Art and audience

Journal of Aesthetics and Art Criticism

Volumn 57, Issue 3, 1999, Pages 315-332

  Zangwill, Nick ^a  

^a UNIVERSITY OF GLASGOW   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61949405092     PISSN: 00218529     EISSN: 15406245     Source Type: Journal    
DOI: 10.2307/432197     Document Type: Review

References (40)

1. Monroe Beardsley, "An Aesthetic Definition of Art," in What is Art? ed. Hugh Curtler (New York: Haven, 1983)
2. Leo Tolstoy, What is Art? (Oxford: Oxford University Press
3. 1955). Nelson Goodman, Languages of Art (Oxford: Oxford University Press, 1968)
4. Arthur Danto, "The Artworld," The Journal of Philosophy 61 (1964): 571-584
5. The Transfiguration of the Commonplace (Harvard University Press, 1981)
6. George Dickie, Art and the Aesthetic (Cornell University Press, 1974)
7. The Art Circle (New York: Haven, 1984)
8. Jerrold Levinson, Music, Art, and Metaphysics (Cornell University Press, 1990)
9. "A Refiner's Fire: Reply to Sartwell and Kolak," The Journal of Aesthetics and Art Criticism 48 (1990): 231-235
10. Daniel Kolak, "Art and Intentionality," The Journal of Aesthetics and Art Criticism 48 (1990): 158-161
11. Ruth Millikan, White Queen Psychology and Other Essays for Alice (MIT Press, 1993).
12. Malcolm Budd, Values of Art: Pictures, Poetry, and Music (London: Alan Lane, 1995)
13. Jerry Levinson's critical notice "Art, Value, and Philosophy: Malcolm Budd's Values of Art: Pictures, Poetry, and Music," Mind 105 (1996): 667-682
14. Peter Lamarque's book review in The British Journal of Aesthetics 37 (1997): 84-86
15. Nick Zangwill, "Groundrules in the Philosophy of Art," Philosophy 70 (1995): 533-544
16. Richard Wollheim's argument in "The Institutional Theory of Art," essay 1 in Art and Its Objects, 2nd ed. (Cambridge: Cambridge University Press, 1980)
17. I develop an artist-based account in "The Creative Theory of Art," American Philosophical Quarterly 32 (1995): 307-323
18. Colin McGinn, "Another Look at Color," The Journal of Philosophy 93 (1996): 537-553
19. Alan Goldman, Aesthetic Value (Boulder, CO: Westview, 1995)
20. Martin Davies and Lloyd Humberstone, "Two Notions of Necessity," Philosophical Studies 38 (1980): 1-30
21. Sydney Shoemaker, "Causality and Properties," in Identity, Cause and Mind (Cambridge: Cambridge University Press, 1984)
22. Richard Wollheim, Painting as an Art (London: Thames and Hudson, 1987), p. 44
23. Nick Zangwill, "The Concept of the Aesthetic," European Journal of Philosophy 6 (1998): 78-93
24. Bernard Williams's "Moral Luck," in Moral Luck: Philosophical Papers 1973-1980 (Cambridge: Cambridge University Press, 1981)
25. Igor Stravinsky and Robert Craft, Memories and Commentary (London: Faber and Faber, 1960), pp. 91-95
26. Jorge Luis Borges's short story "The Secret Miracle," in Labyrinths (Harmondsworth: Penguin, 1970)
27. Richard Strauss, Recollections and Reflections (London: Boosey and Hawkes, 1953), p. 38
28. Suzi Gablik, Has Modernism Failed? (London: Thames and Hudson, 1984)
29. Colin Rowe, "La Tourette," in The Mathematics of the Ideal Villa, and Other Essays (MIT Press, 1976), p. 193
30. Serge Guilbaut, How New York Stole the Idea of Modern Art (University of Chicago Press, 1983)
31. Clement Greenberg: Collected Essays and Criticism, ed. John O'Brian, in 4 volumes (University of Chicago Press, 1986)
32. Modernism and Modernity, eds. Benjamin Buchloch, Serge Guilbaut, and David Solkin (Vancouver: Nova Scotia Press, 1981), pp. 161-68, 188-193, 265-277
33. P. H. Nowell-Smith's discussion of psychological hedonism, in Ethics (London: Penguin, 1954), chap. 10
34. Kant, Critique of Judgement (Oxford: Oxford University Press, 1928), §§48-54
35. Bernard Williams, in J. J. C. Smart and Bernard Williams, Utilitarianism: For and Against (Cambridge: Cambridge University Press, 1973)
36. Jean-Paul Sartre, "Why Write?" in Literature and Existentialism (New York: Citadel, 1994)
37. Peter Railton, "Alienation, Consequentialism, and the Demands of Morality," Philosophy and Public Affairs 13 (1984): 134-171
38. Monroe Beardsley, "The Creation of a Work of Art," in The Aesthetic Point of View (Cornell University Press, 1982)
39. Andrew Harrison, Making and Thinking: A Study of Intelligent Activities (Indianapolis: Hackett, 1978)
40. Richard Dawkins, The Blind Watchmaker: Why Evidence of Evolution Reveals a Universe without Design (Harmondsworth: Penguin, 1986)