At the limits of genre: Architectural photography and utopic criticism

Journal of Architecture

Volumn 10, Issue 3, 2005, Pages 265-273

  Wilson, Robin ^a  

^a UNIVERSITY COLLEGE LONDON   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 63149119092     PISSN: 13602365     EISSN: 14664410     Source Type: Journal    
DOI: 10.1080/13602360500162410     Document Type: Review

References (15)

1. Robert Elwall, 'The Specialist Eye', in Sitework: Architectural Photography Since Early Modernism (London, The Photographers' Gallery, 1991)
2. Hélène Binet, 'Photographing Shadows at La Tourette', in The Secret of the Shadow. Light and Shadow in Architecture (Frankfurt, Deutsches Architektur Museum, 2002), p. 104
3. Fredric Jameson, 'Is Space Political?' in Cynthia C. Davidson, (ed.), Anyplace (Cambridge, The MIT Press, 1995), pp. 192-205, p. 196
4. Fredric Jameson, The Seeds of Time (New York, Columbia University Press, 1994), p. 75
5. Jameson, 'Is Space Political?', op. cit., p. 197
6. Jameson, The Seeds of Time, op. cit., p. 75
7. Louis Marin, 'The Frontiers of Utopia', in Krishan Kumar and Stephen Bann, (eds.), Utopias and the Millennium (London, Reaktion Books, 1993), pp. 7-16, p. 12
8. Louis Marin, Utopics: The Semiological Play of Textual Spaces (New York, Humanity Books, 1990), p. 72
9. El Croquis, 117 (Madrid, 2004), p. 119
10. El Croquis, 106/107 (Madrid, 2001), pp. 206-7
11. El Croquis, 112/113 (Madrid, 2002), pp. 58-9 and 65
12. El Croquis, 115/116 (Madrid. 2003), p. 102
13. El Croquis, 118 (Madrid, 2003), p. 43
14. Louis Marin, 'Utopian Discourse and Narrative of Origins from More's Utopia to Cassiodorus-Jordanes's Scandza', On Representation (Stanford, California, Stanford University Press, 2001), p. 94
15. Marin, Utopics, op. cit., p. 72