Escaping reality: Digital imagery and the resources of photography

Journal of Aesthetics and Art Criticism

Volumn 55, Issue 2, 1997, Pages 201-214

  Savedoff, Barbara E ^a  

^a CITY UNIVERSITY OF NEW YORK   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61949226405     PISSN: 00218529     EISSN: 15406245     Source Type: Journal    
DOI: 10.2307/431264     Document Type: Review

References (17)

1. Patrick Maynard, "Photo-opportunity: Photography as Technology," The Canadian Review of American Studies 22 (1991): 501-528
2. Kendall Walton's "Transparent Pictures: On the Nature of Photographic Realism," Critical Inquiry 11 (1984): 246-277
3. André Bazin, "The Ontology of the Photographic Image," in What is Cinema? ed. and trans. Hugh Gray (University of California Press, 1967)
4. Rudolf Arnheim, "On the Nature of Photography," Critical Inquiry 1 (1974): 149-161
5. Beaumont Newhall, The History of Photography (New York: Museum of Modern Art, 1982), pp. 73-74
6. John Szarkowski, The Photographer's Eye (New York: Museum of Modern Art, 1966), p. 150
7. Clarence John Laughlin: The Personal Eye, introduction by Jonathan Williams, stories by Lafcadio Hearn (New York: Aperture, 1973), p. 54
8. Jacques Meuris, René Magritte (Cologne: Taschen, 1991), pp. 30-31
9. Pierre Borhan, André Kertész: His Life and Work (Boston: Bullfinch, 1994), p. 287
10. Peter Galassi, Henri Cartier-Bresson: The Early Work (New York: Museum of Modern Art, 1987), p. 127
11. Walker Evans, introduction by John Szarkowski (New York: Museum of Modern Art, 1987, 1971), p. 32
12. John Arthur, Richard Estes: Paintings and Prints (San Francisco: Pomegranate Artbooks, 1993), p. 89
13. Naomi Rosenblum, A History of Women Photographers (New York: Abbeville Press, 1994), p. 114
14. All three untitled photographs are reproduced in Jerry Uelsmann: Photo Synthesis, foreword by A. D. Coleman (University Press of Florida, 1992), pp. 85, 83, and 38
15. William J. Mitchell, The Reconfigured Eye: Visual Truth in the Post-Photographic Era (MIT Press, 1992), p. 5
16. Fred Ritchin, In Our Own Image: The Coming Revolution in Photography (New York: Aperture, 1990)
17. Pedro Meyer, Truths and Fictions: A Journey from Documentary to Digital Photography (New York: Aperture, 1995)