-
1
-
-
61949278660
-
What is a Classic?
-
New York: Noonday Press
-
T. S. Eliot, "What is a Classic?" in On Poetry and Poets (New York: Noonday Press, 1968), 52-74
-
(1968)
On Poetry and Poets
, pp. 52-74
-
-
Eliot, T.S.1
-
2
-
-
4243854321
-
-
Cambridge, Mass. and London: Harvard University Press
-
Frank Kermode, The Classic (Cambridge, Mass. and London: Harvard University Press, 1983), 15-16
-
(1983)
The Classic
, pp. 15-16
-
-
Kermode, F.1
-
4
-
-
85038752068
-
-
New York and London: Schirmer Books
-
Bryan R. Simms, Music of the Twentieth Century (New York and London: Schirmer Books, 1986), 274-303
-
(1986)
Music of the Twentieth Century
, pp. 274-303
-
-
Simms, B.R.1
-
5
-
-
60949464068
-
-
New York and London: W. W. Norton, 159-200
-
Robert P. Morgan, Twentieth-Century Music (New York and London: W. W. Norton, 1991), 126-27, 159-200
-
(1991)
Twentieth-Century Music
, pp. 126-127
-
-
Morgan, R.P.1
-
10
-
-
60950392921
-
Back to Whom? Neoclassicism as Ideology
-
"Back to Whom? Neoclassicism as Ideology," 19th-Century Music 16 (1993): 286-302
-
(1993)
19th-Century Music
, vol.16
, pp. 286-302
-
-
Taruskin, R.1
-
11
-
-
61949380204
-
Schoenberg is Dead
-
Pierre Boulez, "Schoenberg is Dead," The Score 6 (1952): 18-22
-
(1952)
The Score
, vol.6
, pp. 18-22
-
-
Boulez, P.1
-
12
-
-
79956598027
-
-
trans. Martin Cooper, ed. Jean-Jacques Nattiez (Cambridge, Mass.: Harvard University Press)
-
Boulez in Orientations, trans. Martin Cooper, ed. Jean-Jacques Nattiez (Cambridge, Mass.: Harvard University Press, 1986), 31
-
(1986)
Orientations
, pp. 31
-
-
Boulez, P.1
-
13
-
-
79955217166
-
-
untitled memoir
-
Milton Babbitt, untitled memoir, Perspectives of New Music 9/2 and 10/1 (1971): 106-7
-
(1971)
Perspectives of New Music
, vol.9-10
, Issue.1-2
, pp. 106-107
-
-
Babbitt, M.1
-
15
-
-
34548838513
-
-
Aubier: Editions Montaigne
-
Jean Pépin, Myth et Allégorie (Aubier: Editions Montaigne, 1958), 97-98
-
(1958)
Myth et Allégorie
, pp. 97-98
-
-
Pépin, J.1
-
16
-
-
60949610155
-
-
Berkeley, Los Angeles, and London: University of California Press
-
Robert Lamberton, Homer the Theologian (Berkeley, Los Angeles, and London: University of California Press, 1986)
-
(1986)
Homer the Theologian
-
-
Lamberton, R.1
-
17
-
-
84968237343
-
Brahms and Twentieth-Century Classical Music
-
Peter Burkholder, "Brahms and Twentieth-Century Classical Music," 19th-Century Music 8 (1984): 76
-
(1984)
19th-Century Music
, vol.8
, pp. 76
-
-
Burkholder, P.1
-
18
-
-
84968093989
-
Musical Time and Continuity as a Reflection of the Historical Situation of Modern Composers
-
Peter Burkholder, "Musical Time and Continuity as a Reflection of the Historical Situation of Modern Composers," Journal of Musicology 9 (1991): 412-29
-
(1991)
Journal of Musicology
, vol.9
, pp. 412-429
-
-
Burkholder, P.1
-
19
-
-
3042530419
-
Towards a New Poetics of Musical Influence
-
Kevin Korsyn "Towards a New Poetics of Musical Influence," Musical Analysis 10 (1991), 3-72
-
(1991)
Musical Analysis
, vol.10
, pp. 3-72
-
-
Korsyn, K.1
-
22
-
-
0347140730
-
-
Austin: University of Texas Press
-
Gary Saul Morson, The Boundaries of Genre (Austin: University of Texas Press, 1981), 118
-
(1981)
The Boundaries of Genre
, pp. 118
-
-
Morson, G.S.1
-
23
-
-
84968125178
-
Chernomor to Kashchei: Harmonic Sorcery; or, Stravinsky's 'Angle'
-
Richard Taruskin in "Chernomor to Kashchei: Harmonic Sorcery; or, Stravinsky's 'Angle,'" Journal of the American Musicological Society 38 (1985): 117
-
(1985)
Journal of the American Musicological Society
, vol.38
, pp. 117
-
-
Taruskin, R.1
-
24
-
-
79955346171
-
-
ed. and trans. Richard Langham Smith New York: Alfred A. Knopf
-
Claude Debussy, Debussy on Music, ed. and trans. Richard Langham Smith (New York: Alfred A. Knopf, 1977), 231
-
(1977)
Debussy on Music
, pp. 231
-
-
Debussy, C.1
-
25
-
-
79955288476
-
-
May 8
-
Le Figaro, May 8, 1908
-
(1908)
Le Figaro
-
-
-
26
-
-
79955345129
-
-
March 11
-
L'intransigeant, March 11, 1915
-
(1915)
L'intransigeant
-
-
-
27
-
-
63849111316
-
-
New York: Henry Holt and Company
-
Victor I. Seroff in Maurice Ravel (New York: Henry Holt and Company, 1953), 207
-
(1953)
Maurice Ravel
, pp. 207
-
-
Seroff, V.I.1
-
30
-
-
61949125938
-
-
New Haven and London: Yale University Press
-
Pieter van den Toorn, The Music of Igor Stravinsky (New Haven and London: Yale University Press, 1983), 333-36
-
(1983)
The Music of Igor Stravinsky
, pp. 333-336
-
-
van den Toorn, P.1
-
31
-
-
85038793715
-
The Relation of Folk Song to the Development of the Art Music of Our Time
-
Béla Bartók, "The Relation of Folk Song to the Development of the Art Music of Our Time," in Bartók Essays, 323
-
Bartók Essays
, pp. 323
-
-
Bartók, B.1
-
32
-
-
8644263362
-
Béla Bartók and The Concept of Nation and Volk in Modern Hungary
-
Judit Frigyesi, "Béla Bartók and The Concept of Nation and Volk in Modern Hungary," Musical Quarterly 78 (1994): 255-87
-
(1994)
Musical Quarterly
, vol.78
, pp. 255-287
-
-
Frigyesi, J.1
-
34
-
-
60949222679
-
Concepts of Prolongation and Bartók's Opus 20
-
Paul Wilson, "Concepts of Prolongation and Bartók's Opus 20," Music Theory Spectrum 6 (1984): 79-89
-
(1984)
Music Theory Spectrum
, vol.6
, pp. 79-89
-
-
Wilson, P.1
-
35
-
-
0003990943
-
-
Berkeley, Los Angeles, and London: University of California Press
-
Elliott Antokoletz (The Music of Bela Bartók [Berkeley, Los Angeles, and London: University of California Press, 1984], 55-62)
-
(1984)
The Music of Bela Bartók
, pp. 55-62
-
-
Antokoletz, E.1
-
37
-
-
0342791364
-
-
New York: Viking Press
-
Charles Rosen, Arnold Schoenberg (New York: Viking Press, 1975), 89
-
(1975)
Arnold Schoenberg
, pp. 89
-
-
Rosen, C.1
-
38
-
-
79955248882
-
-
ed. Gerald Strang and Leonard Stein (New York: St. Martin's Press)
-
Schoenberg, Fundamentals of Musical Composition, ed. Gerald Strang and Leonard Stein (New York: St. Martin's Press, 1967), 200
-
(1967)
Fundamentals of Musical Composition
, pp. 200
-
-
Schoenberg, A.1
-
41
-
-
65849525016
-
The Roots of Form in Schoenberg's Sketches
-
Martha M. Hyde, "The Roots of Form in Schoenberg's Sketches," Journal of Music Theory 24 (1980): 16-19
-
(1980)
Journal of Music Theory
, vol.24
, pp. 16-19
-
-
Hyde, M.M.1
-
42
-
-
60949756639
-
Inversional Balance as an Organizing Force in Schoenberg's Music and Thought
-
David Lewin, "Inversional Balance as an Organizing Force in Schoenberg's Music and Thought," Perspectives of New Music 6/2 (1968): 2
-
(1968)
Perspectives of New Music
, vol.6
, Issue.2
, pp. 2
-
-
Lewin, D.1
|