The immersive spectator: A phenomenological hybrid

Angelaki - Journal of the Theoretical Humanities

Volumn 9, Issue 3, 2004, Pages 169-185

  Walsh, Maria ^a  

^a UNIVERSITY OF THE ARTS LONDON   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61449302093     PISSN: 0969725X     EISSN: None     Source Type: Journal    
DOI: 10.1080/0969725042000307709     Document Type: Review

References (33)

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2. Dorothea Olkowski's in Gilles Deleuze and the Ruin of Representation (Berkeley: U of California P, 1999)
3. Margaret Morse, "Body and Screen," Wide Angle 21.1 (1999): 64
4. Yvonne Spielmann's "Aesthetic Features in Digital Imaging: Collage and Morph" in Wide Angle
5. Maurice Merleau-Ponty, The Visible and the Invisible, trans. Alphonso Lingis (Evanston: Northwestern UP, 1968) 139
6. Annette Michelson, "About Snow," October 8 (spring 1979): 116
7. Jean-Louis Baudry's essay Ideological Effects of the Basic Cinematographic Apparatus, trans. Alan Williams in Narrative, Apparatus, Ideology: A Film Theory Reader, ed. Philip Rosen (New York: Columbia UP, 1986)
8. Elizabeth Grosz, Architecture from the Outside: Essays on Virtual and Real Space (Cambridge, MA: MIT P, 2001)
9. Henri Bergson, Matter and Memory, trans. N.M. Paul and W.S. Palmer (New York: Zone, 1988) 151-52
10. Barbara Kennedy, "Towards an Aesthetics of Sensation. A Reconsideration of Film Theory through Deleuzian Philosophy and Post-Feminism" (Ph.D. thesis, Staffordshire University, 2000) 50
11. Kennedy's Deleuze and Cinema: The Aesthetics of Sensation (Edinburgh: Edinburgh UP, 2000)
12. Steven Shaviro, in The Cinematic Body (Minneapolis: U of Minnesota P, 1993)
13. Deleuze, Difference and Repetition, trans. Paul Patton (London: Athlone, 1994) 268
14. John Johnston, "Machinic Vision," Critical Inquiry 26 (autumn 1999): 45
15. Kaja Silverman in Be'la Bala'zs' writings in The Threshold of the Visible World (New York and London: Routledge, 1996) 88
16. Marks' The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses (Durham and London: Duke UP, 2000)
17. Allan Casebier's Film and Phenomenology: Toward a Realist Theory of Cinematic Representation (Cambridge: Cambridge UP, 1991)
18. Vivian Sobchack's The Address of the Eye: A Phenomenology of Film Experience (Princeton: Princeton UP, 1992)
19. Dana Polan, "Francis Bacon: The Logic of Sensation" in Gilles Deleuze and the Theater of Philosophy, eds. Constantin V. Boundas and Dorothea Olkowski (New York and London: Routledge, 1994) 252
20. Antonia Lant's "Haptical Cinema," October 74 (fall 1995): 45-73
21. Jodi Brooks, "Between Contemplation and Distraction: Cinema, Obsession and Involuntary Memory" in Kiss Me Deadly: Feminism and Cinema for the Moment, ed. Laleen Jayamanne (Sydney: Power, 1995) 86
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23. Gaylyn Studlar, "De-territorial Imperative" (Review of Cinema 1: The Movement-Image), Quarterly Review of Film & Video 12.3 (1990): 105
24. Gilles Deleuze and Fe'lix Guattari, What is Philosophy?, trans. Hugh Tomlinson and Graham Burchill (London and New York: Verso, 1994) 164
25. Gilles Deleuze, Cinema 1: The Movement-Image, trans. Hugh Tomlinson and Barbara Habberjam (London: Athlone, 1992) 59
26. James Peterson, Dreams of Chaos, Visions of Order: Understanding the American Avant-Garde Cinema (Detroit: Wayne UP, 1994) 74
27. William C. Wees, Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film (Berkeley: U of California P, 1992) 170
28. John Du Cane in Studio International 186.960 (1973): 179
29. Elizabeth Grosz, Volatile Bodies: Towards a Corporeal Feminism (Bloomington and Indianapolis: Indiana UP, 1994) 94
30. Luce Irigaray, "The Invisible of the Flesh: A Reading of Merleau-Ponty, The Visible and the Invisible, 'The Intertwining - The Chiasm'" in An Ethics of Sexual Difference, trans. Carolyn Burke and Gillian C. Gill (Ithaca, NY: Cornell UP, 1993) 151-84
31. Maurice Blanchot, The Infinite Conversation, trans. Susan Hanson (Minneapolis: U of Minnesota P, 1993) 120
32. Diana Coole's "Thinking Politically with Merleau-Ponty," Radical Philosophy 108 (July/Aug. 2001)
33. Elizabeth Grosz, "Thinking the New: Of Futures Yet Unthought" in Becomings: Explorations in Time, Memory, and Futures, ed. Elizabeth Grosz (Ithaca and London: Cornell UP, 1999) 22