Lili Boulanger’s la princesse maleine: A composer and her heroine as literary icons

Journal of the Royal Musical Association

Volumn 122, Issue 1, 1997, Pages 68-108

  Fauser, Annegret ^a  

^a CITY UNIVERSITY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 62849107788     PISSN: 02690403     EISSN: None     Source Type: Journal    
DOI: 10.1093/jrma/122.1.68     Document Type: Article

References (36)

1. Camille Mauclair, ‘La vie et l’œuvre de Lili Boulanger’, Revue musicale, 2 (1921), 147-55.
2. Paul Landormy, ‘Lili Boulanger (1893-1918)’, Musical Quarterly, 16 (1930), 510-15.
3. René Dumesnil, Portraits de musiciens français (Pans, 1938), 11-23.
4. Léonie Rosenstiel, The Life and Works of Ltli Boulanger (Rutherford, etc., 1978), 117.
5. Carolyn G Heilbrun, Writing a Woman's Life (New York and London, 1988), 20-1.
6. Ruth A. Solie, ‘Changing the Subject’, Current Musicology, 53 (1993), 55-65.
7. Jeanice Brooks, 'Nadia Boulanger and the Salon of the Pnncesse de Pohgnac’, Journal of the American Mustcological Society, 46 (1993), 415-68.
8. Suzanne Cusick, ‘Of Women, Music, and Power A Model from Seicento Florence’, Musicology and Difference Gender and Sexuality in Music Scholarship, ed Ruth A Solie (Berkeley and London, 1993), 281-304.
9. Marcia J. Citron, Gender and the Musical Canon (Cambridge, 1993), ch. 4 ‘Music as Gendered Discourse’, 120-64
10. Susan McClary, Feminine Endings: Musk, Gender, and Sexuality (Minnesota and Oxford, 1991), 3-26.
11. François Lesure, Claude Debussy avant ‘Pelléas’ ou Les années symbolistes (Paris, 1992), 105
12. Albert Spalding, Rise to Follow An Autobiography (New York, 1943), 160.
13. Annegret Fauser, ‘Die Musik hinter der Legende Lili Boulanger’s Liederzyklus Clairières dans le ciel’, Neue Zeitschrift fur Musik, 151 (1990), 9-14
14. Léonie Rosenstiel, Nadia Boulanger A Life in Music (New York and London, 1982), 91, 121, 125-6.
15. Susan Youens, ‘An Unseen Player: Destiny in Pelléas et Méhsande’, Reading Opera, ed. Groos and Parker, 60-91 (p 64).
16. Hans Felten and Elke Pacholek, ‘Uberdetermination und Heterogenitat îm fruhen Theater Maeterlincks’, Germanisch-Romanische Monatsschrift, new ser., 36 (1986), 320-30.
17. Paul Gorceix, Les affinités allemandes dans l’œuvre de Maurice Maeterlinck (Paris, 1975), 305-71.
18. Stefan Gross, Maurice Maeterlinck oder der symbohsche Sadismus des Humors Studie zum Fruhwerk mit angehangten Matenalien (Frankfurt am Main, 1985)
19. J. J. Wilson, ‘Camngton Revisited’, Between Women. Biographers, Novelists, Critics, Teachers and Artists Write about their Work on Women, ed. Carol Asher, Louise DeSalvo and Sara Ruddick (2nd edn, New York and London, 1993), 327-41 (p. 329)
20. Germaine Greer, Slip-Shod Sibyls. Recognition, Rejection and the Woman Poet (London, 1995), 1-35.
21. Sandra M Gilbert and Susan Gubar, The Madwoman in the Attic. The Woman Writer and the Nineteenth-Century Literary imagination (New Haven and London, 1984), 3-44.
22. Ruth A Solie, ‘Whose Life? The Gendered Self in Schumann’s Frauenhebe Songs’, Music and Text Critical Inquiries, ed. Steven Paul Scher (Cambridge, 1992), 219-40.
23. Karen Offen, ‘Depopulation, Nationalism and Feminism in Fin-de-siecle France’, American Historical Review, 89 (1984), 648-76.
24. Debora Silverman, ‘The “New Woman”, Feminism, and the Decorative Arts m Fin-de-siecle France’, Eroticism and the Body Politic, ed Lynn Hunt (Baltimore and London, 1991), 144-63.
25. Edward Berenson, The Trial of Madame Caillaux (Berkeley, Los Angeles and Oxford, 1992), esp. ch. 1, 3 and 4.
26. Birgit Stiévenard-Salomon, ‘Zum Religiösen m der Musik Lili Boulangers’, Vom Schweigen befreit, ed Nies and Aulenkamp-Moeller, 77-83.
27. Fauser, F. ‘Die Musik hinter der Legende’, Sabine Giesebrecht-Schutte, ‘Lili Boulanger' “Clairières dans le Ciel” - ästhetischer Ausdruck und musikalische Form’, Die Musikforschung, 47 (1994), 384-402
28. Rosenstiel, R. The Life and Works of Lili Boulanger, 173-4.
29. Fauser, F. ‘Die Musik hinter der Legende’; Bonnie Jo Dopp, ‘Numerology and Cryptography in the Music of Lili Boulanger: The Hidden Program in Clairières dans le cieV, Musical Quarterly, 78 (1994), 557-83.
30. Claude Debussy, Monsieur Croche et autres écrits, ed François Lesure (2nd edn, Pans, 1989), 59.
31. Camille Saint-Saëns, ‘Les Argonautes’ (1881), Harmonie et mélodie (Paris, 1885), 225-39 (p 228)
32. Emile Vuillermoz, ‘Le péril rose’, Musica, 11 (1912), 45
33. Olivia Mattis, ‘Lili Boulanger - Polytoniste’, Lth Boulanger zum 100. Ceburtstag Bremer Lili Botilanger-Tage, 1922 -1993, ed Kathnn Mosler (Bremen, 1993), 48-51.
34. Rosenstiel, R. The Life and Works of Lili Boulanger, 42-3
35. Linda Wagner-Martin, Telling Women's Lives' The New Biography (New Brunswick, NJ, 1994), 51.
36. Anne MacNeil, ‘The Divine Madness of Isabella Andreini’, Journal of the Royal Musical Association, 120 (1995), 195-215