Remembrance and consciousness in Schubert's C-major String Quintet, D. 956

Musical Quarterly

Volumn 84, Issue 4, 2000, Pages 619-634

  Gingerich, John M ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 63549120801     PISSN: 00274631     EISSN: None     Source Type: Journal    
DOI: 10.1093/mq/84.4.619     Document Type: Article

References (4)

1. Peter Brooks, Reading for the Plot (New York and Toronto: Vintage Books, 1985) is a discussion of narrative that focuses on plot as a psychological and dynamic process rather than on its formal and paradigmatic properties. His general approach seems unusually well suited to analysis of the dynamic temporal processes of music
2. Scott Burnham, Beethoven Hero (Princeton: Princeton University Press, 1996), 144
3. See "The Schober-Schubert Circle," in John Gingerich, "Schubert's Beethoven Project: The Chamber Music, 1824-1828" (Ph.D. diss., Yale University, 1996), 1-64
4. Louise Litterick, "Recycling Schubert: On Reading Richard Kramer's Distant Cycles: Schubert and the Conceiving of Song," 19th-century Music 20 (1996): 88-90