Phantom sightings: Art after the Chicano movement

American Quarterly

Volumn 60, Issue 4, 2008, Pages 1057-1072

  Shaked, Nizan ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61449440940     PISSN: 00030678     EISSN: 10806490     Source Type: Journal    
DOI: 10.1353/aq.0.0043     Document Type: Article

References (24)

1. Rita Gonzalez, "Phantom Sites: The Official, the Unofficial, and the Orificial," Phantom Sightings: Art after the Chieano Movement, exhibition catalog (Los Angeles: Los Angeles County Museum of Art and University of California Press, 2008), 47-73, 50
2. Rita Gonzalez, Howard N. Fox, Chon A. Noriega, introduction to Phantom Sightings, 13
3. Chon A. Noriega, "The Orphans of Modernism," in Phantom Sightings, 16-46, 17
4. Hairy Gamboa Jr.'s "Gronk: No Movie Maker," reprinted in Urban Exile: Collected Writings of Harry Gamboa jr., ed. Chon A. Noriega (Minneapolis: University of Minnesota Press, 1998), 48
5. Chon Noriega, "From Beats to Borders," Reading California: Art, Image, and Identity, 1900-2000, ed. Stephanie Barron et al., (Los Angeles: University of California Press, 2000) 355-71
6. C. Ondine Chavoya, "No-Movies: The Art of False Documents," in Only Skin Deep: Changing Visions of the American Self, ed. Coco Fusco and Brian Wallis, 199-203 (New York: International Center of Photography and Harry N. Abrams, 2003), 200
7. Jose" Esteban Muñoz, Disidentifcations: Queers of Color and the Performance of Politics (Minneapolis: University of Minnesota Press, 1999), 31
8. Dick Hebdige, Subculture: The Meaning of Style (London: Methuen, 1979)
9. Rita Gonzalez, LACMA, May 21,2008
10. Anna Chave, "Minimalism and the Rhetoric of Power," Arts Magazine 64.4 (December 1989): 44-63
11. LACMA symposium "Phantom Sites: Rethinking Identity and Place in Contemporary Art," April 2008
12. Thelma Golden, "What's White ...?" in 1993 Biennial Exhibition, exhibition catalog, ed. Elisabeth Sussman et al., 26-35 (New York: Whitney Museum of American Art and Harry N. Abrarns, 1993), 35
13. Nizan Shaked, "Critical Identity Politics," X-tra: Contemporary Art Quarterly 11.1 (Fall 2008): 4-15
14. Roberta Smith, "Rounding Up the Usual Suspects," New York Times, February 15, 2008, www. lexisnexis.com.mccl .library.csulb.edu/us/lnacademic/results/docview/docview (accessed July 14, 2008)
15. Christopher Knight, "Old-Guard Star Power-but Little Coherence," Los Angeles Times, February 07, 2008, http://articles.latimes.com/2008/feb/07/entertainment/et-bcamart7 (accessed July 14, 2008)
16. Mikhail M. Bakhtin, "Discourse in the Novel," in The Dialogic Imagination (Austin: University of Texas Press, 1981), 259-422
17. Rita Gonzalez, "Phantom Sites," 72nl4
18. Chon Noriega, Rita Gonzalez, Malik Gains, Karin Higa, "Curating Race: A Conversation on Curating Ethnically Specific Exhibitions," organized by Aimee Chang, Hammer Museum, Los Angeles, April 23, 2008
19. Paul Gilroy, "The Crisis of 'Race' and Raciology," in Against Race: Imagining Political Culture Beyond the Color Line (Cambridge, Mass.: Harvard University Press, 2001), 11-53
20. Diana Fuss, Essentially Speaking: Feminism, Nature, and Difference (London: Routledge, 1990)
21. Thelma Golden, introduction to Freestyle, exhibition catalog (New York: The Studio Museum in Harlem, 2001), 14-15,14
22. Cathy Byrd, "Is There a 'Post-Black' Art? Investigating the Legacy of the 'Freestyle' Show," Art Papers, 26.6'(Nov./Dec. 2002): 35-39, 39
23. Rita Gonzalez, "Curating Race."
24. Gilroy, "The Crisis of'Race' and Raciology."