The AMusic flat sign-C-E complex: The origin and function of chromatic major third collections in nineteenth-century music

Music Theory Spectrum

Volumn 28, Issue 2, 2006, Pages 167-190

  Bribitzer Stull, Matthew ^a  

^a NONE

Author keywords

19th century music; Chromaticism; Neo Riemannian analysis; Schenkerian analysis; Third relations

Indexed keywords

EID: 62449227432     PISSN: 01956167     EISSN: None     Source Type: Journal    
DOI: 10.1525/mts.2006.28.2.167     Document Type: Article

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