Robert Schumann's metrical revisions

Music Theory Spectrum

Volumn 19, Issue 1, 1997, Pages 35-54

  Krebs, Harald ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61949305899     PISSN: 01956167     EISSN: None     Source Type: Journal    
DOI: 10.2307/745998     Document Type: Review

References (26)

1. August Reissman, Schumann (Berlin, 1865), 152
2. Christian Knayer, "Robert Schumann als Meister der rhythmischen Verschiebungen: Eine Anregung für das Studium seiner Klavierwerke." Musikpädagogische Blätter 37 (1912): 177-79, 201-3: 231-33
3. Arnfried Edler, Schumann und seine Zeit (Laaber: Laaber Verlag, 1982). 161
4. Dieter Schnebel, "Rückungen - Verrückungen: Psychoanalytische und musikanalytische Betrachtungen zu Schumanns Leben und Werk," in Musik-Konzepte: Sonderband Robert Schumann II, ed. Heinz-Klaus Metzger and Rainer Riehn (München: edition text + kritik, December 1982): 4-89
5. Carl Schachter, "Rhythm and Linear Analysis: Aspects of Meter," Music Forum 6 (New York: Columbia University Press, 1987), 33-36
6. Harald Krebs, "Some Extensions of the Concepts of Metrical Consonance and Dissonance," Journal of Music Theory 31 (1987): 104, 107, 113
7. Metrical Dissonance in the Music of Robert Schumann (Oxford: Oxford University Press, forthcoming)
8. Wolfgang Boetticher, Robert Schumanns Klavierwerke, Teil I: Opus 1-6 (Wilhelmshaven: Heinrichshofen's Verlag, 1976)
9. Teil II: Opus 7-13 (Wilhelmshaven: Heinrichshofen's Verlag, 1984)
10. Jon W. Finson, Robert Schumann and the Study of Orchestral Composition: The Genesis of the First Symphony op. 38 (Oxford: Clarendon Press, 1989)
11. Rufus Hallmark, The Genesis of Schumann's 'Dichterliebe': A Source Study (Ann Arbor: UMI Press, 1979)
12. Hans Kohlhase, "Die klanglichen und strukturellen Revisionen im Autograph der Streichquartette op. 41," in Schumanns Werke: Text und Interpretation, ed. Akio Mayeda and Klaus Niemöller (Mainz: Schott, 1987), 53-76
13. Linda Roesner, "Structural Revisions in the String Quartets Opus 41 of Robert Schumann," Current Musicology 7 (1968): 87-95
14. Maury Yeston's book, The Stratification of Musical Rhythm (New Haven: Yale University Press, 1976), 38-54
15. John Roeder "Interacting Pulse Streams in Schoenberg's Atonal Polyphony," Music Theory Spectrum 16 (1994): 231-49
16. Joel Lester, The Rhythms of Tonal Music (Carbondale and Edwardsville: Southern Illinois University Press, 1986), 13-44
17. Hector Berlioz, "Berlioz on the Future of Rhythm." in Jacques Barzun, Berlioz and the Romantic Century, 2 vols. (New York and London: Columbia University Press, 1969), 338
18. "Feuilleton du Journal des Débats," Nov. 10, 1837
19. Charles Seeger, "On Dissonant Counterpoint," Modern Music 7/4 (1930): 25-31
20. Leonard Meyer and Grosvenor Cooper, The Rhythmic Structure of Music (Chicago: The University of Chicago Press, 1960), 108 and 165
21. Maury Yeston, The Stratification of Musical Rhythm, 89-118
22. Peter M. Kaminsky, "Aspects of Harmony, Rhythm and Form in Schumann's Papillons, Carnaval and Davidsbündlertänze" (Ph.D. Diss., University of Rochester, 1989), 27
23. Gretchen Horlacher, "The Rhythms of Reiteration: Formal Development in Stravinsky's Ostinati," Music Theory Spectrum 14 (1992): 174
24. Richard Cohn ("Metric and Hypermetric Dissonance in the Menuetto of Mozart's Symphony in G Minor, K. 550," Intégral 6 [1992]: 13)
25. Universitätsbibliothek Bonn, Schumann 15 (Sketchbook III), pp. 81 and 95
26. Gerhard Dietel in 'Eine neue poetische Zeit': Musikanschauung und stilistische Tendenzen im Klavierwerk Robert Schumanns (Kassel: Bärenreiter, 1989), 55 and 57