Electronic bodies: Corpo-Realities in contemporary dance performance

Performance Research

Volumn 8, Issue 4, 2003, Pages 33-41

  Boenisch, Peter M ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61449394382     PISSN: 13528165     EISSN: None     Source Type: Journal    
DOI: 10.1080/13528165.2003.10871964     Document Type: Article

References (11)

1. Boenisch, Peter M. (2003) ‘coMEDIA electrONica: Performing Intermediality in Contemporary Theatre’, Theatre Research International 28(1): 34-45.
2. Butler, Judith (1993) Bodies That Matter: On the Discursive Limits of 'Sex’, London/New York: Routledge.
3. De Kerckhove Derrick (1981) ‘A Theory of Greek Tragedy’, Sub-stance 29: 23-36.
4. Eshun, Kodwo (1998) More Brilliant than the Sun: Adventures in Sonic Fiction, London: Quartet.
5. Fischer, Eva-Elisabeth (2002) ‘rosas 20’, Ballet-Tanz 5: 8-13.
6. Gilroy, Paul (1993) The Black Atlantic: Modernity and Double Consciousness, London: Verso.
7. Martin, John (1989) The Modern Dance, Princeton/NJ: Princeton Book [unabridged republication of the 1933 New York edition].
8. McLuhan, Marshall Herbert (1962) The Gutenberg Galaxy: The Making of Typographic Man, Toronto: University of Toronto Press.
9. Phelan, Peggy (1993) Unmarked: The Politics of Performance, London/New York. Routledge.
10. Ruckert, Felix and Hartung, Bernd (2003) ‘Love University’, Performance Research 8(2) ‘Bodiescapes’: 91-9.
11. Wesemann, Arnd (2001) ‘Tanz ist Sex mit dem Publikum. Uber das Taktile im Tanz und das Beriihren als Augenersatz’, in Ballet-Tanz Yearbook 2001, pp. 44-7.