The pervasiveness of the commonplace: The historian and amateur theatre

Theatre Research International

Volumn 26, Issue 3, 2001, Pages 233-242

  Cochrane, Claire ^a  

^a UNIVERSITY OF WORCESTER   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61449205287     PISSN: 03078833     EISSN: None     Source Type: Journal    
DOI: 10.1017/S0307883301000323     Document Type: Review

References (35)

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2. Alan Woods, 'Emphasizing the Avant-Garde', in Thomas Postlewait and Bruce A. McConachie, eds., Interpreting the Theatrical Past: Essays in the Historiography of Performance (Iowa City: Iowa University Press, 1989), pp. 167-76
3. Pentii Paavolainen, 'The Marginality of the Majority - On the Position of the Intellectual Tastes in the Writing of Theatre History', paper delivered to the IFTR Historiography Working Group, Helsinki, August 1997
4. T. J. Diffey, 'A Note on Some Meanings of the Term "Aesthetic"', British Journal of Aesthetics, vol. 35, no. 1 (January 1995), pp. 61-6
5. Immanuel Kant, Critique of Pure Reason, translated by J. M. D. Meiklejohn (London: J. M.Dent, 1934)
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7. Bertolt Brecht, 'Sollten wir nicht die Aesthetik liquidieren?', Berliner Börsen-Courier, 2 June 1927
8. John Willett, ed., Brecht on Theatre, (London: Methuen, 1978), pp. 19-21
9. Pierre Bourdieu, Distinction: A Social Critique of the Judgement of Taste, translated by Richard Nice (London: Routledge & Kegan Paul, 1984), p. 7
10. Terry Eagleton, 'The Ideology of the Aesthetic', in Stephen Regan, ed., The Politics of Pleasure: Aesthetics and Cultural Theory (Buckingham: Open University Press, 1992), pp. 17-31 (21)
11. Elan Closs Stephens, 'Drama', in Meic Stephens, ed., The Arts in Wales 1950-1975 (Cardiff: The Welsh Arts Council, 1979), pp. 236-96 (237)
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15. Andrew Davies in Other Theatres: The Development of Alternative and Experimental Theatre in Britain (Houndmills: Macmillan Education, 1987), p. 135
16. Norman Veitch, The Peoples: Being a History of the Peoples' Theatre, Newcastle upon Tyne (Gateshead on Tyne: Northumberland Press, 1950)
17. Pamela Dellar, Gillian Holtby and Barbara Robinson, eds., The Swelling Scene: The Development of Amateur Drama in Hull from 1900 (Beverley: Highgate Publications (Beverley) Ltd., 1996)
18. Catherine Itzin, Stages in the Revolution: Political Theatre in Britain Since 1968 (London: Eyre Methuen, 1980)
19. Sandy Craig, ed., Dreams and Deconstructions: Alternative Theatre in Britain (Ambergate: Amber Lane Press Ltd., 1980)
20. Harold Perkin, The Rise of Professional Society: England Since 1880 (London: Routledge, 1989), p. xii
21. Donald Hutchison, The Modern Scottish Theatre (Glasgow: Molendinar Press, 1977), pp. 32-3
22. Loren Kruger, The National Stage: Theatre and Cultural Legitimization in England, France and America (Chicago: Chicago University Press, 1992), pp. 83-131
23. Geoffrey Whitworth, The Making of a National Theatre (London: Faber & Faber, 1951) pp. 148-9
24. The Drama in Adult Education. A Report by the Adult Education Committee of the Board of Education being Paper No.6 of the Committee (London: His Majesty's Stationery Office, 1926)
25. The Repertory Movement: A History of Regional Theatre in Britain (Cambridge: Cambridge University Press, 1984), George Rowell and Anthony Jackson
26. New Theatre, vol. 4, no. 8 (February 1948 ), pp. 6-7
27. Norman Marshall, The Other Theatre (London: John Lehmann, 1947), p. 85
28. Charles Landstone, Off-stage: A Personal Record of the First Twelve Years of State-Sponsored Drama in Great Britain (London: Elek, 1953), p. 183
29. Robert Hutchison, The Politics of the Arts Council (London: Sinclair Browne, 1982)
30. Robert Hewison, Culture and Consensus: England, Art and Politics since 1940 (London: Methuen, 1995)
31. W. E. Williams, 'The First Ten Years' in The Arts Council of Great Britain, Eleventh Annual Report 1955-1956, pp. 5-32 (13)
32. Marvin Carlson, Performance: A Critical Introduction (London and New York: Routledge, 1996)
33. Raphael Samuel, Ewan MacColl and Stuart Cosgrove, Theatres of the Left 1880-1935 (London: Routledge & Kegan Paul, 1985)
34. Colin Chambers, The Story of Unity Theatre (London: Lawrence & Wishart, 1989)
35. Penelope Dening, 'Let's Do the Show Right Here', The Times, 21 November 1992