Theatre and performance at a time of shifting disciplines

Theatre Research International

Volumn 26, Issue 2, 2001, Pages 137-144

  Carlson, Marvin ^a  

^a CITY UNIVERSITY OF NEW YORK   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61449183749     PISSN: 03078833     EISSN: None     Source Type: Journal    
DOI: 10.1017/S0307883301000141     Document Type: Review

References (8)

1. Michel Foucault, Discipline and Punish, translated by Alan Sheridan (New York: Vintage, 1979), p. 141
2. Thomas Kuhn, The Structure of Scientific Revolutions (Chicago, IL: University of Chicago Press, 1970), p. 69
3. The Copernican Revolution (Cambridge, MA: Harvard University Press, 1957), pp. 135-43
4. Bert O. States, Great Reckonings in Little Rooms: On the Phenomenology of Theatre (Berkeley, CA: University of California Press, 1985), p. 46
5. Michael Fried, 'Art and Objecthood', in Gregory Battock, ed., Minimal Art (New York: Dutton, 1968) p. 145
6. Clifford Geertz, 'Blurred Genres', Local Knowledge: Further Essays in Interpretive Anthropology (Stanford, CA: Stanford University Press, 1983), pp. 19-35
7. Thi Minh-Ha Trinh, Women, Native, Other: Writing Postcoloniality and Feminism (Bloomington, IA: Indiana University Press, 1989), p. 94
8. Renato Rosaldo, Culture and Truth: The Remaking of Social Analysis (Boston, MA: Beacon, 1989), p. 28