Breaking down the preserves of visual production

American Art

Volumn 11, Issue 2, 1997, Pages 11-13

  Miller, Angela ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 62449129850     PISSN: 10739300     EISSN: 15496503     Source Type: Journal    
DOI: 10.1086/424287     Document Type: Article

References (7)

1. Michel de Certeau, The Practice of Everyday Life (Berkeley: University of California Press, 1984), pp. xii-xiii and passim
2. James Scott, Domination and the Arts of Resistance: Hidden Transcripts (New Haven: Yale University Press, 1990)
3. Above all suspicion vis-à-vis folk and outsider art are such studies as John Michael Vlach, Plain Painters: Making Sense of American Folk Art (Washington, D.C.: Smithsonian Institution Press, 1988)
4. David Jaffee, "One of the Primitive Sort: Portrait Makers of the Rural North, 1760-1860," The Countryside in the Age of Capitalist Transformation, ed. Steven Hahn and Jonathan Prude (Chapel Hill: University of North Carolina Press, 1985)
5. David Jaffee, Meet Your Neighbors: New England Portraits, Painters, and Society, 1790-1850 (Sturbridge, Mass.: Old Sturbridge Village in conjunction with the University of Massachusetts Press, 1992)
6. Mikhail Bakhtin, "The Problem of Speech Genres," in Speech Genres and Other Late Essays, trans. Vern W. McGee (Austin: University of Texas Press, 1986), p. 89
7. Mikhail Bakhtin, Rabelais and His World, trans. Hélène Iswolsky (Bloomington: Indiana University Press, 1984)