Narrative and narrativity: A narratological reconceptualization and its applicability to the visual arts

Word and Image

Volumn 19, Issue 3, 2003, Pages 180-197

  Wolf, Werner ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61949165980     PISSN: 02666286     EISSN: None     Source Type: Journal    
DOI: 10.1080/02666286.2003.10406232     Document Type: Article

References (49)

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2. Gristopher Nash, ed., Na.na.twe in Culture: The Uses of Storytelling in the Sciences, Philosophy, and Literature (London: Routledge 1990), pp. v f
3. Arthur C. Danto, Analytical Philosophy of History (Cambridge: Cambridge University Press, 1965)
4. Louis O. Mink, ‘Narrative Form as a Cognitive Instrument’, in The Writing of History: Literary Form and Historical Understanding, eds Robert H. Canary and Henry Kozicki (Madison: University of Wisconsin Press, 1978), pp. 129–49
5. David Carr, Time, Narrative, and History (Bloomington: Indiana University Press, 1986)
6. Hayden White, The Content of the Form: Narrative Discourse and Historical Representation (Baltimore: Johns Hopkins University Press, 1987)
7. Lubomir Dolezel, ‘Fictional and Historical Narrative: Meeting the Postmodernist Challenge’, in David Herman, ed., Narratologies: New Perspectives on Narrative Analysis (Columbus: Ohio State University Press, 1999), PP- 247–73
8. Monika Fludcrnik, Towards a ‘Natural’ Narratology (London: Routledge, 1996)
9. Seymour Chatman, Story and Discourse: Narrative Structure in Fiction and Film (Ithaca: Cornell University Press, 1978)
10. Jakob Lothe, Narrative in Fiction and Film: An Introduction (Oxford: Oxford University Press, 2000)
11. Christian W. Thomsen, ‘Zum Literarischen in der postmodernen Architektur’, in Besichtigungen der Moderne: Bildende Kunst, Architektur, Musik, Literatur, Religion. Aspekte und Perspektiven, eds Hans Holländer and Christian W. Thomsen (Cologne: DuMont, 1987)
12. John Neubauer, ‘Tales of Hoffmann and Others on Narrativization of Instrumental Music’, in Interart Poetics: Essays on the Interrelations of the Arts and Media, eds Ulla-Britta Lagerroth, Hans Lund and Erik Hedling (Amsterdam: Rodopi, 1997), pp. 117–36
13. Werner Wolf, The Musicalization of Fiction: A Study in the Theoy and History of Intermediality (Amsterdam: Rodopi, 1999). PP- 29 32
14. Michael J. Toolan, Narrative: A Critical Linguistic Introduction (London: Routledge, 1988)
15. Ernst H. Gombrich, Art and Illusion: A Study in the Psychology of Pictorial Representation (Oxford: Phaidon, 1960/86), p. 113
16. Svetlana Alpers, ‘Describe or Narrate? A Problem in Realistic Representation’, New Literary History, 8 (1976), pp. 15–41
17. Gunther Kress and Theo van Leeuwen, Reading Images: The Grammar of Visual Design (London: Routledge, 1996)
18. Wendy Steiner, Pictures of Romance: Form against Context in Painting and Literature (Chicago: University of Chicago Press, 1988), ch. 1
19. Claude Brcmond, ‘La logique des possibles narratifs’, Communications, 8 (1966), pp. 60–76
20. Vladimir Propp, Morphology of the Folktale (Austin: University of Texas Press, 1977)
21. William Labov, ‘The Transformation of Experience in Narrative Syntax’, in W. Labov, Language in the Inner City: Studies in the Black English Vernacular (Oxford: Blackwell, 1972 77), pp. 354–96
22. Tcun A. van Dijk, Tekstwetenschap: Een interdisciplinaire inleiding (Utrecht: Het Spectrum, 1978); Textwissenschaft: Eine interdisziplinäre Einführung (Tübingen: Nicmeyer, 1980)
23. Meir Sternberg, ‘Telling in Time (11): Chronology, Teleology, Narrativity’, Poetics Today, 13 (1992), pp. 463-541, p. 464
24. Gerald Prince, Narratology: The Form and Functioning of Nanative (Berlin: Mouton, 1982), p. 4
25. Gerald Prince, ‘Remarks on Narrativity’, in Perspectives on Nanatology: Papers from the Stockholm Symposium on Narratology, ed. Claes Wahlin (Frankfurt a. M.: Lang, 1996), pp. 95-106, p. 98
26. Monika Fludernik, ‘Genres, Text Types, or Discourse Modes? Narrative Modalities and Generic Categorization’, Style, 34 (2000), pp. 274–92
27. Fludernik, Towards a Natural’ Nanatology (see note 5), p. 13
28. Manfred Smuda, ‘Deskriptionsmodalitäten und ihre Funktion im amerikanischen und englischen Roman’, Poetica, 12 (1980), pp. 377–96
29. Jeffrey Kittay, ‘Descriptive Limits’, Yale French Studies, 61 (1981), pp. 225–43
30. Meir Sternberg, ‘Ordering the Unordered: Time, Space, and Descriptive Coherence’, Yale French Studies, 61 (1981), pp. 60–88
31. Fludernik, ‘Genres, Text Types, or Discourse Modes?’ (see note 39), p. 282
32. Fludernik, ‘Genres, Text Types, or Discourse Modes?’ (see note 39), p. 282
33. H. Porter Abbott, ‘What Do We Mean When We Say ‘Narrative Literature?’: Looking for Answers Across Disciplinary Borders’, Style, 34 (2000), pp. 260–73
34. Jerome Bruner, Acts of Meaning (Cambridge, MA: Harvard University Press, 1990), p. 56
35. Friedrich Ungercr and Hans-Jörg Schmid, An Introduction to Cognitive Linguistics (London: Longman, 1996), ch. 1
36. Jcan-François Lyotard, La Condition postmoderne: Rapport sur le savoir (Paris: Minuit, 1979)
37. Jon-K. Adams, Narrative Explanation: A Pragmatic Theory of Discourse (Frankfurt/M.: Lang, 1996)
38. Ryan, ‘The Modes of Narrativity’ (see note 23), p. 317
39. Prince, ‘Remarks on Narrativity’ (see note 26), p. 99
40. Frank Kermode, The Sense of an Ending: Studies in the Theory of Fiction (Oxford: Oxford University Press, 1967), pp. 35
41. Labov, ‘The Transformation of Experience in Narrative Syntax’ (see note 20), pp. 365 f
42. Prieto-Pablos, ‘The Paradox of Suspense’ (sec note 23), p. 109
43. Richardson, ‘Recent Concepts of Narrative’ (see note 9), p. 169 f
44. Prince, ‘Remarks on Narrativity’ (see note 26), p. 98
45. Labov, ‘The Transformation of Experience in Narrative Syntax’ (see note 20) emphasizes the ‘violation of an expected rule’ as an important means of rendering a story ‘tellable’ or ‘reportable3 (p. 370)
46. Labov, ‘The Transformation of Experience in Narrative Syntax’ (see note 20), pp. 366–75
47. Labov, ‘The Transformation of Experience in Narrative Syntax’, p. 366
48. Göran Sonesson, ‘Mute Narratives. New Issues in the Study of Pictorial Texts’, in Interart Poetics: Essays on the Interrelations of the Arts and Media, eds Ulla-Britta Lagerroth, Hans Lund and Erik Hedling (Amsterdam: Rodopi, 1997), pp. 243-51, p. 244
49. Micke Bal, ‘Close Reading Today: From Narratology to Cultural Analysis’, in Grenzüberschreitungen: Jfarratologie im Kontext/Transcending Boundaries: Narratology in Context, eds Walter Grünzweig and Andreas Solbach (Tübingen: Narr, 1999), pp. 19–40