The body as argument: Helen in four Greek texts

Classical Antiquity

Volumn 16, Issue 1, 1997, Pages

  Worman, Nancy ^a  

^a Barnard College of Columbia University

Author keywords

[No Author keywords available]

Indexed keywords

EID: 62649173699     PISSN: 02786656     EISSN: None     Source Type: Journal    
DOI: 10.2307/25011057     Document Type: Article

References (112)

1. Austin, N. 1975. Archery at the Dark of the Moon. Berkeley.
2. -. 1994. Helen of Troy and her Shameless Phantom. Cornell.
3. Barkhuizen, J. H., and G. H. Els. 1983. "On Sappho, Fr. 16 (L. P.)." Acta Classica XXV: 23-32.
4. Barthes, R. 1974. S/Z. Trans. R. Miller. New York.
5. -. 1975. The Pleasure of the Text. Trans. R. Miller. New York.
6. Bassi, K. 1993. "Helen and the Discourse of Denial in Stesichorus' Palinode." Arethusa 26:51-75.
7. Bers, V. 1994. "Tragedy and Rhetoric." In I. Worthington, ed., Persuasion: Greek Rhetoric in Action, 176-95. London.
8. Biehl, W. 1989. Troades. Berlin.
9. Bergren, A. L. T. 1983. "Language and the Female in Early Greek Thought." Arethusa 16: 69-95.
10. -. 1979-1980. "Helen's Web: Time and Tableau in the Iliad." Helios, n.s. 7.1: 19-34.
11. Blass, F. 1892. Antiphontis Orationes et Fragmenta. Leipzig.
12. Bowra, C. M. 1935. "Zu Alkaios und Sappho." Hermes 70: 238-41.
13. Brooks, P. 1993. Body Work: Objects of Desire in Modern Narrative. Cambridge, MA.
14. Buchheim, T. 1989. Gorgias: Reden, Fragmente und Testimonien. Hamburg.
15. Burnett, A. P. 1977. "Trojan Women and the Ganymede Ode." YCS 25: 291-316.
16. -. 1983. Three Archaic Poets: Archilochus, Alcaeus, Sappho. Cambridge, MA.
17. Casertano, G. 1986. "L'amour entre Logos et Pathos." In B. Cassin, ed., Positions de la sophistique, 211-20. Paris.
18. Caskey, L. D., and J. D. Beazley. 1931-1963. Attic Vase Paintings in the Museum of Fine Arts, Boston. Oxford.
19. Clader, L. L. 1976. Helen: The Evolution from Divine to Heroic in Greek Epic Tradition. Leiden.
20. Collins, C. 1991. The Poetics of the Mind's Eye: Literature and the Psychology of the Imagination. Philadelphia.
21. Croally, N. A. 1994. Euripidean Polemic: The Trojan Women and the Function of Tragedy. Cambridge.
22. Cyrino, M. S. 1995. In Pandora's Jar: Lovesickness in Early Greek Poetry. Lanham, MD.
23. Dale, A. M. 1954. Alcestis. Oxford.
24. Dane, J. A. 1981. "Sappho Fr. 16: An Analysis," Eos 69: 185-92.
25. Davies, M., ed. 1988. Epicorum Graecorum Fragmenta. Göttingen.
26. -. 1991. Poetarum Melicorum Graecorum Fragmenta 1: Alcman, Stesichorus, Ibycus. Oxford.
27. De Romilly, J. 1974. Magic and Rhetoric in Ancient Greece. Cambridge, MA.
28. Diels, H., and W. Kranz. 1952. Die Fragmente der Vorsokratiker. Vol. 2. Berlin.
29. Diggle, J. 1981a. Euripidis Fabulae II. Oxford.
30. -. 1981b. Studies on the Text of Euripides. Oxford.
31. De Lauretis, T. 1987. Technologies of Gender: Essays on Theater, Film, and Fiction. Bloomington, IN.
32. duBois, P. 1984. "Sappho and Helen." In J. Peradotto and J. P. Sullivan, eds., Women in the Ancient World: The Arethusa Papers, 95-105. Albany.
33. -. 1995. Sappho Is Burning. Chicago.
34. Ebener, D. 1954. "Die Helenaszene der Troerinnen." Wiss. Zeitschrift Helle-Wittenberg 3: 691-722.
35. Foley, H. P. 1995. "Penelope as Moral Agent." In B. Cohen, ed., The Distaff Side: Representing the Female in Homer's Odyssey, 93-115. New York.
36. Foucault, M. 1985. A History of Sexuality. Vol. 2: The Use of Pleasure. Trans. R. Hurley. New York.
37. Fränkel, H. 1975. Early Greek Poetry and Philosophy. Oxford.
38. Freud, S. 1922. "Medusa's Head." Standard Edition of the Complete Psychological Works of Sigmund Freud 18. London.
39. - . 1953. Three Essays on the Theory of Sexuality. Standard Edition of the Complete Psychological Works of Sigmund Freud 7. London.
40. -. 1965. "Femininity." In New Introductory Lectures. New York.
41. Gellie, G. 1986. "Helen in the Trojan Women." In J. Betts, J. Hooker, and J. Green, eds., Studies in T.B.L. Webster's Honor, 114-21. Oxford.
42. Gentili, B. 1988. Poetry and Its Public in Ancient Greece: From Homer to the Fifth Century. Trans. A. T. Cole. Baltimore.
43. Ghali-Kahil, L. 1955. Les enlèvements et le retour d' Hélène. Ecole Française d'Athènes 10.
44. Goldhill, S. 1984. Language, Sexuality, Narrative: The Oresteia. Cambridge.
45. -. 1986. Reading Greek Tragedy. Cambridge.
46. -. 1994. "The Failure of Exemplarity." In I. de Jong and J. P. Sullivan, eds., Modern Critical Theory and Classical Literature, 51-73. Leiden.
47. Goodman, N. 1978. Ways of Worldmaking. Indianapolis.
48. Gordon, P. 1995. The Critical Double: Figurative Meaning in Aesthetic Discourse. Tuscaloosa. .
49. Gould, J. 1990. The Ancient Quarrel Between Philosophy and Poetry. Princeton.
50. Gregory, J. 1991. Euripides and the Instruction of the Athenians. Ann Arbor.
51. Hedreen,G. 1996. "Image, Text and Story in the Recovery of Helen." ClAnt 15.1:152-92.
52. Immisch, O. 1927. Gorgias Fragmente. Berlin.
53. Irigaray, L. 1974. "La tache aveugle d'un vieux rêve de symétrie." Speculum de l'autre femme. Paris.
54. Jarratt, S. 1991. Rereading the Sophists: Classical Rhetoric Refigured. Carbondale, IL.
55. Jouan, F. 1966. Euripide et les légendes des chants cypriens. Paris.
56. Kahil, L. 1988. "Hélène." LIMC 4: 538-50.
57. Katz, M. A. 1991. Penelope's Renown: Meaning and Indeterminancy in the "Odyssey." Princeton.
58. Kennedy, G. A. 1986. "Helen's Web Unraveled." Arethusa 19: 5-14.
59. Kirby, J. "The 'Great Triangle' in Early Greek Rhetoric and Poetics." Rhet 8.3: 213-28.
60. Kirkwood, G. 1979. Early Greek Monody: The History of a Poetic Type. Ithaca.
61. Kitto, H. D. F. 1950. Greek Tragedy. London.
62. Lacan, J. 1977. "The Signification of the Phallus." In Écrits: A Selection. New York.
63. Lateiner, D. 1995. Sardonic Smile: Nonverbal Behavior in Homeric Epic. Ann Arbor.
64. Lee, K. H. 1976. Euripides Troades. London.
65. Lesky, A. 1972. Die tragische Dichtung der Hellenen. Göttingen.
66. Lévi-Strauss, C. 1963. "Language and the Analysis of Social Laws." Structural Anthropology. New York.
67. Lloyd, M. 1984. "The Helen Scene in Euripides' Troades." CQ 34: 303-13.
68. -. 1992. The Agon in Euripides. Oxford.
69. Lohmann, D. 1970. Die Komposition der Reden in der llias. Berlin.
70. Lynn-George, M. 1988. Epos: Word, Narrative, and the Iliad. Atlantic Highlands, NJ.
71. MacLachlan, B. 1993. The Age of Grace: Charis in Early Greek Poetry. Princeton.
72. Mauss, M. 1967. The Gift. New York.
73. Maxwell-Stuart, P. G. 1973. "The Dramatic Poets and the Expedition to Sicily." Hist 22: 397-404.
74. Merkelbach, R. 1957. "Sappho und ihr Kreis." Philologus 101: 1-29.
75. Meyer, L. 1979. "Toward a Theory of Style." In Beryl Lang, ed., The Concept of Style. Ithaca.
76. Most, G. W. 1981. "Sappho Fr. 16.6-7 L-P." CQ 31: 11-17.
77. Murray, G. 1904. Euripidis Fabulae II. Oxford.
78. North, H. F. 1988. "Socrates Deinos Legein." In Pietro Pucci, ed., Language and the Tragic Hero. Atlanta.
79. Ober, J. 1989. Mass and Elite in Democratic Athens: Rhetoric, Ideology, and the Power of the People. Princeton.
80. Page, D. L. 1938. Medea. Oxford.
81. -. 1955. Sappho and Alcaeus: An Introduction to Archaic Lesbian Poetry. Oxford.
82. Paley, F. A. 1872. Euripides. 2nd. ed. Vol. 1. London.
83. Parmentier, L. 1948. Les Troyennes. Paris.
84. Parry, H. 1992. Thelxis: Magic and Imagination in Greek Myth and Poetry. London.
85. Pellicia, H. 1992. "Sappho 16, Gorgias' Helen, and the Preface to Herodotus' Histories." YCS 29: 63-84
86. Pepe, G. M. 1967. Studies in Peitho. Diss. Princeton.
87. Poulakos, J. 1983. "Gorgias' Encomium to Helen and the Defense of Rhetoric." Rhet 1: 11-116
88. Prier, R. A. 1989. Thauma Idesthai: The Phenomenology of Sight and Appearance in Archaic Greek. Tallahassee.
89. Race, W. H. 1989-1990. "Sappho, Fr. 16 L-P. and Alkaios, Fr. 42 L-R: Romantic and Classical Strains in Lesbian Lyric." CJ 85: 16-33.
90. Reden, S. von. 1995. Exchange in Ancient Greece. London.
91. Schiassi, G. 1953. Troades. Florence.
92. Schied, J., and J. Svenbro. 1996. The Craft of Zeus: Myths of Weaving and Fabric. Cambridge, MA.
93. Scodel, R. 1980. The Trojan Trilogy of Euripides. Göttingen.
94. Segal, C. P. 1965. "Gorgias and the Psychology of the Logos." HSCP 66: 99-155.
95. Shapiro, H. A. 1993. Personifications in Greek Art: The Representation of Abstract Concepts 600-400 B.C. Kilchberg and Zurich.
96. Sihler, A. 1995. New Comparative Grammar of Greek and Latin. Oxford.
97. Snyder, J. 1981. "The Web of Song: Weaving Imagery in Homer and the Lyric Poets." CJ 76.3: 193-96.
98. Stanford, W. B. 1972. Greek Metaphor. New York.
99. Suzuki, M. 1989. Metamorphoses of Helen: Difference, Authority, and the Epic. Ithaca.
100. Theander, C. 1934. "Studia Sapphica." Eranos 32: 57-85.
101. Thompson, J. 1980. "The Reader in History: The Changing Shape of Literary Response." In Jane Tompkins, ed., Reader-Response Criticism, 202-206. Baltimore.
102. Vellacott, P. 1975. Ironic Drama: A Study of Euripides' Method and Meaning. Cambridge.
103. Vernant, J.-P. 1988. "Intimations of Will in Greek Tragedy." In Myth and Tragedy in Ancient Greece, trans. J. Lloyd. New York.
104. -. 1989. "Dim Body, Dazzling Body." In Fragments for a History of the Human Body, vol. 1, trans. A. Wilson. New York.
105. Walsh, G. B. 1984. The Varieties of Enchantment. Chapel Hill.
106. West, M. L. 1970. "Burning Sappho." Maia 22: 307-30.
107. Wilamowitz-Moellendorf, U. von. 1906. Griechische Tragödien, III. Berlin.
108. -. 1914. "Neue Lesbische Lyrik (Oxyrynchos Papyri X)." NJb 33: 225-47.
109. Zeitlin, F. I. 1982. "Travesties of Gender and Genre in Aristophanes' Thesmophoriazousae." In H. P. Foley, ed., Reflections of Women in Antiquity, 169-217. London.
110. -. 1990. "Playing the Other: Theater, Theatricality, and the Feminine in Greek Drama." In J. J. Winkler and F. I. Zeitlin, eds., Nothing to Do with Dionysos? Athenian Drama in its Social Context, 63-96. Princeton.
111. -. 1995a. "Art, Memory, and Kleos in Euripides' Iphigenia in Aulis." In Barbara Goff, ed., History, Tragedy, Theory: Dialogues on Athenian Drama, 174-201. Austin.
112. -. 1995b. "The Body's Revenge: Dionysos and Tragic Action in Euripides' Hekabe." In Playing the Other: Gender and Society in Classical Greek Literature, 172-216. Chicago.