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Third Text

Volumn 18, Issue 1, 2004, Pages 25-40

  Murawska Muthesius, Katarzyna ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61649108614     PISSN: 09528822     EISSN: None     Source Type: Journal    
DOI: 10.1080/0952882032000182695     Document Type: Article

References (38)

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2. Igor Zabel, ' "We" and "the Others" ', 1997, ibid, pp 110-13
3. Ekaterina Dyogot, 'How to Qualify for Postcolonial Discourse', ART Margins, 1 November 2001
4. Margaret Dikovitskaya, 'A Response to Ekaterina Dyogot's Article: Does Russia Qualify for Postcolonial Discourse?', ART Margins, 30 January 2002
5. S A Mansbach, Modern Art in Eastern Europe: From the Baltic to the Balkans, ca. 1890-1939, Cambridge University Press, Cambridge 1999
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7. Timothy O Benson, ed, Central European Avant-Gardes: Exchange and Transformation, Los Angeles County Museum of Art and the MIT Press, Cambridge, MA and London 2002
8. Laura Hoptman and Tomáš Pospiszyl, eds, Primary Documents: A Sourcebook for Eastern and Central European Art since the 1950s, The Museum of Modern Art, New York and the MIT Press, Cambridge, MA and London, 2002
9. Piotr Piotrowski, 'The grey zone of Europe', in Bojana Pejić and David Elliott, op cit, pp 35-41
10. 'Central and East European Art and Culture 1945 - Present', a Round Table discussion convened by Susan Snodgrass, ART Margins, 15 October 2001
11. Postcommunism: Theory and Practice, Call for papers for a conference, Centre of Translation and Comparative Cultural Studies, University of Warwick, June 2002
12. Central European University, Budapest, Summer Course 2002: Cultural Diversities East and West: Postcommunism, Post colonialism and Ethnicity
13. Arnold Buchholz, ed, Soviet and East European Studies in the International Framework: Organization, Financing and Political Relevance, Transnational Publishers, Dobbs Ferry, NY, 1982
14. Anikó Imre,' 'White man, white mask: Mephisto meets Venus', Screen, 40, Winter 1999, pp 405-22
15. Malcolm Bradbury, Rates of Exchange, Penguin Books, Harmondsworth, 1985
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18. David Cairns and Shaun Richards, Writing Ireland: Colonialism, Nationalism and Culture, Manchester University Press, Manchester, 1988
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21. Maria Todorova, Imagining the Balkans, Oxford University Press, New York and Oxford, 1997
22. W B Newsome, ' "Dead Lands" or "New Europe"? Reconstructing Europe, Reconfiguring Eastern Europe: "Westerners" and the Aftermath of World War I', East European Quarterly, 36, 2002, pp 39-62
23. Edward Said, Orientalism: Western Conceptions of the Orient, Penguin, Harmondsworth, 1995, p 7-8
24. Adam Palmer, The Lands Between: A History of East-Central Europe Since the Congress of Vienna, Weidenfeld & Nicolson, London, 1970, p 1
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28. Adam Burgess, Divided Europe: The New Domination of the East, Pluto Press, London and Chicago, 1997
29. Julie Burchill, 'After the Flood', Guardian Weekend, 28 July 2001, p 7
30. Thomas DaCosta Kaufmann, review in The Art Bulletin, 57, 1978, pp 164-9
31. Anthony Rhodes, Art Treasures of Eastern Europe, Weidenfeld & Nicolson, London, 1972, pp 8-9
32. Avantgarde Osteuropa, 1910-1930, exhibition catalogue, Deutsche Gesellschaft für Bildende Kunst und Akademie der Künste, Berlin, 1967
33. The Hungarian Avant-garde: The Eight and the Activists, Hayward Gallery, London, 1980
34. Hilary Gresty and Jeremy Levinson, eds, Constructivism in Poland, Kettle's Yard Gallery, Cambridge, 1984
35. Biatostocki, Art of the Renaissance in Eastern Europe: Hungary -Bohemia - Poland, Phaidon, Oxford, 1976
36. Andrzej Turowski, Existe-t-il un art de l'Europe de l'est?, Editions de la Villette, Paris, 1986
37. Vojtech Lahoda, review in Umení, 49, 2001, pp 86-93
38. James Elkins, 'S A Mansbach, Modern Art in Eastern Europe: From the Baltic to the Balkans, ca. 1890-1939', book review in Art Bulletin, 82, 2000, p 781