Half-diminished functions and transformations in late romantic music

Music Theory Spectrum

Volumn 23, Issue 1, 2001, Pages 41-60

  Bass, Richard ^a,b  

^a Department of Theory ^*

^b UNIVERSITY OF CONNECTICUT   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61449089482     PISSN: 01956167     EISSN: None     Source Type: Journal    
DOI: 10.1525/mts.2001.23.1.41     Document Type: Review

References (17)

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3. Childs, Adrian P. 1998. "Moving Beyond Neo-Riemannian Triads: Exploring a Transformational Model for Seventh Chords." Journal of Music Theory 42: 181-93
4. Cohn, Richard. 1996. "Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late Romantic Triadic Progressions." Music Analysis 15: 9-40
5. -. 1997. "Neo-Riemannian Operations, Parsimonious Trichords, and Their Tonnetz Representations." Journal of Music Theory 41: 1-66
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9. Gauldin, Robert. 1997. Harmonic Practice in Tonal Music. New York: Norton
10. Gollin, Edward. 1998. "Some Aspects of Three-Dimensional Tonnetze." Journal of Music Theory 42: 195-206
11. Harrison, Daniel. 1994. Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents. Chicago: University of Chicago Press
12. -. 1995. "Supplement to the Theory of Augmented Sixth Chords." Music Theory Spectrum 17: 170-95
13. Hyer, Brian. 1995. "Reimag(in)ing Riemann." Journal of Music Theory 39: 101-38
14. Lewin, David. 1987. Generalized Musical Intervals and Transformations. New Haven: Yale University Press
15. -. 1996. "Cohn Functions." Journal of Music Theory 40: 181-216
16. Schoenberg, Arnold. 1978. Theory of Harmony (Harmonielehre). Translated by Roy E. Carter. Berkeley: University of California Press
17. Soderberg, Stephen. 1998. "The T-HEX Constellation." Journal of Music Theory 42: 207-18