The romancing of don quixote: Spatial innovation and visual interpretation in the imagery of johannot, doré and daumier

Word and Image

Volumn 14, Issue 4, 1998, Pages 354-370

  Schmidt, Rachel ^a  

^a NONE

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[No Author keywords available]

Indexed keywords

EID: 62449281966     PISSN: 02666286     EISSN: None     Source Type: Journal    
DOI: 10.1080/02666286.1998.10443962     Document Type: Article

References (28)

1. William Cole, ‘The Book & the Artist: Rethinking the Traditional Order’, Word & Image, 8 (1992), pp. 378-82.
2. Aristide Marie, Alfred et Tony Johannot: Peintres, Graveurs et Vignetlisks (Paris, 1925), p. 36.
3. William M. Ivins, Jr Prints and Visual Communication (Cambridge, MA, 1982), p. 70.
4. Alain-Marie Bassy, ‘Le livre mis en pièce(s). Pensées détachées sur le livre romantique’, Romantisme, 43(1984), pp. 19-27.
5. G. J. Barker-Benfield, The Culture of Sensibility: Sex and Society in Eighteenth-Century England [Chicago, 1992], pp. 235-6
6. Jonathan Crary, Techniques of the Observer: On Vision and Modernity in the Nineteenth Century (Cambridge, MA, 1990), pp. 112-13
7. Walter Benjamin, Gesammelte Schriften (Frankfurt am Main, 1982), vol. V:2, p. 656.
8. Leo Spitzer, ‘Linguistic Perspectivism in the Don Quijote’, in Linguistics and Literary History [Princeton, 1967], pp. 41-85
9. Françoise Etienvre, ‘De Mayáns a Capmany: Lecturas españolas del Quijote’, Actas del Coloquio Cervantino Würzburg 1983 (Münster/Westfalen, 1983), p. 40.
10. Johannes Hartau, Don Quijote in der Kunst: Wandlungen einer Symbolfigur [Berlin, 1987], p. 182
11. Northrop Frye, Anatomy of Criticism: Four Essays (Princeton, 1973), p. 187.
12. John Mullan, Sentiments and Sociability: The Language of Feeling in the Eighteenth Century [Oxford, 1988], p. 146
13. F. W. J. Hemmings, Culture and Society in France 1848-1838: Dissidents and Philistines [London, 1971], pp. 147
14. Johann Friedrich Geist, Arcades: the History of a Building Type (Cambridge, MA, 1983), p. 12.
15. Michael B. Miller, The Bon Marché: Bourgeois Culture and the Department Store, 1863-1320 (Princeton, 1981), p. 42.
16. Susan Buck-Morss, The Dialectics of Seeing: Walter Benjamin and the Arcades Project [Cambridge, MA, 1989], p. 39.
17. Nigel Gosling, Gustave Doré (Newton Abbot, England, 1973), p. 34.
18. Konrad Farner, Gustave Doré der industrialisierte Romantiker (München, 1975), pp. 136-7.
19. Konrad Farner, Gustave Doré der industrialisierte Romantiker (München, 1975), p. 135.
20. Miguel Romera-Navarro, Interpretación pictórica del Quijote por Doré (Madrid: Blass, 1946), pp. 50-3.
21. Hellmut Lehman-Haupt, The Terrible Gustave Doré [New York, 1943], p. 27.
22. Michele Lavallée, ‘Des livres «Doré partout»…’, Gustave Doré 1832-1883 (Strasbourg, 1983), p. 249.
23. Georg Lukács, The Theory of the Novel (Cambridge, MA, 1989), p. 79.
24. Georg Lukács, The Theory of the Novel (Cambridge, MA, 1989), p. 80.
25. Erich Klossowski, Honoré Daumier (Munich, 1923), p. 42.
26. Oliver W. Larkin, Daumier: Man of His Time (New York, 1966), p. 199
27. Howard P. Vincent, Daumier and His Word (Evanston, IL, 1968), p.227.
28. Kimerly Rorschach, Blake to Beardsley: The Artist as Illustrator (Philadelphia, 1988), p. 31