Creativity

British Journal of Aesthetics

Volumn 38, Issue 3, 1998, Pages 265-276

  Rampley, Matthew ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 63149140771     PISSN: 00070904     EISSN: None     Source Type: Journal    
DOI: 10.1093/bjaesthetics/38.3.265     Document Type: Article

References (26)

1. Arnold Hauser, The Sociology of Art, trans. K. Northcott (London: Routledge, 1982), p. 23.
2. Immanuel Kant, Critique of Judgement, trans. J. Meredith (Oxford: Clarendon Press, 1952), Part 1: 'Critique of Aesthetic Judgement', p. 168.
3. Theodor Adorno, Aesthetic Theory, trans. C. Lenhardt (London: Routledge, 1984), p. 245.
4. Karl Marx and Friedrich Engels, The German Ideology (London: Lawrence and Wishart, 1965), pp. 430-431.
5. Nicos Hadjinicolaou, Art History as Class Struggle, trans. L. Asmal (London: Pluto Press, 1978), p. 41.
6. Pierre Macherey, A Theory of Literary Production, trans. G. Well (London: Routledge, 1989), p. 68.
7. Adorno, Aesthetic Theory, p. 246.
8. Michel Foucault, 'What is an Author?', in Josué Harare (ed.), Textual Strategies: Perspectives in Post-Structuralist Criticism (London: Methuen, 1979), p. 159.
9. Roland Barthes, 'The Death of the Author', in John Caughie (ed.), Theories of Authorship (London: British Film Institute, 1981), p. 209.
10. Roland Barthes, Barthes: Selected Writings, ed. S. Sontag (London: Fontana, 1983), p. 410.
11. This phrase comes from Peter Dews, Logics of Disintegration (London: Verso, 1987), p. 94.
12. Jacques Derrida, Margins of Philosophy, trans. Alan Bass (Chicago: Chicago U.P., 1982) p. 15.
13. Julia Kristeva, Desire in Language, trans. Thomas Gora et al. (Oxford: Basil Blackwell, 1982), p. 136.
14. Julia Kristeva, The Kristeva Reader, ed. Toril Moi (Oxford: Basil Blackwell, 1983) p. 93.
15. Kristeva, Desire in Language, p. 221.
16. Gilles Deleuze and Félix Guattari, Anti-Oedipus, trans. Robert Hurley (London: Athlone Press, 1984), p. 7.
17. The most prominent polemical attempt to do this is Manfred Frank who has draw on the hermeneutics of Schleiermacher in order to posit a pre-linguistic subject that is perpetually caught in a dialectic with the system of language. See Manfred Frank, Das Individuelle Allgemeine (Frankfurt a.M.: Suhrkamp Verlag, 1977)
18. and Die Unhintergehbarkeit der Individualität (Frankfurt a.M.: Suhrkamp Verlag, 1986).
19. Jacques Derrida, Dissemination, trans. Barbara Johnson (Chicago: Chicago U.P., 1981), p. 328.
20. Ludwig Wittgenstein, Philosophical Investigations, trans. G. E. M. Anscombe (Oxford: Basil Blackwell, 1953), § 18. All subsequent references to the Philosophical Investigations (PI) will be in the text.
21. Ludwig Wittgenstein, Philosophical Grammar, trans. Anthony Kenny (Oxford: Basil Blackwell, 1980), p. 281.
22. Ludwig Wittgenstein, Remarks on the Foundations of Mathematics, trans. G. E. M. Anscombe (Oxford: Basil Blackwell, 1956), Part IV, §9.
23. Michael Dummett, 'The Philosophical Basis of Intuitionistic Logic,' in Truth and Other Enigmas (London: Duckworth, 1978), p. 225.
24. Adorno, Philosophy of Modern Music, trans. A. Mitchell and W. Blomster (London: Sheed and Ward, 1987), p. 51.
25. Thomas Nagel, 'Moral Luck', in Mortal Questions (Cambridge: Cambridge U.P., 1991), pp. 24-38;
26. Bernard Williams, 'Moral Luck', in Moral Luck (Cambridge: Cambridge U.P., 1981), pp. 20-39.