A family likeness: Photography, friction and filiation in françois bon’s mécanique

Word and Image

Volumn 23, Issue 4, 2007, Pages 381-390

  Carrier, Duffy ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 62449246940     PISSN: 02666286     EISSN: None     Source Type: Journal    
DOI: 10.1080/02666286.2007.10435793     Document Type: Article

References (4)

1. Valéry Huguotte, ‘Des mains mutilées et des vies prises: sur les romans de François Bon’, Revue des Lettres Modernes, nos 1425-1430 (1999)3 PP-73-87;
2. Luc Rasson, ‘L’Ecriture spéléologique de François Bon’, in Ecrire l ‘insignifiant: Dix études sur le fait divers dans le roman contemporain, eds Paul Pelckmans and Bruno Tritsmans (Amsterdam: Rodopi, 2000), pp. 155–63
3. Martha Langford, Suspended Conversations: The Afterlife of Memory in Photographic Albums (Montreal and Kingston: McGill-Queen’s University Press, 2001);
4. Christopher Muscllo, ‘Studying the Home Mode: An Exploration of Family Photography and Visual Communication’, Studies in Visual Communication, 6/1 (1980), pp.23-42, p. 39;