Visualization meditation and the Siwei icon in Chinese Buddhist sculpture

Artibus Asiae

Volumn 62 PART 1, Issue , 2002, Pages 5-31

  Hsu, Eileen Hsiang Ling ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61949212669     PISSN: 00043648     EISSN: None     Source Type: Journal    
DOI: 10.2307/3250280     Document Type: Article

References (32)

1. Rei Sasaguchi, "The Image of the Contemplating Bodhisattva in Chinese Buddhist Sculpture" (Ph.D. diss., Harvard University, 1975)
2. Matsubara 1995, vol. 1, 107-122
3. Luo Zhufeng ed., Hanyu dacidian (Shanghai: Hanyu dacidian chubanshe, 1991), vol. 7, 443
4. Jonathan Best, "The Sosan Triad: An Early Korean Buddhist Relief Sculpture from Paekche," Archives of Asian Art 33 (1980), 97
5. Christine M. Guth, "The Pensive Prince of Chūgūji: Maitreya Cult and Image in Seventh-Century Japan," in Alan Sponberg and Helen Hardacre eds., Maitreya, the Future Buddha (Cambridge and New York: Cambridge University Press, 1988), 191-213
6. Lee Yumin, "The Maitreya Cult and Its Art in Early China" (Ph.D. diss., Ohio State University, 1983)
7. Mizuno Seiichi, Chūgoku no chokoku (Tokyo: Nihon Keizai Shinbunsha, 1960), 23-24
8. Daśabhūmikā-sūtra by Kumārajīva
9. bx is in Taishō 10.286
10. Xu Gaoseng zhuan, in Taishō 50.2060, 485a-486a
11. Taishō 10.287, 5632-5673
12. Mizuno Seiichi and Nagahiro Toshio, Unkōsekkutsu (Kyoto: Kyoto Daigaku Jinbun Kagaku Kenkyūjo, 1951-56), vol. 12, pt. I., plate 12
13. Erik Zürcher, "'Prince Moonlight': Messianism and Eschatology in Early Medieval Chinese Buddhism," T'oung Pao 68, 1-3 (1982), 1-47
14. Martin Lerner, The Flame and the Lotus (New York: The Metropolitan Museum of Art, 1984), 30-35
15. Xinjiang Weiwuer Zizhiqu wenwu guanli weiyuanhui ed., Kezier shiku (Beijing: Wenwu chubanshe, 1989), vol. 1, plates 83, 87, and 88
16. Mizuno and Nagahiro, Unkōsekkutsu(Kyoto: Kyoto Daigaku Jinbun Kagaku Kenkyūjo, 1951-56), vol. 3, pt. 2, plate 5
17. Matsubara 1995, vol. 3, plates 531a, 544, and 545
18. Taishō 3.189
19. Ryūnion sekkutsu (Tokyo: Heibonsha, 1987-88), vol. 1, plate 57
20. Osvald Sirén, Chinesische Skulpturen der Sammlung Eduard von der Heydt: Chinese Sculptures in the von der Heydt Collection (Zurich: Museum Rietberg Zurich, 1959), 80-85
21. Osvald Sirén, " Chinese Marble Sculptures of the Transition Period," Bulletin of the Museum of Far Eastern Antiquities 12 (1940), 473-496
22. Chang Xuzheng and Li Shaonan, "Shandong sheng Boxing xian chutu yipi Beichao zaoxiang," Wenwu, 7 (1983), plate 6, 1
23. Matsubara 1995, vol. 1, 271
24. Sirén 1925, vol. 1, 34
25. Taishō 14.454, 424b-425b
26. Hebei Linzhangxian wenwu baoguan suo, "Hebei Yenancheng fujin chutu Beichao shizaoxiang," Wenwu 9 (1980), 67, figs. 6 and 12
27. Taishō 14.452
28. Gaoseng zhuan, in Taishō 50.2059, 337a
29. Alexander Soper, Literary Evidence for Buddhist Art in China (Ascona: Attibus Asiae Publishers, 1959), 218
30. Alan Sponberg, " Wonhyo on Maitreya Visualization," in Alan Sponberg and Helen Hardacre eds., Maitreya, the Future Buddha (New York and Cambridge: Cambridge University Press, 1988), 101
31. Liu Huida, "Beiwei shiku yu chan," Kaogu xuebao 3 (1978), 337-352
32. Elizabeth ten Grotenhuis, The Revival of the Taima Mandata in Medieval Japan (New York and London: Garland Publishing, Inc., 1985)