Accelerated aesthetics: Paul virilio-s the vision machine

Angelaki - Journal of the Theoretical Humanities

Volumn 2, Issue 3, 1997, Pages 199-209

  Armitage, John ^a  

^a NORTHUMBRIA UNIVERSITY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61449341468     PISSN: 0969725X     EISSN: None     Source Type: Journal    
DOI: 10.1080/09697259708571955     Document Type: Article

References (9)

1. Lotringer, S. and P. Virilio, Pure War (New York: Semiotext(e), Foreign Agents Series, Autonomedia, 1983)
2. Virilio, P., "The Overexposed City, "Zone 1/2 (1984) 15-31
3. Virilio, P., Negative Horizon (New York: Semiotext(e), Foreign Agents Series, Autonomedia, 1986)
4. Virilio, P., Speed & Politics (New York: Semiotext(e), Foreign Agents Series, Autonomedia, 1986)
5. Virilio, P., War and Cinema: The Logistics of Perception (London: Verso, 1989)
6. Virilio, P., Popular Defense & Ecological Struggles (New York: Semiotext(e), Foreign Agents Series, Autonomedia, 1990)
7. Virilio, P., The Aesthetics of Disappearance (New York: Semiotext(e), Autonomedia, 1991)
8. Virilio, P., The Lost Dimension (New York: Semiotext(e), Autonomedia, 1991)
9. Virilio, P., "The Third Interval: A Critical Transition," Rethinking Technologies, ed V.A. Conley (Minnesota: University of Minnesota Press, 1993) 3-12