Emma Lyon, the attitude, and Goethean performance theory

New Theatre Quarterly

Volumn 13, Issue 1, 1997, Pages 3-17

  Schachenmayr, Volker ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 62449170733     PISSN: 0266464X     EISSN: None     Source Type: Journal    
DOI: 10.1017/s0266464x00010757     Document Type: Article

References (11)

1. Deleuze, Gilles, Cinema 1: the Movement-Image, trans. Hugh Tomlinson and Barbara Habberjam (London: Athlone, 1986)
2. Flax, Neil, 'Fiction Wars of Art', Representations, VII (1984), p. 1-25
3. -, 'From Portrait to Tableau Vivant: the Pictures of Emilia Galotti', Eighteeth-Century Studies, XIX (1985-86), p. 39-55
4. Fothergill, Brian, Sir William Hamilton, Envoy Extraordinary (London: Faber, 1969)
5. Goethe, Johann Wolfgang, von, Werke. 'Sophien-Ausgabe', in 4 sections, 133 volumes (Weimar: Böhlau, 1887-1919)
6. Holmström, Kirsten Gram, Monodrama, Attitudes, Tableaux Vivants: Studies on Some Trends of Theatrical Fashion, 1770-1815 (Stockholm: Almquist and Wiksell, 1967)
7. Kiefer, Klaus H., Wiedergeburt und neues Leben: Aspekte des Strukturwandels in Goethes Italienischer Reise (Bonn: Bouvier Verlag Herbert Grundmann, 1978)
8. Langen, August, 'Attitüde und Tableau in der Goethezeit.' Jahrbuch der deutschen Schillergesellschaft, XII (1968), p. 194-258
9. Laughton, J. K., 'Lady Hamilton', Dictionary of National Biography, XXIV (1890)
10. Roach, Joseph R., The Player's Passion (Newark: University of Delaware Press, 1985)
11. Verdi, Richard, Nicolas Poussin, 1594-1665 (London: Zwemmer, 1995)