Rhythm in the music of Messiaen: An algebraic study and an application in the Turangalîla Symphony

Music Theory Spectrum

Volumn 20, Issue 1, 1998, Pages 97-120

  Hook, Julian L ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61949295169     PISSN: 01956167     EISSN: None     Source Type: Journal    
DOI: 10.2307/746158     Document Type: Review

References (10)

1. Paul Griffiths, Olivier Messiaen and the Music of Time (Ithaca, N.Y.: Cornell University Press, 1985);
2. The Messiaen Companion, ed. Peter Hill (Portland, Oregon: Amadeus Press, 1995);
3. Robert Sherlaw Johnson, Messiaen (Berkeley: University of California Press, 1989).
4. Olivier Messiaen, Music and Color: Conversations with Claude Samuel, translated from the French by E. Thomas Glasow (Portland, Oregon: Amadeus Press, 1994), 67.
5. Lewis Rowell, Music and Musical Thought in Early India (Chicago: University of Chicago Press, 1992),
6. and Harold S. Powers, "India," Sections I and II, The New Grove Dictionary of Music and Musicians.
7. Messiaen's The Technique of My Musical Language, available in an English translation by John Satterfield (Paris: Alphonse Leduc, 1956).
8. Mirjana Šimundža, "Messiaen's Rhythmical Organisation and Classical Indian Theory of Rhythm (I)," International Review of the Aesthetics and Sociology of Music 18/1 (1987): 117-144;
9. "Messiaen's Rhythmical Organisation and Classical Indian Theory of Rhythm (II)," International Review of the Aesthetics and Sociology of Music 19/1 (1988): 53-73.
10. Roger Nichols, Messiaen (London: Oxford University Press, 1975), 42-47.