Exploring modal subversions in alternative music

Popular Music

Volumn 19, Issue 3, 2000, Pages 355-363

  McDonald, Chris ^a  

^a NONE   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61949264123     PISSN: 02611430     EISSN: None     Source Type: Journal    
DOI: 10.1017/S0261143000000210     Document Type: Review

References (11)

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2. Bobbitt, R. 1976. Harmonic Technique in the Rock Idiom (Belmont)
3. Ennis, P. 1992. The Seventh Stream: The Emergence of Rocknroll in American Popular Music (Hanover)
4. Felder, R. 1993. Manic Pop Thrill (Hopewell, NJ)
5. Frith, S. 1990. 'What is Good Music?', Canadian University Review, 12(1), pp. 92-102
6. Kruse, H. 1993. 'Subcultural Identity in Alternative Music Culture', Popular Music, 12(1), pp. 33-41
7. Moore, A.F. 1995. 'The So-called "Flattened Seventh" in Rock', Popular Music, 14(2), pp. 185-201
8. Shepherd, J. 1993. 'Popular Music Studies: Challenges to Musicology', Stanford Humanities Review, 3(2), pp. 17-36
9. Walser, R. 1993. Running With The Devil: Power, Gender and Madness in Heavy Metal Music (Hanover)
10. Winkler, P. 1978. 'Towards a Theory of Popular Harmony', In Theory Only, 4(2), pp. 3-26
11. 'Only Shallow', Loveless. Sire 9 26759-2. 1991