Chant research at the turn of the century and the analytical programme of Helmut Hucke

Plainsong and Medieval Music

Volumn 7, Issue 1, 1998, Pages 47-71

  Nowacki, Edward ^a  

^a UNIVERSITY OF CINCINNATI   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 62149140297     PISSN: 09611371     EISSN: None     Source Type: Journal    
DOI: 10.1017/s0961137100001418     Document Type: Review

References (41)

1. Richard Crocker, 'Gregorian Studies in the Twenty-First Century' Plainsong and Medieval Music, 4 (1995), 33-86
2. Vol. 12p. 74-87, used here by permission
3. Mortimer J. Adler, How to Read a Book (New York, 1940), 48-64
4. David Hiley's summary references to it in Western Plainchant: A Handbook (Oxford, 1993), 79 and 539, are exceptional
5. Helmut Hucke, 'Toward a New Historical View of Gregorian Chant', Journal of the American Musicological Society, 33 (1980), 437-67
6. Walter Wiora, 'Das produktive Umsingen deutscher Kirchenliedweisen in der europäischer Stile Vielfalt europäischer Stile', Jahrbuch für Liturgik und Hymnologie, 2 (1956), 47-63
7. Paléographie musicale, 2 (Solesmes, 1891), 6
8. Raphael Andoyer, 'Le chant romain antégrégorien'. Revue du chant grégorien, 20 (1911-12), 69-75 and 107-14
9. Bruno Stäblein, 'Zur Frühgeschichte des römischen Chorals', in Atti del congresso internazionale di musica sacra, Roma, 1950 (Tournai, 1952), 271-5
10. See also idem, 'Alt- und neurömischer Choral', in Kongressbericht Lüneburg 1950, 53-6
11. idem, 'Zur Entstehung der gregorianischen Melodien', Kirchenmusikalisches Jahrbuch, 35 (1951), 5-9
12. and idem, 'Choral', in Die Musik in Geschichte und Gegenwart (Kassel 1952), II, cols. 1265-1303. 1952), II, cols. 1265-1303
13. Jacques Hourlier and Michel Huglo, 'Un important témoin du chant de Sainte-Cécile du Trastévère "vieux-romain": le Graduel de Sainte-Cécile du Trastévère', Revue grégorienne, 31 (1952), 26-37
14. Michel Huglo, 'Le chant "vieux-romain": Liste des manuscrits et indirects témoins indirects', Sacris Erudiri, 6 (1954), 96-124
15. Theodor Klauser, 'Die liturgischen Austauschbeziehungen zwischen der fränkisch-deutschen Kirche vom 8. bis zum 11. Jahrhundert römischen und der fränkisch-deutschen Kirche vom 8. bis zum 11. Jahrhundert', Historisches Jahrbuch der Görres-Gesellschaft, 53 (1933), 169-89
16. reprinted in his Gesammelte Arbeiten, ed. Ernst Dassmann (Münster 1974), 139-54. 1974), 139-54
17. Joseph Smits van Waesberghe, 'L'Etat actuel des recherches scientifiques grégorien Paris, 1957 dans le domaine du chant grégorien', in Troisième congrès international de musique sacréearis, 1957 (Paris, 1959), 206-25
18. idem, 'Neues über die Schola Cantorum zu Rom', in Zweiter Internationaler Kongress für katholische Kirchenmusik, Wien, 1954 (Vienna, 1955), 111-19
19. S. J. P. van Dijk, 'The Urban and Papal Rites in Seventh-, and Eighth-Century Rome', Sacris Erudiri, 12 (1961), 411-87
20. Stäblein, 'Zur Frühgeschichte'; idem, Die Gesänge des altrömischen Graduale Vat. lat. 5319, Monumenta Monodica Medii Aevi 2 (Kassel, 1970)
21. Helmut Hucke, review of Stäblein, Die Gesänge, in Musik und Altar, 24 (1972), 138-41
22. See, for example, Thomas H. Connolly, 'The Graduale of S. Cecilia in Trastevere and the Old Roman Tradition', Journal of the American Musicological Society, 28 (1975), 413-58
23. and Edward Nowacki, 'Constantinople-Aachen-Rome: The Transmission of Helmut Hucke zum Veterem hominem', in De Musica et Cantu: Studien zur Geschichte der Kirchenmusik und der Oper: Helmut Hucke zum 60. Geburtstag, ed. Peter Cahn and Ann-Katrin Heimer (Hildesheim, 1993), 95-115
24. Walther Lipphardt, 'Gregor der Grosse und sein Anteil am römischen Antiphonar', in Atti del congresso internazionale di musica sacra, Roma, 1950 (Tournai, 1952), 248-54
25. Through spot-checks the author was able to satisfy himself that the differences between manuscripts Vat. lat. 5319 and Phillipps 16069 [now Bibl. Bodmeriana MS C 74] are negligible. The two manuscripts belong closer together than Vat. lat. 5319 does with the thirteenth-century manuscript Archivio di San Pietro F 22, which exhibits slight variants. differences between manuscripts Vat. lat. 5319 and Phillipps 16069 [now Bibl. Bodmeriana MS C 74] are negligible. The two manuscripts belong closer together than Vat. lat. 5319 does with the thirteenth-century manuscript Archivio di San Pietro F 22, which exhibits slight variants
26. Thomas H. Connolly, 'Introits and Archetypes: Some Archaisms of the Old Roman Chant', Journal of the American Musicological Society, 25 (1972), 157-74
27. Jeffery, Re-envisioning Past Musical Cultures, 91
28. Hucke evidently misread the melisma at the beginning of the second segment over (di-) sci (-pulus). In fact it is identical to the one over (di-) e (-bus) in staff 3. The error has been corrected in the example. segment over (di-) sci (-pulus). In fact it is identical to the one over (di-) e (-bus) in staff 3. The error has been corrected in the example
29. Compare, for example, the versions notated in staffless notation in St Gall, MS 339, in Paléographie musicale (Solesmes, 1889). Gall, MS 339, in Paléographie musicale (Solesmes, 1889)
30. In Rome, as a 'comparison of the manuscripts Vat. lat. 5319 and Archivio di San Pietro F 22 shows, the formation of variants (albeit unessential ones) began to occur as late as the twelfth and thirteenth centuries. di San Pietro F 22 shows, the formation of variants (albeit unessential ones) began to occur as late as the twelfth and thirteenth centuries
31. Three' (erroneously) in the original
32. Helmut Hucke, 'Improvisation im gregorianischen Gesang' Kirchenmusikalisches Jahrbuch, 38 (1954), 5-8
33. Fredric Jameson, The Prison-House of Language: A Critical Account of Russian Formalism Structuralism and Russian Formalism (Princeton, 1972), 5-6
34. Paris, Bibliothèque nationale, MS lat. 10511
35. It goes without saying that much new creation ocurred outside the central canon of chants for the Mass, but that is not the subject of this article canon of chants for the Mass, but that is not the subject of this article
36. On tradition in the Roman schola cantorum, see the Helmut Hucke, 'Die Cantorum Tradition des gregorianischen Gesanges in der römischen Schola Cantorum', in Zweiter Internationaler Kongress für katholische Kirchenmusik, Wien, 1954 (Vienna, 1955), 120-3
37. Helmut Hucke, 'Die Anfänge der abendländischen Notenschrift' in Festschrift Rudolf Elvers (Tutzing, 1985), 271-88
38. Helmut Hucke. 'Der Übergang von mündlicher zu schriftlicher Musiküberlieferung im Mittelalter Society Musiküberlieferung im Mittelalter', in Proceedings of the Twelfth Congress of the International Musicological Society, Berkeley, 1977 (Kassel, 1981), 180-91
39. For empirical confirmation see John Boe, 'Chant Notation in Eleventh-Century Roman Manuscripts', in Essays on Medieval Music in Honor of David G. Hughes, ed. Graeme M. Boone (Cambridge, Mass., 1995), 43-57
40. James McKinnon, 'The Eighth-Century Frankish-Roman Communion Cycle' Journal of the American Musicological Society, 45 (1992), 179-227
41. See Helmut Hucke, 'Die Einführung des gregorianischen Gesanges im Kirchengeschichte Frankenreich', Römische Quartalschrift für christliche Altertumskunde und Kirchengeschichte, 49 (1954), 172-87