and Cultural Production, edited by Jeffrey Masten, Peter Stallybrass, and Nancy C. Vickers, 209-32. London: Routledge, 1997
24. Cottom, Daniel. "The Work of Art in the Age of Mechanical Digestion." Representations 66 (spring 1999): 52-74
25. De Brosses, Charles. Traité de la formation méchanique des langues. Paris, 1765
26. Deming, Mark K. "Le Panthéon révolutionnaire." In Le Panthéon, symbole des révolutions: De l'église de la nation an temple des grands hommes, 97-150. Montreal and Paris: Picard Éditeur, 1989
27. Demuth, Norman. Ravel. London: Dent, 1947
28. Diderot, Denis. Rameau's Nephew and D'Alembert's Dream. Translated by L. W. Tancock. London: Penguin, 1966
29. Didier, Béatrice. La Musique des lumières. Paris: Presses universitaires de France, 1985
30. Dolar, Mladen. "The Object Voice." In Gaze and Voice as Love Objects, edited by Renata Salecl and Slavoj Žižek, 7-31. Durham, N.C., and London: Duke University Press, 1996
31. Drux, Rudolf. Die lebendige Puppe: Erzählungen aus der Zeit der Romantik. Frankfurt am Main: Fischer, 1986
32. -. Marionette Mensch: Ein Metaphernkomplex und sein Kontext von Hoffmann bis Büchner. Munich: W. Fink, 1986
33. Dugast, Jacques. "Avant-propos." In Tombeaux et monuments, edited by Jacques Dugast and Michèle Touret, 7-9. Rennes: Presses de l'Université Rennes, 1992
34. Edison, Thomas A. "The Phonograph and Its Future." North American Review, May/June 1878, 527-36
35. Engramelle, Joseph. La Tonotechnie ou l'art de noter les cylindres. 1775. Reprint, Geneva: Minkoff, 1971
36. Etlin, Richard A. The Architecture of Death: The Transformation of the Cemetery in Eighteenth-Century Paris. Cambridge, Mass., and London: MIT Press, 1984
37. Fink, Robert. "'Rigoroso (eight note sign; = 126)': The Rite of Spring and the Forging of a Modernist Performance Style." This Journal 52 (1999): 299-362
38. Friberg, Claes O. "Hupfeld Reproducing Pianos." In The Encyclopedia of Automatic Musical Instruments, edited by Q. David Bowers, 311-17. Vestal, N.Y.: Vestal Press, 1972
39. Gabriel, C. M. "Machine parlante de M. Faber." Journal de physique théorique et appliquée 8 (1879): 274-75
40. Gaultier, Denis. La Rhétorique des dieux. Edited by David J. Buch. Madison: A-R Editions, 1990
41. Gess, Nicola. "Die Schallplatte als (Schrift-)Spur: Das Andere Hören in den Texten Theodor W. Adornos." In Das Andere: Eine Spurensuche in der Musikgeschichte des 19. und 20. Jahrhunderts, edited by Annette Kreutzinger-Herr, 93-108. Frankfurt am Main: Peter Lang, 1998
42. Gessinger, Joachim. Auge und Ohr: Studien zur Erforschung der Sprachen am Menschen 1700-1850. Berlin and New York: Walter de Gruyter, 1994
43. Goldberg, Clemens. Stilisierung als Kunstvermittelnder Prozeß: Die französischen Tombeau-Stücke im 17. Jahrhundert. Laaber: Laaber-Verlag, 1987
44. Goudar, Ange. La Brigandage de la musique italienne. Paris, 1777. Facsimile reprint, Geneva: Minkoff 1972
45. Hadlock, Heather. "Return of the Repressed: The Prima Donna from Hoffmann's Tales to Offenbach's Contes." Cambridge Opera Journal 6 (1994): 221-43
46. Hagmann, Peter. Das Welte-Mignon Klavier, die Welte-Philharmonie-Orgel, und die Anfänge der Reproduktion von Musik. Bern, Frankfurt am Main, and New York: Peter Lang, 1984
47. Hall, Ben M. "How Is It Possible? The Welte Technique Explained." In The Encyclopedia of Automatic Musical Instruments, edited by Q. David Bowers, 327-38. Vestal, N.Y.: Vestal Press, 1972
48. Hegel, G. W. F. Aesthetics: Lectures on Fine Art. Translated by T. M. Knox. 2 vols. Oxford: Clarendon Press, 1975
49. Hoover, Cynthia A., ed. The History of Music Machines. New York and London: Drake Publishers, 1975
50. Hyde, Martha M. "Neoclassic and Anachronistic Impulses in Twentieth-Century Music." Music Theory Spectrum 18 (1996): 200-235
51. Jankélévitch, Vladimir. Ravel. Paris: Editions du Seuil, 1956. Translation by Margaret Crosland. New York and London: John Calder, 1959
52. Jaucourt, Louis Chevalier de. "Tombeau." In Encyclopédie ou dictionnaire raisonné des sciences, des arts et des métiers, vol. 16. Neufchâtel, 1765. Facsimile reprint, Stuttgart and Bad Cannstatt: Friedrich Frommann Verlag, 1967
53. Jean Paul. "Menschen sind Maschinen der Engel." In Sämtliche Werke, edited by Norbert Miller and Wilhelm Schmidt-Biggemann, pt. 2, vol. 1, pp. 1028-31. Munich: Carl Hanser Verlag, 1976
54. -. "Unterthänigste Vorstellung unser, der sämtlichen Spieler und redenden Damen in Europa entgegen und wider die Einführung der Kempelischen Spiel- und Sprachmaschinen." In Sämtliche Werke, edited by Norbert Miller and Wilhelm Schmidt-Biggemann, pt. 2, vol. 2, pp. 167-85. Munich: Carl Hanser Verlag, 1976
55. Kittler, Friedrich. Grammophon. Film. Typewriter. Berlin: Brinkmann und Bose, 1986. Excerpts translated by Dorothea von Mücke with Philippe L. Similon in "Gramophone, Film, Typewriter," October, no. 41 (1987): 101-18
56. -. Discourse Networks, 1800-1900. Translated by Michael Metteer and Chris Cullens. Stanford: Stanford University Press, 1990
57. Kreilkamp, Ivan. "A Voice Without a Body: The Phonographic Logic of The Heart of Darkness." Victorian Studies 40 (1997): 211-44
58. Lacoue-Labarthe, Philippe. "The Echo of the Subject." In Typography, by Philippe Lacoue-Labarthe, translated by Christopher Fynsk, 139-207. Stanford: Stanford University Press, 1998
59. La Mettrie, Julien Offray de. Machine Man and Other Writings. Translated and edited by Ann Thomson. Cambridge and New York: Cambridge University Press, 1996
60. Levin, Thomas Y. "For the Record: Adorno on Music in the Age of Its Technological Reproducibility." October, no. 55 (1990): 23-47
61. Marnat, Marcel. Ravel. Paris: Fayard, 1986
62. Mellers, Wilfrid. François Couperin and the French Classical Tradition. Rev. ed. London and Boston: Faber and Faber, 1987
63. Messing, Scott. Neoclassicism in Music: From the Genesis of the Concept Through the Schoenberg/Stravinsky Polemic. Ann Arbor, Mich., and London: UMI Research Press, 1988
64. Metzner, Paul. Crescendo of the Virtuoso: Spectacle, Skill, and Self-Promotion in Paris During the Age of Revolution. Berkeley and Los Angeles: University of California Press, 1998
65. Meyer, Friedrich Johann Lorenz. Fragmente aus Paris im IVten Jahr der französischen Revolution. Hamburg, 1797
66. Michaelson, Annette. "On the Eve of the Future: The Reasonable Facsimile and the Philosophical Toy." October, no. 29 (1984): 3-20
67. Miller-Frank, Felicia. The Mechanical Song: Women, Voice and the Artificial in Nineteenth-Century French Narrative. Stanford: Stanford University Press, 1994
68. Morrison, Simon. "Skryabin and the Impossible." This Journal 51 (1998): 283-330
69. Musgrave, Michael. The Music of Brahms. London, Boston, and Henley: Routledge and Kegan Paul, 1985
70. Mussat, Marie-Claire. "Le Tombeau dans la musique du XXième siècle." In Tombeaux et monuments, edited by Jacques Dugast and Michèle Touret, 133-44. Rennes: Presses de l'Université Rennes, 1992
71. Ord-Hume, Arthur W. S. G. Barrel Organ: The Story of the Mechanical Organ and Its Repair. South Brunswick and New York: A. S. Barnes, 1978
72. -. Clockwork Music: An Illustrated History of Mechanical Musical Instruments from the Music Box to the Pianola, from Automaton Lady Virginal Players to Orchestrion. London: George Allen and Unwin, 1973
73. -. Pianola: The History of the Self-Playing Piano. London: George Auen and Unwin, 1984
74. Orenstein, Arbie. "Some Unpublished Music and Letters by Maurice Ravel." The Music Forum 3 (1973): 291-334
75. Protz, Albert. Mechanische Musikinstrumente. Kassel: Bärenreiter, 1939
76. Richards, Annette. "Automatic Genius: Mozart and the Mechanical Sublime." Music and Letters 80 (1999): 366-89
77. Roehl, Harvey N. The Player Piano Treasury. Vestal, N.Y.: The Vestal Press, 1961
78. Roland-Manuel. "Maurice Ravel ou l'esthétique de l'imposture." La Revue musicale 6 (April 1925): 16-21
79. Rollin, Monique. "Les Tombeaux de Robert de Visée." Bulletin de la société d'étude du XVIIième siècle 34 (March 1957): 72-78
80. Rosen, Charles. The Romantic Generation. Cambridge: Harvard University Press, 1995
81. Ross, Alex. "The Chosen." The New Yorker, 29 March 1999, 112-15
82. Sauer, Liselotte. Marionetten, Maschinen, Automaten: Der künstliche Mensch in der deutschen und englischen Romantik. Bonn: Bouvier, 1983
83. Saul, David L. "Reproducing Pianos." In The Encyclopedia of Automatic Musical Instruments, edited by Q. David Bowers, 273-310. Vestal, N.Y.: Vestal Press, 1972
84. Schering, Arnold. Humor, Heldentum, Tragik bei Beethoven. Strassbourg/Kehl: Librairie Heitz, 1955
85. Schmitt, Ulrich. Revolution im Konzertsaal: Zur Beethoven-Rezeption im 19. Jahrhundert. Mainz: Schott, 1990
86. Schwarz, Hillel. The Culture of the Copy. New York: Zone Books, 1996
87. Seymour, Henry. The Reproduction of Sound. London: W. B. Tattersall, 1918
88. Shattuck, Roger. Forbidden Experiment: The Wild Boy of Aveyron. New York: Farrar, Strauss, Giroux, 1980
89. Simonton, Richard C. "A Personal Experience with Weite." In The Encyclopedia of Automatic Musical Instruments, edited by Q. David Bowers, 324-27. Vestal, N.Y.: Vestal Press, 1972
90. Stefan, Paul, ed. Sonderheft "Musik und Maschine." Musikblätter des Anbruch 8 (1926): 341-408
91. Sutter, Alex. Göttliche Maschinen: Die Automaten für Lebendiges bei Descartes, Leibnitz, La Mettrie, und Kant. Frankfurt am Main: Athenäum, 1988
92. Taruskin, Richard. "Back to Whom? Neoclassicism as Ideology." 19th-century Music 26 (1993): 286-302
93. -. "The Dark Side of Modern Music." The New Republic 5 (September 1988): 28-34
94. -. Review of "Towards a New Poetics of Musical Influence," by Kevin Korsyn; and Remaking the Past: Musical Modernism and the Influence of the Tonal Tradition, by Joseph N. Straus. This Journal 46 (1993): 114-38
95. -. "Stravinsky Lite (Even The Rite)." In Text and Act: Essays in Music and Performance, by Richard Taruskin, 360-67. New York: Oxford University Press, 1995
96. Tomlinson, Gary. Metaphysical Song. Princeton: Princeton University Press, 1999
97. Van den Borren, Charles. "Esquisse d'une histoire des 'Tombeaux' musicaux." Académie royale de Belgique: Bulletin de la classe des beaux-arts 43 (1961): 253-74
98. Vieira de Carvalho, Mário. "From Opera to 'Soap Opera': On Civilizing Processes, the Dialectic of Enlightenment and Postmodernity." Theory, Culture, and Society 12, no. 2 (1995): 41-61
99. Völker, Klaus. Künstliche Menschen: Dichtungen und Dokumente über Golems, Homunculi, Androiden und liebende Statuen. Munich: Carl Hanser Verlag, 1971
100. Von Kempelen, Wolfgang. Mechanismus der menschlichen Sprache nebst Beschreibung einer sprechenden Maschine'. 1791. Reprint, Stuttgart and Bad Cannstatt: Friedrich Frommann Verlag, 1970
101. Weiss-Stauffacher, H. Mechanische Musikinstrumente und Musikautomaten. Zurich: Orell Füssli Verlag, 1975
102. Žižek, Slavoj. "Robert Schumann: The Romantic Anti-Humanist." In The Plague of Fantasies, by Slavoj Žižek, 192-212. London and New York: Verso, 1997