Hot spots, avatars, and narrative fields forever: Buñuel's legacy for new digital media and interactive database narrative

Film Quarterly

Volumn 55, Issue 4, 2002, Pages 2-15

  Kinder, Marsha ^a  

^a UNIVERSITY OF SOUTHERN CALIFORNIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61449227512     PISSN: 00151386     EISSN: None     Source Type: Journal    
DOI: 10.1525/fq.2002.55.4.2     Document Type: Review

References (17)

1. Linda Williams, Figures of Desire: A Theory and Analysis of Surrealist Film (Urbana, IL: University of Illinois Press, 1981)
2. Victor Fuentes, "The Discreet Charm of the Postmodern: Negotiating the Great Divide with the Ultimate Modernist, Luis Buñuel," in Luis Buñuel's The Discreet Charm of the Bourgeoisie, ed. Marsha Kinder (New York: Cambridge University Press, 1999), pp. 82-98
3. Susan Suleiman, "Freedom and Necessity: Narrative Structure in The Phantom of Liberty," Quarterly Review of Film Studies 3, no. 3 (Summer 1978): 277-96
4. James Tobias, "Buñuel's Net Work: Performative Doubles in the Impossible Narrative of The Phantom of Liberty," Film Quarterly, vol. 52, no. 2 (Winter 1998-99): 10-22
5. Jo Labanyi, "Buñuel's Cinematic Collaboration with Sáenz de Heredia, 1935-36," paper presented at the "Buñuel 2000" Centenary Conference
6. "Pessimism," in An Unspeakable Betrayal: Selected Writings of Luis Buñuel, trans. Garrett White (Berkeley, CA: University of California Press, 1995), pp. 258-63
7. Agustín Sánchez Vidal, Luis Buñuel (Madrid: Editorial Cátedra, 1991), p. 25
8. Allucquère Rosanne Stone in The War of Desire and Technology at the Close of the Mechanical Age (Cambridge, MA: MIT Press, 1995), pp. 10-11
9. "Violence American Style: The Narrative Orchestration of Violent Attractions," in Violence and American Cinema, ed. J. David Slocum (New York: Routledge, 2000), pp. 63-100
10. Luis Buñuel, My Last Sigh, trans. Abigail Israel (New York: Vintage Books, 1984), p. 132
11. José De la Colina and Tomás Pérez Turrent in Objects of Desire: Conversations with Luis Buñuel (1986), ed. and trans. Paul Lenti (New York: Marsilio Publishers, 1992), p. 22
12. John Hopewell, Out of the Past: Spanish Cinema after Franco (London: British Film Institute, 1986), p. 59
13. Michael Wood, "Tormentors and Tormented: Buñuel's Women," a paper presented at the "Buñuel 2000" Centenary Conference
14. Peter Brooks, Reading for the Plot: Design and Intention in Narrative (New York: Vintage, 1984), pp. 22, 37, 47
15. Gilles Deleuze and Félix Guattari, Anti-Oedipus: Capitalism and Schizophrenia (1972), trans. Robert Hurley, Mark Seem, and Helen R. Lane (New York: Viking Press, 1977)
16. Roland Barthes, Writing Degree Zero and Elements of Semiology, trans. Annette Lavers and Colin Smith (Boston: Beacon Press, 1970), p. 86
17. Gilles Deleuze, Cinema 2: The Time-Image (1985), trans. Hugh Tomlinson and Robert Galeta (Minneapolis, MN: University of Minnesota Press, 1997), pp. 102-3